Drumcode

Slam’s new three track single flawlessly encaptures the modern Drumcode sound. Movement trundles forward with snare rolls and funky percussion. The synth line keeps the funky groove rolling along until the snare roll break where it then crescendos effortlessly back into the track. The Realms synth line weaves in and out of the beat, filtering up and down to create intensity before unleashing itself into aural pleasure. Irrational Numbers takes an unusual rhythmic synth pattern and creates a groove that will make the dance floor shuffle.  Layered with pads, the track uses depth to create a distinctive character.

DC116 - Slam - The Realm - Clip

All Night Long

The YellowHeads, METODI -  PUT THE PRESSURE (Original Mix)

Buy/stream: https://drumcode.ffm.to/dc332

SUDO - We Are Free - Drumcode - DC332

SUDO - Lost In Paradise - Drumcode - DC332

Andy Kay -Anymus (Original Mix)

Set About delivers a thunderous reinterpretation of “Dopamine Nation” by METODI and The YellowHeads, reimagined by Tokyo-based powerhouse Drunken Kong. This remix is a masterclass in peak-time techno, combining relentless energy, driving grooves, and hypnotic atmospheres that ignite dancefloors worldwide.

Known for his chart-topping releases on Tronic, Octopus, and Terminal M, Drunken Kong infuses the original with his signature precision and rhythm, pushing the track into a new dimension of intensity.

The original creators need no introduction: METODI, founder of Set About and one of Bulgaria’s top techno artists, and The YellowHeads, global techno titans behind countless Beatport chart dominators and heads of Reload Records. Together, they form an explosive combination—now taken even further with this stellar remix.

SA317: METODI, The YellowHeads - Dopamine Nation (Drunken Kong Remix)

Timmo - Miami Vice - Drumcode - DC333

Goom Gum x RDNK - It's Time To Get High - Drumcode - DC333

Mark Reeve - Stop, Go - Drumcode - DC333

you are listening to the radio mix. for the original version listen here: 
https://open.spotify.com/track/0dWuMJ58YBm38w5EfCf5i3?si=ae7c185a987b4516

Tao Andra - Wake Up To Reality (Iboga Records)

The EP starts with Mikael Jonasson’s, ‘Benefit of the Doubt’ which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track ‘Never Really Left Home’ that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother’s supply another big track named ‘Different Directions’ using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, ‘Kill Room’ that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; ‘Rimson’ that uses hypnotic drums to captures the listener’s attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. ‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called ‘Xylopeggiator’, conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern.

06 - DC107 - Petter B - Second Coming - Drumcode

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

DC110 - Ben Sims - Bullet - Cari Lekebusch Remix - Drumcode

In the same vein as her recently launched MOOD imprint, ‘Believe’ is suited to a number of atmospheres and settings. Across the nine original productions and one collaboration with label boss Adam Beyer, Nicole has crafted a sonically diverse long-player of sounds which draw on the plethora of styles electronic music has to offer. From her accustomed techno to twisted house and everything in-between, the stylistic variety on offer means cuts ‘Believe’ will easily feature in more intimate settings and big-room venues alike. ‘Believe’ features a host of tracks aimed squarely at the clubs. From the moody ‘Movin On’, the bass-heavy “Do Your Thing”, to the industrial techno grooves on “Come And Lay” and the hypnotic chanting vocal on “Get On It”, the techno-aficionados will not be disappointed with what is sublime set of cuts that will no doubt destroy any dance-floor. 
In contrast however, there are more intimate moments to be found. For example the rhythmically entrancing yet uplifting “Fly With You”, to “Liberum Spirita” with its mazy ethereal breakdown, and the synth-heavy percussive builder “Lumière Tamisée”. Nicole’s further flexes her production muscle with the stripped back dub-flavours of “Big Love With No Apology”, and a robotic groove-laden funk on the standout “Can I Get Some”.  “Believe” delivers a consummate body of work with which Nicole’s considerable abilities in the studio are clear for all to hear. A wide-range of sounds that is sure to appeal to the idiosyncratic tastes of the various sub-sections of electronic music community. Furthermore, it lives up to the high-standards of previous Drumcode long-players and is an engrossing and impressive debut; and one that offers a smooth segue into the next chapter of an already exciting career. 


Nicole Moudaber - Can I Get Some - Drumcode

The first glimpse of Joseph Capriati’s ‘Self Portrait’ is revealed, as Drumcode drop a double a-side single from the hugely anticipated second album by techno’s heir apparent. The tracks ‘Fratello’ and ‘Awake’, have been highlights of Capriati’s sets in recent months, punctuating performances at landmark gigs such as his main room closing set at the internationally respected Time Warp Festival in Germany and maiden coast-to-coast tour of the US.

‘Awake’ was born out of Joseph’s longstanding love affair with Holland’s famous Awakenings parties and is a homage to the fanatical fans who turn out en masse at each event. Tense, atmospheric and relentless, ‘Awake’ captures the feeling of a momentary release of energy that is such a part of the high-octane Awakenings experience.

‘Fratello’ has achieved anthem status since it debuted in Capriati’s sets last September, such is the reaction it has garnered from fans. A work of rare beauty, this is techno at its most emotive, as hypnotic melody is laced with intricate key patterns, while the Italian’s trademark shaking percussion propel the track forward.

DC113 - Joseph Capriati - Awake - Drumcode

DC113 - Joseph Capriati - Fratello - Drumcode

Independent record label owned by Adam Beyer.

DC116 - Slam - The Realm - Clip

Drumcode

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