NEW ESAR

2000 and One - Kawasaki [PURE098]

Cooked up with a more melodic vibe and fusing elements of house and techno, Dense & Pika’s latest outing on Drumcode offers something different compared to their previous work. There is still that vintage feel to each of the tracks with analogue sounds and arrangements born and developed from experimental studio jams. Indeed, ‘Suki’ heavily utilizes the distinct harmonic tones of the Dave Smith Prophet 8 keyboard. While ‘Little Sun’ - A staple of D&P performances over the last three months - delivers a more classic Drumcode sound. ‘Lanky’ closes out the release with an infectious slab of wonderfully wonked-out raw funk.

Dense & Pika - Lanky - Drumcode - DC177

Midfield EP

Luigi Madonna, Roberto Capuano - Midfield

Mario Ochoa - Aldebaran

Beatport: bit.ly/FunkeBeatport
Vinyl: bit.ly/FunkeVinyl

Pan-Pot - Funke EP [SNDST045]

1: Spitzer
2: Funke
3: Spitzer (Petter B Padwash Remix)

It’s safe to say it’s been too long since we last saw label bosses and heavy hitters Pan-Pot grace Second State with their ‘Solace’ EP back in November of 2016. So to have them back with two big bombs and a remix from the one and only Petter B on their ‘Funke’ EP curbs all anticipation from all of us who have been dying for new material.
Kicking things off is ‘Spitzer’ with hi-octane percussion and reverb heavy acoustics spanned out over ten minutes where simplicity rules and the age old saying that “less is more” has never been more accurate. Flipping sides we see the duo take a similar approach on “Funke” but deliver a rugged and brutally mesmerizing lead that coaxes the inner devil inside all of us. Rounding out the EP is a carefully curated remix from Gothenburg’s own and former Hertz collaborator Petter B who hands over a beautiful rendition of ‘Spitzer’ where dense, lavish atmospherics carry a heavy looping groove to a gorgeous climax. It’s good to have the boys back and we think you will agree when you hear their stunning new ‘Funke’ EP.

@pan-pot
@secondstateaudio

Funke EP

Funke

Beatport

Pan-Pot - Funke

Layton Giordani steps up for his first solo EP of 2018.

In terms of pedigrees, it doesn’t get finer than Layton Giordani. The Brooklyn-born DJ/producer followed up his lauded debut album of 2017, with a collaboration with Danny Tenaglia to close out the year and marked the summer of 2018 with a three-way collaboration with Adam Beyer and Green Velvet, ‘Space Date’. The period has been a big one for Layton personally, also. From humble beginnings in his native NYC as an Output resident, to being thrust into the bustle of the European club and festival circuit, he’s enjoyed a stint living in Amsterdam, growing and developing over this time. All these experiences have had a fundamental influence on him and his music. The four-track EP ‘Phase II’ represents a new chapter for this exciting talent.

Beginning with ‘New York to Amsterdam’, a track that draws inspiration from a classic by Yves Deruyter, Layton’s work packs a memorable punch as tough acidic undertones and brain scrambling synth effects undulate raising the intensity, making it a perfect opener for Adam Beyer when he played Berghain earlier this year. ‘Body Language’ follows, a track written when Layton was scrubbed out of touring for a month courtesy of a shattered elbow from a skating accident. Not wasting the downtime, he’s crafted a cut that’s sleek, sexy and smart, with a seductive vocal and rousing melodic riff that runs throughout. ‘Black Mirror’, stays true to its dystopic name, a stomping rave cut that pummels dancefloors with a menacing lead synth that’s purpose built for the cold months ahead. ‘Enter the Stratosphere’ is steely electro-tinged techno paired with atmospheric licks of melody, awhile maintaining the artist’s trademark low-end chug. A classy conclusion to an EP from one of techno’s brightest talents.

Layton Giordani - Body Language - Drumcode - DC198

Timmo returns to Terminal M to release his highly anticipated debut album ‘Starlight’ this September. 
 
Since making his debut in 2008, Bulgarian talent Valeri Ivanov, aka Timmo, has swiftly become a name of note within the current techno landscape following with a string of releases via some of the biggest labels in the scene, from Adam Beyer’s Drumcode and of course Monika Kruse’s Terminal M imprint. Having emerged as a core figure for the label following his collaboration ‘Violet’ with Kruse back in May, and leading straight on from his ‘Starlight’ EP which featured three tracks from the extensive body of work in early June, the imprint will now welcome the arrival of his eleven-track LP ‘Starlight’, featuring a combination of club-focused tracks alongside more emotive soundscapes. 
 
“’Starlight’ is my debut album, and I’m very happy it’s going to be out on Monika Kruse’s Terminal M. It took me more than a year to finish and create it as an experience, the way I felt it should be. Starting with more melodic tracks, going through more energetic and electric ones and finishing off with some acid. 
 
All 11 songs have been recorded in my home studio in Sofia, using a variety of synths and modules, some dating back to the early 80s like the Roland Juno 60, and some being brand new or improved versions of classic synthesizers such as the Sequential Prophet 6.” - Timmo 
 
Opening via the ominous ‘Leaving Earth’ and flowing straight into the action via the acid laced ‘New Beginning’, the eleven-track project swiftly takes its form as a balance of driving, uncompromising productions accented by subtle interludes and moments  of  space.  Take  for  example  the  bubbling  ‘Solar’  and  the  warping  ‘Belle  Epoque’,  which  keep  the  focus  on oscillating synths and regimented percussion, whilst title cut ‘Starlight’ takes control and ups the energy via soaring lead synths and frenzied electrics. 
 
Next up, ‘Sonic Voyage’ reveals yet another twisting journey as Timmo merges ever-evolving leads with restrained vocal snippets, whilst ‘Vortex’ and ‘Spacefreaks’ add further energy via a medley of hefty kicks and menacing bass patterns throughout. Entering into the final three cuts, ‘Rhythm X’ brings forth further infectious 303-lines, tripped out vocal hooks and slick hats to head further into the peak time, whilst the darker ‘Connect’ throws its hat into the mix via a combination of commanding female vocals and choppy bass licks, before arriving at closing track ‘Interspace’ which lowers the tempo and switches the emphasis towards bright synth melodies and calming breaks featuring rich soundscapes to punctuate the project in emphatic fashion. 
 
Channeling main room sonics whilst intertwining rich melodies and softer tones throughout, ‘Starlight’ sees the unveiling of Timmo’s most complete body of work as he continues his ascent as one of his genres leading talents via the ever-impressing Terminal M.

beatport/spotify/vinyl

Timmo - Solar

A blistering buddy to the first instalment of Pig&Dan’s ‘Tunnel Vision’ EP will land in April. 

Not one to rest on their laurels, Pig&Dan have come out firing in 2020. One of the techno genre’s most prolific artists, their 17 year has seen a wealth and consistency of output unmatched by most in the industry. This is exemplified by the ‘Tunnel Vision’ series launched on Drumcode this year.

Set for release just one week after its predecessor, part 2 continues in powerful, peak-time mode. ‘Sirenism’ is a tour de force, driven by a pulsating lead that pops with acidic undertones. ‘Rinse Out The Sound’ is an intoxicating blend of warbled effects, warm synth layers and crisp drum work. ‘Perception’ is marked by an exuberant top line riff and steely percussive layers and makes for a colourful addition to any set. ‘Wasted’ is muscular techno at its finest, finished with a glistening layer of melody. No surprise the collection went down a treat at Warehouse Project, Drumcode Halloween and Dockyard Festival, among others. The duo are in irresistible form.

Tunnel Vision II

Pig&Dan — Wasted — Drumcode — DC222

'Spain producer Aitor Ronda kick off his new label called WHACK with “Orgonita” single...'

Read More : https://whenwedip.com/2020/04/premiere-aitor-ronda/

Follow: @aitorronda

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Premiere: Aitor Ronda - Orgonita [Whack]

Independent record label owned by Adam Beyer.