A Small Decline (Mark Broom D

Alan Fitzpatrick - Xenomorph

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13. Will Holland feat. Jeza - Start Again (Original Intro Mix)

body trigger

Presented as a three-track EP, Slam’s latest body of work for Drumcode covers a range of styles, drawing on their vast experience of the multi-colored nature of techno. Vespula, with its resolute groove and low, humming bass works the speakers hardest, while synth stabs, dramatic drawn out chords and a distinctive two-tone hook add contrast. Resume puts musicality to the fore by creating a melodic ride that flows from an undulating bass line and a soaring synth line whilst retaining a strong percussive energy. Metus beats out a slow burning but impactful groove that swings between an intricate, multi-layered arrangement of wigged out atmospherics and industrial clunks and clanks. RELEASE DATE 28th May 2012energy. 


DC94 Slam - Resume - Drumcode

Joseph Capriati - Iron Pump

"! 5/5" - Adam Beyer
"Bass heavy spaced out techno? Superb - full support for crude! 5/5" - Len Faki
"Crude is a BOMB!!!! Have been playing it in almost every set since I got it. 5/5" - Ida Engberg
"Wow amazing EP, really love "Crude" but i will play both tracks for sure! Bomb again on Drumcode! 5/5" - Joseph Capriati
"Finally some good techno!" -Butch
"I love Crude. Patrick has the Funk!! Been playing it since i got it from Patrick in Malmö. Give me more!! :D 5/5" - Joel Mull
"Firing!!! will blast the fuck out of this! 5/5" - Pig &amp; Dan
"Again good stuff from sweden! 5/5" - Stephan Bodzin
"Big tracks from Patrick, will play a lot!" - Gregor Tresher
"Dancefloor killer! Max support! 5/5" - Jesper Dahlbäck
"Again a great Drumcode release. Both tracks are perfect for me." - Karotte
"Another superb release from Drumcode. Bad Carnival is the top one for me. Full support 5/5" - Mistress Barbara
"2 Special tracks for me!! really loving the work on the percussion in this shot! many thanks! Flavio 5/5" - Flavio Diaz
"Very impressed with Patrick Siechs EP. Have been playing these a lot! Bad Carnival is my fav! 5/5" - KIMONO
"PHAT! Love both mixes, will play and chart! 5/5" - Sasha Carassi
"Cool one thanks!! 5/5" - Dubfire
"Ohhh yesss - I like that a lot - Full support from me on both tracks" - Laurent Garnier
"Fucking A - love them both - "Crude" just edges it - full support" - Slam
"Loving Bad Carnival! Will play at the Brazilian carnival soon indeed…" - Andre Sobota
"Really liking this!" - Kyle Geiger
"Great cuts from Patrick!" - Nihad Tule
"Very good one !! Loving Crude !! :) Thanks !!" - Tom Hades
"This release is off the hook! Full support!" - Nima Khak
"Crude is my fav, support" - Technasia
"100% Support!!" - Alexi Delano
"Definitely will play Crude, nice groove!" - John Selway
"Nice one thanks!" - Kaiserdisco
"Bad Carnival = Baaaaaadddd! Great techno!" - Michel de Hay
"Good stuff!" - John Digweed
"Excellent!" - Christian Varela
"Love this. Top release and great start for new producer!" - Alan Fitzpatrick


Patrick Siech - Crude [DRUMCODE 72]

DCCD02 - 2 - Alan Fitzpatrick - Mouthwash - Drumcode clip

The EP starts with Mikael Jonasson’s, ‘Benefit of the Doubt’ which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track ‘Never Really Left Home’ that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother’s supply another big track named ‘Different Directions’ using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, ‘Kill Room’ that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; ‘Rimson’ that uses hypnotic drums to captures the listener’s attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. ‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called ‘Xylopeggiator’, conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern.

02 - DC107 - Adam Beyer - Never Really Left Home - Drumcode

DC109 - Roberto Capuano -- New Chapter -- Drumcode

Drumcode storms into 2013 after releasing some superb tracks in 2012 which included celebrating their 100th release with an outstanding EP from Adam Beyer and Ida Engberg. Also releasing some exceptional tracks from artists such as Alan Fitzpatrick, Jay Lumen and Gary Beck, Joseph Capriati, Gregor Tresher, Sam Paganini, Nicole Moudaber and Ben Sims. Heading into 2013 Drumcode are keeping up the refined techno that they have displayed and are making sure that they continue to keep up this form throughout the coming year.
Roberto Capuano is a name heard before at Drumcode, releasing his debut release on the 15 year anniversary compilation with his track ‘Oblique’. Gaining support as a producer, Roberto has released on record labels such as Analytic Trail, Phobique, MKT, Monique Musique and Suara. He has gained a lot of support from Adam Beyer, Richie Hawtin, Joseph Capriati, Umek, Carl Cox and Alex Under amongst others. Roberto has also been Djing around the world at venues in Europe including the famous, “Old River Park” amongst others.
‘Vertigo’ is the A side on this four track EP by Roberto Capuano that uses reverberated kick drum’s and piano chords to create a groove that was designed for peak-time play. The second track, ‘Inversion’ uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. ‘New Chapter’ uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums.The final track ‘Earth’ uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present.

Roberto Capuano - New Chapter [Drumcode]

Alan Fitzpatrick's new EP 'In the Beginning' makes the most of the industrial techno style with ambient percussion to create space and rhythm giving ‘In the Beginning’ a big warehouse feel. The droning synth carries the track through before a melodic synth line gives the track the boldness that has seen the Alan Fitzpatrick sound become infamous around the world. Lexicon uses a pitch bending synth as well as old-school synth strings and pads to create another atmospheric track that will be a staple in any techno set.

DC111 - Alan Fitzpatrick - Lexicon - Drumcode

Independent record label owned by Adam Beyer.