Adam Beyer is back on Drumcode with an impressive array of tracks that will get the senses tingling and shows us what Drumcode is all about. These 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only Beyer can achieve within his productions. The under lying throbbing of the drums drives this EP into the forefront of the heads down Drumcode sound and have been heard in many of Beyer’s phenomenal sets throughout the year.

Adam Beyer - That Would Be The Sun - Drumcode - DC141

FAjitas V2

For Me

Now in its second decade, with a steady stream of the most forward thinking and cutting edge techno productions, Drumcode has one of the biggest selections of releases from industry heavy hitters, whilst not forgetting its future by bringing the newest talented producers into the limelight, where Layton Giordani is now a name firmly within that line up.

The New York born, but now EU based producer first had recognition back in 2014, and his debut release came via Drumcode with his track “Rivington” on the A-Sides Vol5 compilation in 2016. 

Consisting of 12 original tracks, the album packs a punch when it comes to no-nonsense techno. Successfully weaving relentless drums and catchy vocal hooks into a selection of thick, brooding, atmospheric tracks.

Layton Giordani - Turn It Around - Drumcode - DC170

Mario Ochoa - Aldebaran

Mark Reeve - Redemption (Original Mix) DRUMCODE

Pig&Dan signal their first solo outing on Drumcode since 2016, with a stirring four-track work.

The duo stands as one of electronic music’s most prolific artists, shapeshifting between different shades of house and techno over a 15+ year period, all the while displaying a startling breadth that’s ensured their enduring demand. Their relationship with Adam Beyer has solidified over the years, first impressing with a debut EP ‘Mexico’ in 2016, before collaborating with the Swede himself in 2017 for the fantastic four-tracker ‘Capsule’, a notable highlight. With their contribution to last year’s A-Sides compilation ‘La Bruja’ one of the strongest of the bunch, their return for a full-length EP is timely. 

Title track ‘Infinity’ is rave-infused stadium techno crafted to perfection, driven by an undulating melodic lead that builds to a tension-packed break, before the chords re-appear and propel the track toward a trippy finale. Vocal cut ‘Losing Part of Me’ is momentous, with punchy bass and pin-sharp percussion juxtaposing superbly with the emotive vocal and laser-kissed melodic touches. ‘Terrax’ is propelled by woozy synth leads that escalate in intensity, before unexpectedly dropping into a series of soothing synth interludes, before slamming back in with purpose. The EP concludes with ‘Plex’, as a brooding melody line is paired with pumping percussion for an atmosphere-heavy finale. 

Tracklist: 

1. Pig&Dan – Infinity 
2. Pig&Dan – Losing Part of Me
3. Pig&Dan – Terrax
4. Pig&Dan – Plex

Buy all

Pig&Dan - Plex - Drumcode - DC201

DC109 - Roberto Capuano -- New Chapter -- Drumcode

Drumcode storms into 2013 after releasing some superb tracks in 2012 which included celebrating their 100th release with an outstanding EP from Adam Beyer and Ida Engberg. Also releasing some exceptional tracks from artists such as Alan Fitzpatrick, Jay Lumen and Gary Beck, Joseph Capriati, Gregor Tresher, Sam Paganini, Nicole Moudaber and Ben Sims. Heading into 2013 Drumcode are keeping up the refined techno that they have displayed and are making sure that they continue to keep up this form throughout the coming year.
Roberto Capuano is a name heard before at Drumcode, releasing his debut release on the 15 year anniversary compilation with his track ‘Oblique’. Gaining support as a producer, Roberto has released on record labels such as Analytic Trail, Phobique, MKT, Monique Musique and Suara. He has gained a lot of support from Adam Beyer, Richie Hawtin, Joseph Capriati, Umek, Carl Cox and Alex Under amongst others. Roberto has also been Djing around the world at venues in Europe including the famous, “Old River Park” amongst others.
‘Vertigo’ is the A side on this four track EP by Roberto Capuano that uses reverberated kick drum’s and piano chords to create a groove that was designed for peak-time play. The second track, ‘Inversion’ uses rising and filtering synths with the use of space and influxes of pitched hi hats and percussion loops to create a 5am track that will keep people rooted to their spot. ‘New Chapter’ uses a repetitive percussion-like stab to keep the deep atmospheric sounds together over the industrial techno drums.The final track ‘Earth’ uses phased sporadic stabs to create an interesting groove that compliments the driving drums that are ever present.

