Slam’s new three track single flawlessly encaptures the modern Drumcode sound. Movement trundles forward with snare rolls and funky percussion. The synth line keeps the funky groove rolling along until the snare roll break where it then crescendos effortlessly back into the track. The Realms synth line weaves in and out of the beat, filtering up and down to create intensity before unleashing itself into aural pleasure. Irrational Numbers takes an unusual rhythmic synth pattern and creates a groove that will make the dance floor shuffle.  Layered with pads, the track uses depth to create a distinctive character.

DC116 - Slam - Irrational Numbers - Clip

alan fitzpatrick Unusual Afternoon

https://www.beatport.com/release/on-focus-voiceover/5628087

Strobe Colony

A melodic techno track with some variation and different stages and moods.

Hypothesis

Track: Art Nouveau
Artist(s): Sera J
Label: 13130
Catalog: 13130002
Format: Vinyl / Digital 
Genre: Electronic
Style: Techno
Release Date: Dec 18 / 2025
Mastering: Paul Mac "Hardgroove Mastering"
Artwork: Erwann Graphisme

Support the artist
SoundCloud: https://soundcloud.com/seraj_official
Instagram: https://www.instagram.com/sera__j_music/

Support the label
SoundCloud: https://soundcloud.com/seclusion13130
Bandcamp: https://seclusion13130.bandcamp.com
Instagram: https://www.instagram.com/seclusion13130/

ANTIDOTE Premiere: Sera J - Art Nouveau  [13130002]

Contained within this eleven-track compilation is a collection of tracks submitted to Drumcode as demos but which didn’t have other tracks to be partnered with to make up a classical Drumcode EP. Such was the quality and quantity of these stunning one-off tracks that the idea of making them into a compilation was born primarily for practical reasons. As the project grew the idea became a theme and the theme evolved into a finished project – A-Sides - which tells both the story of Drumcode’s recent past with familiarly high-octane tracks from Adam Beyer, Alan Fitzpatrick, Joseph Capriati, Gary Beck, Gregor Tresher and Dustin Zahn & Rachel Palmer but also gives a glance into what is to come as the likes of Patrick Siech, Luigi Madonna, Roberto Capuano, Dhillon and Manic Brothers get their chance to contribute to the shaping Drumcode’s future.

DC97 04 Alan Fitzpatrick - The Showgirl - clip

With their ‘Moving Forward’ track widely regarded as one of the highlight cuts from Drumcode’s recent ‘A-Sides’ compilation, Manic Brothers make their full debut on the label with this four-track EP of elegantly industrial techno. ‘Custom Illusion’ sets the tone for the EP’s mechanical yet melodic aesthetic, shunting and shimmering in equal measure as it weaves a tensely poised atmosphere. ‘Black Bay’ works up a full force groove punctuated by a pitch-bent elastic hook and panning effects. ‘Restless’ continues the exploration of sparse feelings with a marching, cavernous groove and abrasive pulsing pads while ‘Gone Too Soon’ conjures up an enchanting wall of sound with the distinctive melodic hook adding a warm hypnotic charm to a backdrop of resounding, pounding beats.

DC99 01 Manic Brothers - Custom Illusion - clip

Without doubt one of the names of 2012 and a regular name amongst the listings for Adam Beyer’s Drumcode Radio show; Mark Reeve makes a debut on Drumcode with his Drumatic EP. Comprising four tracks, the release brings a familiar heavy-weight percussive sound to Drumcode, starting with The Beat and its marching rhythm powered along by a distinctive growling stab; before moving on to Drumatic with its snare-loop driven wall of sound; and on to Industrial, which comes in two versions – the original with a thumping kick and old-school pads and the Tool Mix which strips the track back to a rolling groove punctuated with an array of sonically interesting details and effects. 

03 DC101 - Mark Reeve - Industrial - clip

DCCD02 - 2 - Alan Fitzpatrick - Mouthwash - Drumcode clip

The EP starts with Mikael Jonasson’s, ‘Benefit of the Doubt’ which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track ‘Never Really Left Home’ that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother’s supply another big track named ‘Different Directions’ using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, ‘Kill Room’ that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; ‘Rimson’ that uses hypnotic drums to captures the listener’s attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. ‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called ‘Xylopeggiator’, conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern.

07 - DC107 - Manic Brothers - Different Directions - Drumcode

Independent record label owned by Adam Beyer.