Drumcode treasures Alan Fitzpatrick and Joel Mull link for their debut collaboration, complemented by a rare Adam Beyer remix. This is special in every sense

Tis the season for something different; interesting collaborations and the broadening of creative boundaries is the order of the day. Long-time friends and techno colleagues Alan Fitzpatrick and Joel Mull are the latest to connect for a fresh production outing, ‘We Don’t Know Anything Yet’. Inspired by the Buddhist saying ‘Nothing is forever except change’, the duo work alongside Swedish band Frangie to craft an ascendent techno cut that explores existential questions about the future, all the while being propelled by a strong rhythmic underbelly.

Beyer’s first remix in two years is inspired. The boss sharpens his focus on the vocal, while teasing out the melody, ripening the track for a mid-morning post-peak-time moment when the sun starts to bathe the dancefloor is a hazy gentle glow. A masterstroke.

“Listening to the track, it’s obviously very connected to what’s going on in the world right now. When I heard it for the first time, I fell in love with the parts so much I decided to do a remix on the spot. It’s two of the old school crew, so the release is very dear to my heart.” — Adam Beyer

We Don’t Know Anything Yet

Alan Fitzpatrick & Joel Mull feat. Frangie - We Don't Know Anything Yet (Adam Beyer Remix)

Monolix, Droplex - Chaos (Giancarlo Di Chiara Remix)

Minimal on the surface, massive underneath.
Each sound deliberate, each silence intentional.
Immersive techno shaped from modular synthesis, tape, and weight.
credits

Bandcamp

Roman Farov - Holding Pressure

Love Disorder

Ignacio Arfeli - Love Disorder (Gaston Zani Remix)[Transmit]

Rejected

Flug-Rejected (Sam Paganini Remix)

Pan-Pot - Funke

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

Buy all

Wehbba - Third Wave - Drumcode - DC202

Pursuit’s ever increasing roster of highly polished techno gems keeps expanding. 

With this time a unique team up of Pursuit establishment Duss and Dennis Apec. 
In Merging Matters both parties deliver a vision of their view on techno. While Dennis goes for raw and pounding, the Duss guys go for dark and brooding. 

Topping that off with a remix by the very talented Brennen Grey, we have a compilation of Merging Matters that delivers all the goods. 

-Pursuit

Duss & Dennis Apec - Merging Matters (inc. Brennen Grey Remix)

Beatport

PREMIERE: Duss & Dennis Apec - Merging Matters (Brennen Grey Remix)

Pre-order: terminalm.lnk.to/Djokovic 

Out February 21st

After wearing the Drumcode jersey for the first time in 2019 and his impressive Beatport's number one hit-track 'Atom' ━Ilija Djokovic is back on Terminal M with a new two-tracker called 'Eris'. This year marks a very special 20th anniversary of Terminal M existence and Djokovic is excited to be a part of it.

This amazing release has already gained support from big names such as Adam Beyer, Danny Tenaglia, Pan-Pot and IlarioAlicante among others.

Premiere: Ilija Djokovic - Eris

One of Drumcode’s most indispensable talents, Tiger Stripes blesses us with another classy two-tracker.

In the last 11 years Mikael Nordgren aka Tiger Stripes has appeared on Adam Beyer’s Drumcode and Truesoul labels a total of eight times. The Swede has a masterful command of his machines and is an inspired sound designer, imbuing his productions with bags of creativity and cross-genre futurism. His last outing on DC ‘Into Isolation’ was a colourful five-piece of super-charged techno, reinforcing the breadth and strength of his studio work. Nine months on, we have another offering to add to the canon.

‘Jack The Garage’ is a fast and furious leader, mixing up jacking dancefloor functionalism with raw and distorted sounds inspired by garage rock bands such as The 13 Floor Elevators and The Stooges. ‘Back in Black’ draws influence from unlikely sources, Nordgren mining latent inspiration from the smooth synthesized sounds of Travis Scott after his daughter introduced him to the hip-hop maestro. The resulting cut is a slick slice of electro-fuelled techno, with as many sides as a rubik cube, as bass stabs, muffled vocal effects and distorted guitar stabs keep things interesting throughout.

Tiger Stripes — Back In Black — Drumcode — DC228

Independent record label owned by Adam Beyer.