Roberto Capuano - New Chapter [Drumcode]

Luigi Madonna returns for his first Drumcode EP in five years, teaming up with fellow Neapolitan and label favourite Roberto Capuano.

We got our last taste of the creative synergy that marks Luigi Madonna and Roberto Capuano’s friendship when the pair dropped ‘Limitless’ in 2017, a brilliant addition to A-Sides Vol.6. Prior to that Luigi hadn’t dropped a cut on DC since 2015’s hook-driven ‘Magic Land’, while Capuano stands as one of the label’s most infallible contributors, last year’s ‘The Walker’ EP was typically impressive. 

Crafted between two studios in a pre-COVID-19 world, the three-track conceptual EP opens with ‘Mad World’, as masterfully layered industrial hits and rides depict it’s narrative, while a pulsating melodic lead ensures heavy impact. ‘System Alert’ is inspired by the destructive effects of climate change and the track’s composition mirrors this malaise, as a pitch-bending synth elicits rhythmic chaos alongside Luigi and Roberto’s deft drum work. ‘Headquarter’ is steeped in drama and cinematic charm, backed by a distorted vocal sample, stormy oscillating synths and a sharp percussive backdrop.

Luigi Madonna & Roberto Capuano — System Alert — Drumcode — DC232

A rare treat for Drumcode faithful: A-Sides Vol.10 is set to drop in December, the second edition of the beloved series to come in 2020.

Fuelled by the extra time and space to be creative during lockdown, Drumcode’s collective of artists have stepped up. Across 17 contributions, the producers have gone deeper into their sonic repertoire, crafting powerful, yet reflective works that capture the range of the label’s sound.

Jay Lumen leads the way with a rousing riff-driven weapon, ‘Galactic Rainbow’, while Ramon Tapia brings us the muscular gem ‘Drum Control’, mixing up ruffneck techno with a barrage of synapse-tickling synths in the second half. Both rousing highlights of the compilation.
Victor Ruiz, Drumcode’s most prolific contributor in 2020, dishes up ‘Love Story’, led by a huge vocal lead. Zimmz also returns with ‘Tension’, which deftly combines deep squelchy grooves with a silky synth interlude. Thomas Hoffknecht follows up his debut on Vol.9 with ‘Escape’, keeping listeners on their toes with dynamic, choppy shifts throughout. Veerus joins with another stirring addition ‘I Know’, reinforcing why Beyer rates him so highly.

Elsewhere a string of debutants feature: buzzy newcomer Lilly Palmer gives us ‘Amnesie’, a brilliantly pummelling and eerie cut; Alex Lentini & Stomp Boxx serve up ‘Expanders’ mixing up drone effects, trippy vocals and an unsettling melody line; and Patrik Berg’s ‘Activated’ is full-bodied techno that drops down into funky rhythms.

Long-time DC family member Bart Skils brings his A-game with the thrilling no-nonsense ‘Solid State’ that hits like a steam train. Likewise, Alan Fitzpatrick who brings a momentous slab of techno energy with ‘Rochus’, while Thomas Schumacher, now feeling like a regular on the imprint, crafts another dark techno opus, this time in collaboration with CAITLIN.

There’s even a special appearance by the chief Adam Beyer, who makes a welcome return with the progressive-tinged ‘Changes’, driven by organic tones and spacey atmospherics. The track stands as his first original contribution to A-Sides since 2017.

Patrik Berg — Activated — Drumcode — DC235

Independent record label owned by Adam Beyer.