Buy here: michaelklein.fanlink.tv/goldenhour

Digital release: 4th Nov 2022

01: Golden Hour
02: Voice Interrupt
03: In My Own Eyes
04: Howlip
05: One Eyed Master

A mainstay of the Second State label, Michael Klein’s back catalog has now expanded to include 11releases with the Berlin imprint. ‘Golden Hour’ is a classic high-energy and versatile contribution from Klein, with 5 mesmerizing techno tracks.

Opener and title track ‘Golden Hour’ kicks off with strong synergy between the kick, bass, and percussion. Moving & rising at controlled pace, Klein brings in off-kilter keys and a smooth arpeggio. Next up is ‘VoiceInterrupt’ which uses twisted melodies and pitch distortions to create a tense but energetic energy. Minimal shakers and a solitary hi-hat add texture to the track whilst keeping the arrangements tight and bouncy. ‘InMy Own Eyes’ starts off minimal and subdued, with a rotary synth that eventually breaks through and takes command. Subtle industrial elements are used but hidden under shakers, coming to the forefront during a brief interlude of the main synth-line.

Following is ‘Howlip’ with a uniform kick, hi-hat, and a jagged synth combo that dance menacingly throughout. A sample of the cut’s name chimes in at varied volumes, at times battling against the main groove and recurring electro-twinged synth. A driving and peak-time dance-floor weapon. The finale of the EP ‘One Eyed Master’ is dominated by piping, high-frequency keys that bubble under the main kick, and sharp single hi-hat. Varying in intensity as the track drives on, the keys create a dystopian yet uneasy atmosphere. Klein again plays with the balance of percussion and pitch to manipulate the mood created in the track, an obvious theme and technique applied throughout the EP.

@michael-klein
@secondstateaudio

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Michael Klein - Golden Hour

Artista: @ik86
Sello: @not-like-others

Estreno directo y sin maquillaje. IK86 captura ese minuto entre el ruido y la calma en “Life As It Is”: bombo seco, bajo saturado, pads polvorientos y un hook que no pide permiso—entra y se queda. Club tool con pulso humano, hecha para mezclas largas y luces bajas. Disponible el 7 de noviembre en Not Like Others Records.

Quién es: productor esloveno con pasado en WD2N y alias como Ifan Kovny, Yellow Page y Zumbador. Tras una pausa, vuelve bajo su propio nombre con foco total: pistas honestas, memorables, listas para cabina.

PREMIERE: IK86 – Life As It Is – Not Like Others Records

Adam Beyer’s Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno’s number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary. 

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn’t fit in their regular EP release schedule. 

With an eye on future talent, as much as the label’s established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode’s multifaceted techno sound, equal parts inspiring and functional. 

Led by the stealth techno funk of ‘Nine of You’, Beyer’s deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck. 

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O’Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016. 

Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America. 

Jay Lumen - Horizon - Drumcode - DC159

Drumcode favourite Bart Skils kickstarts the new year with his sixth EP for the label Bark Skils opens new year's season with his 6th hard hitting EP released on Drumcode

Since his debut on Drumcode in 2012, Bart Skils has been one of the label’s most regular contributors, with the Dutchman’s brand of functional, hook-driven techno a go-to weapon for Adam Beyer; from his stellar ‘Shadowprint’ EP in 2014, to last year’s classy remix of Moby’s ‘Go’. One of The Netherland’s hardest working ambassadors for techno, he is the organiser of the beloved Voltt Love Summer Festival that’s has been a favourite of Beyer’s for many years. 

His latest work for Drumcode, ‘Bells of the Revolution’ continues his impeccable reputation for quality with everything he does, with four cuts all with their own distinct storyline. The title track is characterised by dark driving grooves and bubbling acid line that slowly evolves into a lush melodic riff. ‘Ocean Drive’ nose-dives into deeper techno territory, while maintaining a sense of exquisite tension throughout. ‘Vocalized’ follows, a stomping acid techno cut that slides into the deep courtesy of skilfully programmed vox and elegant licks of melody. The EP concludes with ‘Retrodade’, a track that’s been one of the biggest in Beyer’s sets in 2017 and features the famous vocal from Rozalla’s ‘Everybody’s Free’. The sample was used with kind permission from the iconic ‘90s singer.

