Drumcode track releases

TECHNO

Rebūke returns for his third EP on Drumcode, reinforcing his status as one of the most innovative new artists in techno.

The Irishman’s previous offerings on the label ‘Rattle’ and ‘Obscurity’ have been standouts; interesting and innovative in equal measures, the artist’s grind to push himself sonically and offer up something fresh with each release profoundly evident. ‘Rattle’ was a commercial and critical success, included in DJ Mag’s tracks of 2019 round-up, while ‘Obscurity’, garnered acclaim from all corners of the industry and saw all three tracks hit the Beatport Techno Top 10 (Peak Time / Driving).

‘Wasp’ continues this inspiring vein of form. The lead track is a signature Rebūke’ the kind that of synapse-searing belter that promises to join the canon of his biggest tracks to date. ‘Clarity’ and ‘Redemption’ are shimmering slices of cinematic techno, drawing as much inspiration from film soundtracks, as they do from the rave, reinforcing the artist’s expansive creative approach. ‘Redemption’ will be familiar to many, having highlighted Rebūke’s acclaimed Essential Mix last summer. It continues on the same thematic tip, a stirring widescreen composition, powerful and emotive; it’s destined to be an end-of-night tear-jerker, once it’s safe for parties to return.

Wasp

Buy/Stream

Rebūke - Wasp - Drumcode - DC239

Patrick Mason and Rekids boss Matt Edwards return for their second appearance as SRVD with two cuts entitled ‘RAW FILES’.

Not confined to a single art form, Patrick Mason is a young creative at the forefront of Berlin’s art, fashion, dance music and LGBT scene; an influential club kid who developed a friendship with Matt Edwards after a chance meeting in Panorama Bar, resulting in numerous studio sessions and improvised live sets. Joining forces in 2018, the pair adopted their SRVD moniker – an alias inspired by New York’s vogue scene – before dropping their debut release on Rekids, playing at various clubs (notably Panorama Bar), not to mention an unforgettable performance at Boiler Room x Pornceptual.

‘The Yard Man’ presents rattling drums, piercing vocal chants and a tormenting melody that SRVD has been destroying dancefloors with over the last year. On the flip, ‘Brotha’ presents a compelling groove as a shuffling rhythm joins abrasive synths and Mason’s penetrating voice.

SRVD - The Yard Man

Pre-order: https://lnk.to/REKIDS152 

Multifaceted artist Patrick Mason and Rekids boss Matt Edwards return with their next release as SRVD, entitled ‘Black On Black’. Since teaming up two years ago, Matt Edwards (Radio Slave) and Patrick Mason have continued to blur the lines between pounding techno and live avant-garde performance under their SRVD alias. Following performances in Barcelona, Melbourne, Berlin London and Tokyo, and with support from the likes of Sven Väth, Rodhad, Chris Liebing, Laurent Garnier and many more. The formidable duo now return to their home imprint, Rekids, with two tracks both recorded in Bordeaux in 2019, using only analogue gear, before being arranged and mixed in Berlin. 

‘Black On Black’ opens with thundering percussion, rising synths, rattling cymbals and alluring vocals from Patrick which elevates the energy and leads you into delightful darkness. On the flip, ‘USB’ pulses with a Roland SH 101 bassline and deep kicks while Patrick’s haunting vocal-work causes an unsettling rhythm that propels you into a warehouse space. 

SRVD ‘Black On Black’ drops on Rekids on 13th March 2020. 

Tracklist: A. Black On Black
B. USB

Black On Black

Premiere: SRVD - Black On Black

I Go Out

I Go Out (2020 Rework)

Layton Giordani crafts his most accomplished work to date with ‘New Generation’, his second album on Drumcode. 
 
Since 2017’s critically acclaimed debut album ‘Where It Begins’, the New Yorker has entrenched himself as one of the label’s most vital artists and leader of techno’s new school brigade. At just 27, he’s collaborated with Adam Beyer and Green Velvet on multiple occasions, linked with the legendary Danny Tenaglia for the now-classic ‘Live Again’ and played everywhere from Awakenings, Melt! Festival and Warehouse Project. He’s also lived the Transatlantic life more than most, splitting his time between the Big Apple and Amsterdam, absorbing influences from across the electronic spectrum.  
 
It’s these experiences that inform ‘New Generation’, a masterclass of techno futurism and glistening example of Giordani’s ever-developing talents as a producer. Opening with the shimmering soundscapes of ‘Shinjuku’, a beatless two-and-a-half-minute mood setter, the album swings between timeless multi-faceted dancefloor weapons, and more lilting, ambient techno cuts rips for the golden hour. 
 
Already a favourite of the Drumcode faithful, the album’s title track hits with a swarm of synapsesearing synths that saw it go down a treat at Awakenings Festival, Tomorrowland and Gashouder in the second half of 2019. ‘System Majority’ balances atmosphere and propulsive rhythms on a knife’s edge and featured in Beyer’s DCR 515 radio show. Giordani reunites with the legendary Green Velvet for ‘Life Lesson’, a pulsating roller, which notably features the young New Yorker’s hypnotic vocals on loop. Teaming with friend and fellow East Coaster Avision, ‘Power’ is punchy techno at its finest, driven by energetic stabs and a stirring vocal from Chicago journeyman Cevin Fisher. After playing b2b a string of times, Layton links with good friend Bart Skils for a maiden collaborative track. Driven by a strong melodic lead, ‘Midnight Magic’ typified the moment when the duo played it at Drumcode’s Awakenings event during ADE last year. ‘Feel A Vibe’ is an album highlight centered around plump bass, reverb-heavy sonics, distorted bleeps and a spoken word vocal, which begs for a peak-time rinse. 
 
Elsewhere Giordani demonstrates his breadth with cuts such as ‘Nirvana X’, a lush breakbeat-laden cut; the laser-kissed ‘Translation Lost’, where his musicality is in full view and the progressive-tinged 
‘Memory Fragment’, which reinforces the expansive Drumcode sound palette. The beautiful ‘Human Error’ closes out the work, as muffled horns, delicate keys and sparse bed of percussion unify for a momentous finale. 
 
“This album is a summary of my life experiences up until this moment. Traveling around the world, living abroad, looking into the future and bringing atmosphere and textures from different places into my music. The evolution of music is a systematic cycle that never ends. It’s a composition of all matters experienced and visualized up until this very moment. From futuristic realms and ambiences, to city soundscapes within our reach; ‘New Generation’ is the future distilled into album form.” - Layton Giordani