Doctors Hate Him is back for our fourth EP. The Locator stalwart maintains form and momentum with Don’t Surf, a tight 3-tracker with heavy tech grooves.  Revealing greater depth and nuance upon closer inspection, DHH builds a masterful balance between functionality and full-blown dancefloor immersion.

Music and Production: Dylan Blatt
Mastering: Analogcut Mastering Berlin
Artwork: Joe Dooley
Presented worldwide from San Francisco by Locator Records

Purchase

[LOC004] Doctors Hate Him - Out The Back

Amelie Lens – Let It Go EP [SNDST020]

Beatport: btprt.dj/2bnuWok

1: Amelie Lens – Wild 
2: Amelie Lens – Linger On 
3: Amelie Lens – Let It Go 
4: Amelie Lens – The Finest Hour

It is with a feverish excitement that we can finally announce the next EP in our catalog from our newest addition to the Second State family: Amelie Lens. Besides being quite a multi-talented virtuoso, the Belgian artist comes in hot and heavy for her debut release ‘Let It Go’ and with it showcases her prowess for dark, cutting-edge techno. Over the span of four tracks Lens takes us on a tour-de-force journey into the cerebral spaces of large, dark rooms and flashing strobe lights. Kicking things off is the hypnotically inducing 'Wild' with looping vocals laid over an ever increasing pressure of percussion and white noise. Much like the EP opener, 'Linger On' casts the same spell yet picks up the pace with racing snares and meteoric synth washes creating a deeply euphoric ride. The title track ’Let It Go' is up next and is by far the most 'cheeky' tune of the EP with a twisted acid line swirling around the constant begging of Lens’ voice encouraging you to "Let It Go, Let It Out". Rounding out the EP is 'The Finest Hour' and Lens wraps up her debut with the most psychedelic cut of the package. Low rumbling bass tones and spaced out pads over sparse drums leave lots of room for the imagination providing each listener to create their own journey to navigate. If this is Amelie Lens' debut with us, we expect a lot of very big things to come from the young Belgian and so should you. Welcome Amelie Lens!

@amelielens
@secondstateaudio

Released by:
Second State Audio
Release date:
19 August 2016

Wild

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Luca Agnelli - Hypericum - Drumcode - DC178

The seventh volume of Drumcode’s annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba’s SCB project, among the collection of topline artists to release their maiden productions on the imprint. 

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fueled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others. 

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting 22 unreleased tracks that have taken prime position in his sets over recent months. 

Outstanding all-round talent ANNA kicks off the compilation with ‘Portable Paradise’, a pulsating cut that sets the tone for the top-shelf club cuts to follow. Also entering the debut field with their first ever Drumcode dalliances are B.Traits and Charlotte de Witte. The esteemed Canadian selector offers up ‘I Feel The Music’, a euphonic track that’s been sought after since spring, and the Belgian ballista unlocks a thick-edged club bomb in ‘Remember.’

Leaders of Drumcode’s new brigade, exciting Brazilian Wehbba and British techno alchemist Boxia set out to impress. Wehbba’s straight-talking ‘Just’ hits with an immediate sense of urgency before neck-snap claps strike with force, and Boxia’s ‘Final Call’ elicits physical engagement with mellifluous vocals and soaring pads. 

Continuously looking to bolster the profiles of emerging talent, Berlin-based producers Weska and Juliet Fox are brought into the fold with equally engaging razor-sharp tracks that are primed to do lasting damage. 

Other notable highlights include an exhilarating workout from Reset Robot - the most released artist on Beyer’s imprint Truesoul – as he lands on Drumcode for the first time. And tastemaker’s favourite Jel Ford makes a welcome return as he ushers in techno rhythms with bustling breaks in ‘Nightshade.’

Elsewhere, support from label mainstays comes in from Bart Skils, who offers a work of consummate skill in ‘West Of The Moon.’ Alan Fitzpatrick, who’s been heavily featured across the A-Side series, joins forces with Scuba as he operates as his uncompromising alias SCB. The result is a propulsive floor-gripper that testifies to their masterful deftness as co-producers. Formidable duos Dense & Pika and Pig&Dan also contribute with powerful compositions.

Charlotte de Witte - Remember - Drumcode - DC195

Pre-order here — bit.ly/DC200BP

Techno’s most influential label hits 200 releases with two powerful Amelie Lens interpretations of an Adam Beyer classic.