Bart Skils - Ocean Drive - Drumcode - DC184

Making his debut on Drumcode in 2017 with his track ‘Fake’ featured on the A-Sides Vol 6 compilation, one of Brazil’s much loved exports Wehbba brings us his first full EP this February with ‘Eclipse’.

A no nonsense 4 track offering, and all thoroughly road tested by Adam, they have gained much support from longtime Drumcode fans. Eclipse, delivers a low end rumble along with a modulating synth line. Reigning high throughout the track, is the undeniably catchy and unique synth. Leaving this track one to be recognised on dancefloors all over the world.

‘Protocol’ doesn't turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it’s eerie undertones.

Probably the most acid influenced track of the EP, ‘Glasswerk’ has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into ‘Framework’ to close out the EP. Its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

Wehbba - Eclipse - Drumcode - DC185

From the darkest depths of deep space UMEK returns to the uncontrolled planet called FOA with a three track bomber named Hell Archetypes. Enjoy your dark and filthy trip on ACID NOW.

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

FOA038 : UMEK - Specific Flavour (Original Mix)

Layton Giordani steps up for his first solo EP of 2018.

In terms of pedigrees, it doesn’t get finer than Layton Giordani. The Brooklyn-born DJ/producer followed up his lauded debut album of 2017, with a collaboration with Danny Tenaglia to close out the year and marked the summer of 2018 with a three-way collaboration with Adam Beyer and Green Velvet, ‘Space Date’. The period has been a big one for Layton personally, also. From humble beginnings in his native NYC as an Output resident, to being thrust into the bustle of the European club and festival circuit, he’s enjoyed a stint living in Amsterdam, growing and developing over this time. All these experiences have had a fundamental influence on him and his music. The four-track EP ‘Phase II’ represents a new chapter for this exciting talent.

Beginning with ‘New York to Amsterdam’, a track that draws inspiration from a classic by Yves Deruyter, Layton’s work packs a memorable punch as tough acidic undertones and brain scrambling synth effects undulate raising the intensity, making it a perfect opener for Adam Beyer when he played Berghain earlier this year. ‘Body Language’ follows, a track written when Layton was scrubbed out of touring for a month courtesy of a shattered elbow from a skating accident. Not wasting the downtime, he’s crafted a cut that’s sleek, sexy and smart, with a seductive vocal and rousing melodic riff that runs throughout. ‘Black Mirror’, stays true to its dystopic name, a stomping rave cut that pummels dancefloors with a menacing lead synth that’s purpose built for the cold months ahead. ‘Enter the Stratosphere’ is steely electro-tinged techno paired with atmospheric licks of melody, awhile maintaining the artist’s trademark low-end chug. A classy conclusion to an EP from one of techno’s brightest talents.

Layton Giordani - Body Language - Drumcode - DC198

Stream on Spotify: http://bit.ly/TR324SP

Christian Smith teamed up with Drunken Kong to deliver a storming three track EP. 'Why Are We Here?' is a driving peak time track with an infectious vocal sample and a Laurent Garnier inspired synth line. 'XS' is slightly more serious and has a darker vibe. 'Hikari' finishes off this EP with a more musical and warm analog vibe.

Buy on Beatport

Christian Smith & Drunken Kong - Why Are We Here? (Original Mix) [Tronic]

I am happy to present you the new bangers compilation. Volume three includes 4 different tracks, which I chose for different moments on the dancefloor, from heavy peaktime hitters to melodic outdoor tunes. 
Enjoyyyyy! (Monika Kruse)

beatport/spotify/vinyl

Mark Reeve - Golden

Support from Nicole Moudaber, Pan-Pot, ANNA, Ramon Tapia, Joyhauser, Maceo Plex, Enrico Sangiuliano, Danny Tenaglia, Bart Skils, Karotte, UMEK, Ilario Alicante...

Transcode is back on Terminal 4 with a rocking 3 track ep! I love his way of producing, deep but powerful. Hard to decide which is my favourite track, I love them all.

Transcode - Devotion

Spektre - Smokescreen Sky -Original Mix- Kraftek

Independent record label owned by Adam Beyer.