Leon Wolf - Lost your Soul [FREE DL]

Road to Pator

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[Suara] Nick & Danny Chatelain - Acid (Coyu Raw Mix)

Timmo follows up his debut Drumcode release ‘We Beat On’ with a brand new 4-tracker packed to the rafters with his own unique blend of techno. His productions are getting plays from the likes of Adam Beyer, Joseph Capriati and Richie Hawtin amongst others; 2017 is set to be his biggest year yet. 

Timmo’s unique sound has captured the eyes and ears of many highly revered techno DJs around the world and his ‘System’ release is a stark reminder of exactly why this is. ‘Intensify’ is a big room record that is set to do some real damage on dance floors worldwide. This peak time tool thumps through 7 minutes of power, dragging you in and throwing you out the other side as the track rolls on. 
‘The Maze’ is an example of his excellent production, with his use of synths on a level that some producers take years to hone. ‘System’ is a haunting track, authentic four-to-the-floor techno that screams in to top gear right from the off. The release closes with the more groove and bass line laden ‘Together’. One of those tracks that is guaranteed to get stuck in your head…

Timmo – Intensify – Drumcode – DC168

Making his debut on Drumcode in 2017 with his track ‘Fake’ featured on the A-Sides Vol 6 compilation, one of Brazil’s much loved exports Wehbba brings us his first full EP this February with ‘Eclipse’.

A no nonsense 4 track offering, and all thoroughly road tested by Adam, they have gained much support from longtime Drumcode fans. Eclipse, delivers a low end rumble along with a modulating synth line. Reigning high throughout the track, is the undeniably catchy and unique synth. Leaving this track one to be recognised on dancefloors all over the world.

‘Protocol’ doesn't turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it’s eerie undertones.

Probably the most acid influenced track of the EP, ‘Glasswerk’ has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into ‘Framework’ to close out the EP. Its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

Wehbba - Protocol - Drumcode - DC185

Drumcode signee Marco Faraone dominated the 2017 summer season with "Desert Crash," a infectiously mysterious techno cut that got rinsed on multiple ends of the techno spectrum. Finally, widespread recognition had come to the blossoming talent, who'd been a part of the production-sphere for years beforehand.

His standards in forging heavy-hitters has not diminished, as proved by his new release on Carlo Lio's On Edge Society imprint. Its eponymous A-side "Stage Capture" opens the work up on a thunderous note, assaulting the ears with pounding drums, white noise, and robotic vocal samples that add to the tension. Though a rough ride from start to finish, the piece is well-made and futuristic to its core — perhaps another anthem in the making for Faraone.

'Stage Capture' is slated for a March 20 release. Pre-order a copy here: https://www.beatport.com/release/stage-capture-ep/2231754

Premiere: Marco Faraone - Stage Capture

Brothers Harvey and Ryan McKay return to Drumcode with their dynamic Alias project.

We were introduced to Alias last year when the McKay brothers dropped the impact-heavy ‘Visions’ EP mid-way through 2017. The duo followed with a lauded contribution for Drumcode Live and the buzz from fans was palpable. The follow up sees the pair in powerhouse form. 

The title track ‘NRG’ is an attitude-packed tour de force; compromised of aggressive snares, warped vocals and a tension-filled break, it has been smashed by Adam Beyer for the last six months. ‘Orange Sunshine’ pulls no punches as it dishes out apocalyptic acid paired with the sibling’s startling drum work. ‘The Event’ rounds out the EP and is an exhilarating affair propelled by uplifting synth lines and a buzzing energetic bassline.

Alias - Orange Sunshine - Drumcode - DC189

Out now on Beatport

https://www.beatport.com/release/percussionix/2280205

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell.

Intec's new release is from UMEK who is a Slovenian artist accredited with kick-starting the techno scene in his home country, before earning critical acclaim on a global scale when he first started his career in the 90s.

Having released on labels ranging from CLR and Novamute right through to Toolroom, in recent years UMEK's own imprint "1605" has also become a main outlet for his music.

People with a good knowledge of technos history will be more than aware of the impact of UMEKs classics tracks, such as his anthemic Gatex that came out only a few years before his first Intec release in 2005.

Having also collaborated with many influential figures such as Chris Liebing and Joey Beltram, this new solo EP is UMEKs third release on Intec.

Titled Percussionix the EP opens with (Mix 1) which centres around a thick set bassline cut with filter sweeps and full of menacing intent. Leading the track is a combination of tribal percussion loops, which provide the track's main driving force.

Track two is UMEKs alternative mix of Percussionix which titled (Mix 2) has a more refined sound with the raw edges of the percussion being rounded off to smooth the sound, and its bassline is left unfiltered so it becomes more of a gradual sweep that grows with building tension.

ID152 1. Umek Percussionix Mix 1

Layton Giordani steps up for his first solo EP of 2018.

In terms of pedigrees, it doesn’t get finer than Layton Giordani. The Brooklyn-born DJ/producer followed up his lauded debut album of 2017, with a collaboration with Danny Tenaglia to close out the year and marked the summer of 2018 with a three-way collaboration with Adam Beyer and Green Velvet, ‘Space Date’. The period has been a big one for Layton personally, also. From humble beginnings in his native NYC as an Output resident, to being thrust into the bustle of the European club and festival circuit, he’s enjoyed a stint living in Amsterdam, growing and developing over this time. All these experiences have had a fundamental influence on him and his music. The four-track EP ‘Phase II’ represents a new chapter for this exciting talent.

Beginning with ‘New York to Amsterdam’, a track that draws inspiration from a classic by Yves Deruyter, Layton’s work packs a memorable punch as tough acidic undertones and brain scrambling synth effects undulate raising the intensity, making it a perfect opener for Adam Beyer when he played Berghain earlier this year. ‘Body Language’ follows, a track written when Layton was scrubbed out of touring for a month courtesy of a shattered elbow from a skating accident. Not wasting the downtime, he’s crafted a cut that’s sleek, sexy and smart, with a seductive vocal and rousing melodic riff that runs throughout. ‘Black Mirror’, stays true to its dystopic name, a stomping rave cut that pummels dancefloors with a menacing lead synth that’s purpose built for the cold months ahead. ‘Enter the Stratosphere’ is steely electro-tinged techno paired with atmospheric licks of melody, awhile maintaining the artist’s trademark low-end chug. A classy conclusion to an EP from one of techno’s brightest talents.

Layton Giordani - Body Language - Drumcode - DC198

Green Velvet - Answering Machine (Coyu Remix)

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Release date all digital platforms: April 10, 2020
Label: @abzolutrecords (ABZ161)

@abzolutrecords Press release:

Koen Groeneveld jumped in a time machine, heavily inspired by the early 90's rave era and served up this piece of great memories consisting of a fat pumping Techno beat, moody bells, a fierce piano riff and many more wicked sounds from back in the day.
This simply sums it all up. Belter!

Koen Groeneveld - Boccaccio

Independent record label owned by Adam Beyer.