Over the course of its lifespan, Drumcode’s vision has remained resolute, crafting techno that’s both functional and forward-thinking. It’s a philosophy that extends to the stable of artists who release on the label and play its showcases, with Adam Beyer’s eyes and ears always focused on the future. 

One artist in his viewpoint in recent years is Amelie Lens. Supporting her early productions on Lyase and Second State, a kinship naturally developed between the two artists, with Beyer asking her to contribute to 2017’s A-Sides Vol.6 compilation. Her blistering acid cut ‘In Silence’ blew the collective techno world out of the water.

Eighteen months on and now a regular on Drumcode showcase line-ups, Beyer has sought the Lenske Records boss to apply her energetic take on techno and remix ‘Teach Me’, his deep, Detroit-influenced cut from 2014. The Main Mix highlighted the Swede’s Drumcode Halloween set in London and is an exhilarating peak-team weapon driven by a grinding bassline that undulates with intensity, while Lens has made smart work of the vocal, teasing out the sample to harmonic perfection. The Acid Mix sees the Belgian deliver a stripped back 303-led affair, utilising the looped vocal to build energy in the first half of the track, before rapid-fire percussion and squelchy stabs take control and push the atmosphere into darker and more ominous realms. 

Tracklist: 

1. Adam Beyer – Teach Me (Amelie Lens Main Mix)
2. Adam Beyer – Teach Me (Amelie Lens Acid Mix)

Buy all

Adam Beyer — Teach Me (Amelie Lens Acid Mix) — Drumcode — DC200

Beatport: https://www.beatport.com/release/paranoid-ep/2635325

Already supported by: Amelie Lens, Christian Smith, Green Velvet, Karotte, Klaudia Gawlas, Luigi Madonna, Nicole Moudaber, Enrico Sangiuliano, Truncate, Victor Ruiz, Wehbba...


With this EP Kaiserdisco wants to draw attention to mental illness and the use of music as a therapy.

As the boys are having some experiences with mental illness in their family and closer circle of friends, they know that affected people can use music to make themself feel better.

The EP contains three tracks. The first one is an intro, called „Paranoid“. The second one is called „Bipolar Disorder“ followed by the last track „Schizophrenic“.

„Paranoid“ consists of a repetitive chord melody, which starts quietly and dry. By using delay and reverb effects, the track builds up more and more energy until it finally discharges in a musical thunderstorm.

„Bipolar Disorder“ shows two different faces, similar to the symptoms of the disease. This proper techno track is running and running with it’s triple eights monoton synthline, gets fuller and increases more and more tension until it changes completely to show it’s second face and turns to an unexpected emptiness with a brutal and mind-blowing signature bass sound. 

„Schizophrenic“ finally comes up with a quirky and never ending, short melody which bores itself into your head and into your mind. This little synth theme feels like it is chasing you like a subliminal message, that wants to make you dance and go crazy.

Beatport

Kaiserdisco - Bipolar Disorder - KD RAW 032

Selected EP

Time

Charlotte de Witte - Time (Original Mix)

The Belgium sweethearts Joyhauser are back on Terminal M! Check out the new 4 track ep with their unique Joyhauser sound! (Monika Kruse)

beatport/spotify/vinyl

Joyhauser - Elements

Buy | Stream: https://fanlink.to/Rages1992


Dusty Kid is back on Acid! 


This is Filth on Acid NOW

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

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Dusty Kid - Kollera

Senso Sounds complies Level 06, one of its periodic collections of new talent, showcasing how healthy the techno scene is right now. Kicking it off is the Amsterdam based DJ and producer Lilly Palmer, whose 'Listen To Me' is a fearsome, driving bomb with clattering percussion and some huge moments. Hamburg native Heerhorst drops 'Prisma', a deep, atmospheric techno cut that displays the producer’s affinity of massive, thick blasts of synth noise. Carbon offers up 'Softly Twisted' - an apt description of the track which teases with a silky groove before providing a slamming, slightly wonky dancefloor workout. French producer Timid Boy’s 'Onris' delivers an infectious melody underpinned with a firing, driving groove. As always with Senso Sounds releases, you get the feeling that the scene is thriving, and there's plenty more of this good stuff to come.

Tracklist:

01. Lilly Palmer: Listen To Me
02. Heerhorst: Prisma
03. Carbon: Softly Twisted
04. Timid Boy: Oniris

digital
Releasedate: 08.11.2019
Label: Senso Sounds
Cat. Nr. : senso056
Contact: kontakt@senso-sounds.net

Buy Now

Lilly Palmer - Listen To Me

Pigment

Independent record label owned by Adam Beyer.