Cosmic Transition

Stream/download: https://drumcode.ffm.to/dc255

House of Lord

Bart Skils & Weska - House of Lords - Drumcode - DC255

Mirage

dZb 1018 - Guillermo Prado - La Xana Y El Trasgu (Original Mix).

Oaktek from Asien made a striking entrance with his debut release on Meet Recordings. His first single, Extraction, immediately captured attention, showcasing his ability to craft deep, hypnotic, and groovy techno. Alongside tracks like Parallel Collapse and Zakdu Dance, Oaktek delivered a release that balances driving rhythms with subtle artistry, including a brief but memorable vocal snippet on Extraction. Drawing inspiration from his environment, his background, and a meticulous attention to detail, Oaktek’s music resonates with both emotion and precision. It’s no surprise that his work struck a chord with the team at Meet Recordings right from the start. With his talent, heart, and vision, Oaktek is set to leave a lasting mark on the club scene, enriching dance floors with his unique sonic signature for years to come.

Oaktek - Extraction MEET050 

September 19 Bandcamp Exclusive
October 11 Main Release Spotify, Beatport and more

Website: www.meet-recordings.com
Instagram: www.instagram.com/meet_recordings/

Zakdu Dance

Don't Think

Drumcode starts 2020 with a sterling EP from genre hero Thomas Schumacher, his first on the label after a long association with Adam Beyer.

No ifs or buts, if you’re a techno fan, Thomas Schumacher holds a place in your heart. His 1997 classic ‘When I Rock’ still gets rinsed, he has a vast body of stellar work on his influential former label Spielzeug Schallplatten, including a release from Adam Beyer, and he continues to deliver pin-sharp productions via his Electric Ballroom imprint, including a scorching remix of ‘The House of House’, the 1994 classic from Cherry Moon Trax. The rework was first played by Beyer at Time Warp and has been a 2019 highlight.

He first contributed to Drumcode in 2018 with ‘The Unseen’, a stirring contribution to ‘A-Sides Vol.7’, setting up a maiden EP with ‘Crimson’. Beginning with the brilliant ‘Feist’, it’s a no-nonsense brain melter, as 303 arpeggios bloom and recede, creating a thrilling rhythmic intensity throughout. The title track ‘Crimson’ is crafted around two minutes of tension-building synths, before a beat finally appears and a rasping deep bassline commands the dancefloor. ‘Anker’ brings the rave with eagle-eye focus, unleashing a wall of fierce acid to round out the pack.
“Adam and I have both been producing and playing techno since the early ‘90s. I have deep respect for him as a person and artist. It’s an honour to have the opportunity to collaborate in this way.” – Thomas Schumacher

Crimson

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Thomas Schumacher — Anker — Drumcode — DC217

Entropy Rmxs

Entropy (Spartaque Remix)

A rare treat for Drumcode faithful: A-Sides Vol.10 is set to drop in December, the second edition of the beloved series to come in 2020.

Fuelled by the extra time and space to be creative during lockdown, Drumcode’s collective of artists have stepped up. Across 17 contributions, the producers have gone deeper into their sonic repertoire, crafting powerful, yet reflective works that capture the range of the label’s sound.

Jay Lumen leads the way with a rousing riff-driven weapon, ‘Galactic Rainbow’, while Ramon Tapia brings us the muscular gem ‘Drum Control’, mixing up ruffneck techno with a barrage of synapse-tickling synths in the second half. Both rousing highlights of the compilation.
Victor Ruiz, Drumcode’s most prolific contributor in 2020, dishes up ‘Love Story’, led by a huge vocal lead. Zimmz also returns with ‘Tension’, which deftly combines deep squelchy grooves with a silky synth interlude. Thomas Hoffknecht follows up his debut on Vol.9 with ‘Escape’, keeping listeners on their toes with dynamic, choppy shifts throughout. Veerus joins with another stirring addition ‘I Know’, reinforcing why Beyer rates him so highly.

Elsewhere a string of debutants feature: buzzy newcomer Lilly Palmer gives us ‘Amnesie’, a brilliantly pummelling and eerie cut; Alex Lentini & Stomp Boxx serve up ‘Expanders’ mixing up drone effects, trippy vocals and an unsettling melody line; and Patrik Berg’s ‘Activated’ is full-bodied techno that drops down into funky rhythms.

Long-time DC family member Bart Skils brings his A-game with the thrilling no-nonsense ‘Solid State’ that hits like a steam train. Likewise, Alan Fitzpatrick who brings a momentous slab of techno energy with ‘Rochus’, while Thomas Schumacher, now feeling like a regular on the imprint, crafts another dark techno opus, this time in collaboration with CAITLIN.

There’s even a special appearance by the chief Adam Beyer, who makes a welcome return with the progressive-tinged ‘Changes’, driven by organic tones and spacey atmospherics. The track stands as his first original contribution to A-Sides since 2017.

Lilly Palmer — Amnesie — Drumcode — DC235

A work 12 months in the making, Alex Lentini & STOMP BOXX deliver a standout EP debut.

The Italian pair – living at the extreme opposites of their country’s ‘boot’ will be new names to the Drumcode faithful. They first appeared on the label in December 2020, with a strong contribution to A-Sides Vol.10 titled ‘Expanders’. 

So impressed was Adam Beyer with their productions, a fulsome debut EP was secured soon after. ‘Fine Line’ was conceived in the final stages of 2019. With the extra studio time lockdown provided, the duo enjoyed a creative freefall,  
allowing them to refine a five-track work that sits at the intersection of home-listening techno and dancefloor functionalism. 

‘Natural Desire’ has a definable spunk to it, as pulsating chords undulate towards a breathy pad-laden finish. ‘Shifting Soul’ is exquisite, as crunchy drums and a rousing vocal ensure it’s a memorable addition to the Drumcode canon. The title track is colourful and thrilling in equal doses, as muscular synth lines coalesce alongside pin-sharp rhythms.  
‘Altered Cycle’ is skilfully composed and marked by a stirring melodic lead and funky percussive underbelly. ‘Curved Blade’ is abrasive and gritty, before a dreamy spoken word interlude arouses an introspective mood. A fitting soundtrack for our times.

“2020 was both strange and terrible, especially for music lovers. But it gave us enough time to carve out this collaboration. At this point a wonderful compromise arouse between our two different sound visions. It happened without too many thoughts and in a very natural way.” – Alex Lentini & STOMP BOXX

Alex Lentini & STOMP BOXX — Fine Line — Drumcode — DC236

Independent record label owned by Adam Beyer.