The Manic Brothers six track EP begins with ‘Praying Mantis’; a deep techno offering using a swelling bass line that rumbles under the track whilst the distinctive synth phrase shifts the groove of the track. ‘Voices’ huge hypnotic stabs generate a late night dub that uses sparse percussion and interesting delay effects to mesmerise the crowd. ‘Life After Life’ is a more euphoric and delicate take on techno and uses subtle percussion and melodies to create an ethereal felt track. Using a more industrial style of techno, ‘Hidden History’ includes lots of snare rolls and a stab that is infectious whilst rolling over a heavy kick drum. ‘Introduction’ is a long player and takes it time to slowly build synth melodies and stabs that morph into an unbelievable record. ‘Morning Mass’ rounds off the EP using an unusual rhythmic instrument and beautiful synth pads to create a record that leaves you wanting more.

DC118 - Manic Brothers - Introduction - Drumcode

This track is a creation of my mind. I want to share my vison, my pleasure when I listen Electronic music.

Darkroom

Áchim György - chess game

Beico - Mt93 - The - God - Of - Olympus - Original - Mix - Suara

One of the most exciting artists to emerge in techno circles in recent times, Drumcode is excited to present the label’s first EP from Boxia.

Over the last 12 months the UK artist has impressed with his classy take on techno that mines two decades of rave. Last year’s ‘Colour Sequence’ EP on We Are The Brave marked one of 2017’s standout releases, before being tapped by Maya Jane Coles to remix a track from her latest album ‘Take Flight’, while B.Traits also shone the spotlight on him for a Future 12 residency on BBC Radio 1 throughout September. Boxia first came into contact with Adam Beyer when he opened the Car Park at Tobacco Dock for LWE’s NYD event in 2016, and since then the pair have spoken regularly sharing similar tastes in music and DJing. He dropped his first cut on DC during the summer of ’16, with ‘Revolution’ that featured on A-Sides Vol. 5, making him primed and ready for his first full length EP in 2018.

The four-track work lives up to his growing reputation for crafting beautiful, nuanced and ultimately very powerful electronic music. The EP opens with ‘No World Order’, a deep transcendental slice of techno propelled by a wicked acid line and vocal that leads to a galloping finish. ‘Only Human’ is drenched in atmosphere and old skool wonder, a brilliant composition of punchy multi-layered drum work, catchy synth lines and cutting acid that reveals its tender side with emotive broken beat interludes. ‘Unreal’ is a big peak time belter, raising the tempo to sweaty palms level, as a propulsion of acid and a memorable riff fill the technosphere. The title track ‘Ethereal Education’ closes out the work, a beautiful chord-driven vocal cut that evokes images of the classic dance that characterised Boxia’s earlier years and makes a fitting outro to this outstanding EP.

Boxia - Unreal - Drumcode - DC186

With their ‘Moving Forward’ track widely regarded as one of the highlight cuts from Drumcode’s recent ‘A-Sides’ compilation, Manic Brothers make their full debut on the label with this four-track EP of elegantly industrial techno. ‘Custom Illusion’ sets the tone for the EP’s mechanical yet melodic aesthetic, shunting and shimmering in equal measure as it weaves a tensely poised atmosphere. ‘Black Bay’ works up a full force groove punctuated by a pitch-bent elastic hook and panning effects. ‘Restless’ continues the exploration of sparse feelings with a marching, cavernous groove and abrasive pulsing pads while ‘Gone Too Soon’ conjures up an enchanting wall of sound with the distinctive melodic hook adding a warm hypnotic charm to a backdrop of resounding, pounding beats.

DC99 02 Manic Brothers - Black Bay - Original Mix - clip

The EP starts with Mikael Jonasson’s, ‘Benefit of the Doubt’ which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track ‘Never Really Left Home’ that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother’s supply another big track named ‘Different Directions’ using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, ‘Kill Room’ that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; ‘Rimson’ that uses hypnotic drums to captures the listener’s attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. ‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called ‘Xylopeggiator’, conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern.

05 - DC107 - Patrick Siech - Kill Room - Drumcode

DC109 - Roberto Capuano -- New Chapter -- Drumcode

Drumcode storms into 2013 after releasing some superb tracks in 2012 which included celebrating their 100th release with an outstanding EP from Adam Beyer and Ida Engberg. Also releasing some exceptional tracks from artists such as Alan Fitzpatrick, Jay Lumen and Gary Beck, Joseph Capriati, Gregor Tresher, Sam Paganini, Nicole Moudaber and Ben Sims. Heading into 2013 Drumcode are keeping up the refined techno that they have displayed and are making sure that they continue to keep up this form throughout the coming year.
Roberto Capuano is a name heard before at Drumcode, releasing his debut release on the 15 year anniversary compilation with his track ‘Oblique’. Gaining support as a producer, Roberto has released on record labels such as Analytic Trail, Phobique, MKT, Monique Musique and Suara. He has gained a lot of support from Adam Beyer, Richie Hawtin, Joseph Capriati, Umek, Carl Cox and Alex Under amongst others. Roberto has also been Djing around the world at venues in Europe including the famous, “Old River Park” amongst others.
‘Vertigo’ is the A side on this four track EP by Roberto Capuano that uses reverberated kick drum’s and piano chords to create a groove that was designed for peak-time play. The second track, ‘Inversion’ uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. ‘New Chapter’ uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums.The final track ‘Earth’ uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present.

Roberto Capuano - New Chapter [Drumcode]

Independent record label owned by Adam Beyer.