Redimension is the label project of Joseph Capriati and is run as a platform to champion music that showcases the more underground side of his taste in techno. Along with tracks from the label boss himself, it’s also featured contributions from Adam Beyer, Anthony Parasole, Flavio Folco and Rino Cerrone.

Now on its sixth release, the labels latest EP is from Klaudia Gawlas, a leading lady in the world of techno who plays DJ gigs all over Europe and other parts of the world. Her skills behind the decks and crowd reading abilities are second to none, and those honed skills have translated into the explosive tracks she produces.

Working with a great number of highly respected record labels she has consistently proven herself to be a skilled producer, and she delivers the goods once again with a stunning four track EP of dark and thundering techno.

“The Siren” opens the show with crunching percussion and acid pulses that grow with ominous tension, whilst the dance floor focused framework of the mechanical groove ensures maximum impact. Fast and ferocious, this hard-hitting cut takes no prisoners with a menacing sound.

Keeping the same tough vibe, “Lightnings” is second on the EP with fast flowing hi-hats, clap rhythms, and hypnotic synth work. The eerie atmosphere present in this immersive cut of ground shuddering techno adds to its overall exhilaration of the track’s aggressive style.

Track three “Niet” focuses in on a sensual vocal layered over a tough percussive groove, which combine to create a captivating eloquence both unnerving and alluring. Distinctive and full of personality, there is no doubt that for many DJ’s this will be the main attraction of the EP.

Closing proceedings is “The Whirl” that uses an arpeggiated lead synth to create an uplifting mood to this otherwise sinister cut. Unrelenting in its onslaught, the invigorating strength of the tracks up-tempo and energetic momentum is like a tsunami of sound.

The Siren EP

The Siren

Klaudia Gawlas - The SIren

Buy/stream: https://drumcode.ffm.to/dc258

Plasma

Lilly Palmer - Plasma - DC258 - Drumcode

promo packshot
Markantonio’s AnalyticTrail is excited to welcome Konrad for his debut on the label with “Jumping to the Beat” EP.

The release opens with a dub mix of the main track “Jumping to the Beat” together with the original mix and “Back to the Origins” to close the EP. Three peak techno bangers that exactly express the label sound and style that keep evolving day by day, “Groovy tracks engineered for the dance floor!” Like our slogan says.

Konrad started his journey into techno music at a very young age, he’s a true combination of DJ and Producer boasting a large catalogue with releases on top labels such as Unrilis, We Are The Brave, Phobiq, Codex Recordings, Octopus Records and Respekt Recordings just to name a few.

“Jumping to the Beat” EP is a true representation of Konrad’s style and sound signature, defined by massive and pounding kick and rumble bass, groovy percussions, dancy rhymes and distorted piano melody that gives his track a top notch flavor.

Konrad (Italy) - Jumping To The Beat (Dub Mix)

Sp 01

One Life

Buy on Bandcamp

Hurukan - One Life

King Randor

King Randor (Original Mix)

Nüwa - Mechanic Owl (SHDDR Remix)

Drumcode starts 2020 with a sterling EP from genre hero Thomas Schumacher, his first on the label after a long association with Adam Beyer.

No ifs or buts, if you’re a techno fan, Thomas Schumacher holds a place in your heart. His 1997 classic ‘When I Rock’ still gets rinsed, he has a vast body of stellar work on his influential former label Spielzeug Schallplatten, including a release from Adam Beyer, and he continues to deliver pin-sharp productions via his Electric Ballroom imprint, including a scorching remix of ‘The House of House’, the 1994 classic from Cherry Moon Trax. The rework was first played by Beyer at Time Warp and has been a 2019 highlight.

He first contributed to Drumcode in 2018 with ‘The Unseen’, a stirring contribution to ‘A-Sides Vol.7’, setting up a maiden EP with ‘Crimson’. Beginning with the brilliant ‘Feist’, it’s a no-nonsense brain melter, as 303 arpeggios bloom and recede, creating a thrilling rhythmic intensity throughout. The title track ‘Crimson’ is crafted around two minutes of tension-building synths, before a beat finally appears and a rasping deep bassline commands the dancefloor. ‘Anker’ brings the rave with eagle-eye focus, unleashing a wall of fierce acid to round out the pack.
“Adam and I have both been producing and playing techno since the early ‘90s. I have deep respect for him as a person and artist. It’s an honour to have the opportunity to collaborate in this way.” – Thomas Schumacher