yeah, doing the Techno skank out now. Cheers!

Kaiserdisco start the three-track single with ‘El Tiburon’ that has a pulsating bass line, which isn’t for the feint hearted. This peak time stomper uses a melodic synth and unusual synth effects to create the building atmosphere before it kicks back into the throbbing beat. The ascending bass line on the second track ‘La Caballa’, is supported by white noise and a rising synth that will make any dancefloor erupt into a heated flow of energy. The third and final track ‘La Morena’, is a bit more on the funky side of techno, using rhythmic percussion to create a cool, peak-time vibe.

DC121 - Kaiserdisco - La Caballa - Drumcode

Jerome Sydenham - Push To Enter

Kaiserdisco - Peak Tram

Slam - Night Train

Slam - Crowded Room

Brosso, Dub Pepper - Party Alarm (Original Mix)

Grok (Original Mix)

Woke up on a Sunday morning and two hours later had this little groover done
Title inspired by my favourite rant / cultural thinkpiece from meditationsfortheanxiousmind on IG: https://tinyurl.com/why-everyone-is-a-dj-now
I'd like to create my own value outside the tech-bro distribution / streaming systems, but for now we have social media
https://tinyurl.com/give-me-a-follow-on-IG
Art is made by humans and meant to reach those it should impact, regardless of algorithm
Drop a comment on the track please, and share it if you feel so inclined
High quality DLs enabled :)
Hope you enjoy this, I really enjoyed making it

Bristol-Presenting Berlinsexual

Alan Fitzpatrick’s latest EP is the product of a particularly productive six months of studio time for the Drumcode regular. Containing five tracks that cover a circular range from pre-party ambiance to tripped-out melodic odyssey; vocal laced, chord driven hooks; barnstorming peak-time hammers; and 123bm afterparty grooves; there is more than the usual Drumcode fare on offer within the aptly named Life Through Different Eyes EP. A significant release for artist and label; the sonic incarnation of Fitzpatrick’s growing maturity as a producer and an indication as to the next evolution of the Drumcode sound. 

DC91 - Alan Fitzpatrick - Up All Night (Don't Go)

Presented as a three-track EP, Slam’s latest body of work for Drumcode covers a range of styles, drawing on their vast experience of the multi-colored nature of techno. Vespula, with its resolute groove and low, humming bass works the speakers hardest, while synth stabs, dramatic drawn out chords and a distinctive two-tone hook add contrast. Resume puts musicality to the fore by creating a melodic ride that flows from an undulating bass line and a soaring synth line whilst retaining a strong percussive energy. Metus beats out a slow burning but impactful groove that swings between an intricate, multi-layered arrangement of wigged out atmospherics and industrial clunks and clanks. RELEASE DATE 28th May 2012


DC94 Slam - Vespula - Drumcode

Patrik Skoog - Jack is Back - Drumcode 39

Independent record label owned by Adam Beyer.

Slam - Crowded Room

Drumcode

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