Paul Ritch is back on Drumcode with his astounding new single ‘Brainwash’. Perfectly capturing the energetic, driving techno sound that Paul is capable of, ‘Brainwash’ delivers something that really engrains into the memory and leaves the dancefloor filled with vitality. On the flip side, ‘Inside Me’ is a heavily percussive rolling track that uses interesting synth hooks and stabs to create a rocking groove that creates vigour and depth that Paul’s techno represents.

Paul Ritch - Brainwash - Drumcode - DC130

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - White - Drumcode - DCCD10

Beatport

Pan-Pot - Grey Matter

After appearing on our sister label Truesoul and also the A-sides Volume 2, dubspeeka releases his first full EP on Drumcode. Basing his sound heavily on his uniquely dark and twisted melodies, dubspeeka has created a brooding, atmospheric EP that capture each individual feeling on the techno scale from bouncing, energetic tracks to melancholic offerings. His use of Percussive sounds add energy to tracks such as Primary K290 and his array of eloquent lead lines add depth and character that can be heard on Primary K293.

dubspeeka - Primary K293 - Drumcode - DC137

Florian Meindl - Mental Atmosphere

Pulse

Daylights

On the back of their critically acclaimed ‘Oblivion’ EP, from which ‘Sensation’ was named one of the techno tracks of 2016 by Mixmag, Monika Kruse rejoins her brothers-from-another-mother Pig&Dan for another electrifying two-track EP.

Both tracks – ‘Get Me On’ and ‘So Good’ featured in her celebrated debut Essential Mix that aired on April 1 and have highlighted the iconic techno artist’s sets over the past month,  everywhere from Time Warp to her wildly popular b2b with Andrea Oliva at Boiler Room Madrid in March. 

Produced during an inspired couple of days in Mallorca with Pig&Dan in January, both records are explosive techno weapons built for the peaktime and propelled by a stunning warehouse stomp. ‘Get Me On’ is a driving affair from the outset, powered by a compelling mainroom groove that’s gradually immersed in exhilarating cyclone swirls of melody. ‘So Good’ is as delectable as its name, characterized by a roaring buildup that’s drawn out dramatically for much of its 8-minute running time, working in tandem with several carefully deployed breakdowns. Both records are destined to leave a devastating impact at festivals over the summer.

Monika Kruse Meets Pig&Dan - So Good (Terminal M)

Featured in Sven Väths set from Boiler Room, Berlin. Hit the link down below for action 👇

https://youtu.be/uInltd4OkTQ?si=rsLqG4O9n1ZL7OKK&t=4650

Instant classic 😎😎

DC99 - Manic Brothers - Black Bay (Original Mix) [Drumcode] 10-09-2012

The EP starts with Mikael Jonasson’s, ‘Benefit of the Doubt’ which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track ‘Never Really Left Home’ that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother’s supply another big track named ‘Different Directions’ using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, ‘Kill Room’ that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; ‘Rimson’ that uses hypnotic drums to captures the listener’s attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. ‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called ‘Xylopeggiator’, conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern.

05 - DC107 - Patrick Siech - Kill Room - Drumcode

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Genre: Techno
Site: southsound.com.ar/



Green Velvet - Destination Unknown (C2 Detroit-Chicago Unity Dub)

Independent record label owned by Adam Beyer.