Steam Shape - Output VS De'Lacy - That Look (Hani Club remix) - Julian Veralant RmX

The seventh volume of Drumcode’s annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba’s SCB project, among the collection of topline artists to release their maiden productions on the imprint. 

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fueled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others. 

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting 22 unreleased tracks that have taken prime position in his sets over recent months. 

Outstanding all-round talent ANNA kicks off the compilation with ‘Portable Paradise’, a pulsating cut that sets the tone for the top-shelf club cuts to follow. Also entering the debut field with their first ever Drumcode dalliances are B.Traits and Charlotte de Witte. The esteemed Canadian selector offers up ‘I Feel The Music’, a euphonic track that’s been sought after since spring, and the Belgian ballista unlocks a thick-edged club bomb in ‘Remember.’

Leaders of Drumcode’s new brigade, exciting Brazilian Wehbba and British techno alchemist Boxia set out to impress. Wehbba’s straight-talking ‘Just’ hits with an immediate sense of urgency before neck-snap claps strike with force, and Boxia’s ‘Final Call’ elicits physical engagement with mellifluous vocals and soaring pads. 

Continuously looking to bolster the profiles of emerging talent, Berlin-based producers Weska and Juliet Fox are brought into the fold with equally engaging razor-sharp tracks that are primed to do lasting damage. 

Other notable highlights include an exhilarating workout from Reset Robot - the most released artist on Beyer’s imprint Truesoul – as he lands on Drumcode for the first time. And tastemaker’s favourite Jel Ford makes a welcome return as he ushers in techno rhythms with bustling breaks in ‘Nightshade.’

Elsewhere, support from label mainstays comes in from Bart Skils, who offers a work of consummate skill in ‘West Of The Moon.’ Alan Fitzpatrick, who’s been heavily featured across the A-Side series, joins forces with Scuba as he operates as his uncompromising alias SCB. The result is a propulsive floor-gripper that testifies to their masterful deftness as co-producers. Formidable duos Dense & Pika and Pig&Dan also contribute with powerful compositions.

Thomas Schumacher - The Unseen - Drumcode - DC195

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Release Date: 11-01-2019

► Ilija Djokovic ♫
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► Filth On Acid ♫
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Tracklist:
01. Ilija Djokovic - Atom (Original Mix) 
02. Ilija Djokovic - Gravity (Original Mix)
03. Ilija Djokovic - Nebula (Original Mix)
04. Ilija Djokovic - 1991 (Original Mix)

Release Info: 
Back for his 3rd EP on Filth On Acid, it's the master of brainmelters with pumping beats, Ilija Djokovic, who serves up four more fantastic cuts. We challenge you to play these 4 rocks on a big rig before a massive crowd and not see the concept of gravity being questioned.

Atom kicks off with big techno drums and tense synths layering up into an intense groove. It’s scintillating stuff that takes you to the edge of the cosmos. