There’s no room to argue, Joseph Capriati has enjoyed his finest year to date and his escalation as one the principle profiles in techno knows no boundaries. 

The Napoli-born firebrand has just completed a stunning season in Ibiza as a resident of Marco Carola’s Music On at Amnesia. Anyone who caught him play the main room this season will agree – his special ability to combine an infectious stage presence, with razor sharp DJ skills draws techno fans to dancefloor like bees to a honey pot. No wonder island legend Carola’s handpicked him to perform on 8 separate occasions, more than any other artist this season. 

Combine this momentum with an outstanding 2013 that already saw him headline his first coast-to-coast tour of the US, play a historic 12 hour set at the Metropolis in Napoli, plus headline every major techno festival on the planet, the time couldn’t be better for Capriati to unleash ‘Self Portrait’, his sophomore LP. 

Already ingrained in the consciousness of techno lovers this year thanks to ‘Fratello’ and ‘Awake’ the pair of searing dancefloor slayers that were released in June as the album’s first singles, ‘Self Portrait’ goes deeper than the club stormers the Italian is famed for. Over 11 future-facing tracks, Capriati displays his deft production skill to supersede his reputation for bodyslamming dancefloors. 

Tracks such as ‘Electrolytic’, the album’s atmospheric opener evokes mood with a barrage of steely synths, gritty drums and industrial beats, while ‘Self Portrait’, the typically reflective album title track is an understated ambient gem led by warm trickles of melody that pairs nicely with ‘Naked’ which exhibits the producer’s deft skills for moulding sparse stripped back minimal that kicks along with cheeky vox and shuffling percussion. 

He further reinforces his ability to create addictive club rollers with the quirky, squiggly groover ‘Easy Come Easy Go’, while the masterful ‘Basic Elements’, chugs along with rattling industrial percussion before giving way to a sublime wall of melody that’s just the kind of genius fare that gets his diehard fans raising Italian flags inscribed with ‘JOSEPH CAPRIATI KING OF TECHNO’ regularly at this gig. And with an album this good, who are we to argue?

Joseph Capriati - Easy Come Easy Go - Drumcode

Yeah

This Is The Way

This Is The Way (Extended Mix)

The YellowHeads -  The Beginning (Mark Broom Remix) 160Kbps

Bart Skils’ fifth Drumcode offering comes in the shape of ‘Black Vans’. A high energy, full force, four track EP of powerful techno; he showcases his skills to produce four tight and solid tracks. Layering the EP with samples, synths and hard hitting drums, the four tracks create an emotive journey that proves Bart Skils is still on top of his game.

Bart Skils - Starfighter - Drumcode - DC153

JULIAN JEWEIL - ‘DESTINATION’ EP (INC. ANIMAL & ME REMIX)
FORM MUSIC
BEATPORT EXCLUSIVE RELEASE : JUNE 6th, 2016

Form Music is happy to have Julian Jeweil back onboard with this new EP full of groove and energy. In other words: Techno at its best! 
Julian delivered four powerful original tracks, and our Parisian fella Animal & Me revisited 'Destination' with his signature trippy rhythms.

FIND JULIAN JEWEIL ONLINE:
https://www.facebook.com/Julian-Jeweil-181527245868/
https://twitter.com/JulianJeweil 
https://soundcloud.com/julianjeweil 

FIND FORM MUSIC ONLINE:
https://www.facebook.com/FORM-Music-285199617509/?fref=ts 
https://soundcloud.com/form-music 
https://pro.beatport.com/label/form/12746 


Julian Jeweil - Foundation (Original Mix) - Snippet

Ron Costa - Buly EP [Octopus Records]
https://www.beatport.com/release/buly/2187182

Ron Costa - Reject (Original Mix)
Ron Costa - Roost (Original Mix)
Ron Costa - Buly (Original Mix)

Ron Costa - Reject [Octopus Recordings]

Roberto Capuano - Vertigo

BUY HERE: https://www.beatport.com/track/i-opened-my-mind-sisko-electrofanatik-remix/10712771
INSTAGRAM: www.instagram.com/technobible/
FACEBOOK: www.facebook.com/technobible1/

Focus EP

TB Premiere: Giorgio Rusconi - I Opened My Mind (Sisko Electrofanatik Remix)[Gain Records]

SOLA050

Rolling Tribe

Del-30 - Rolling Tribe

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

07 - Corpse Reviver Number 3

Independent record label owned by Adam Beyer.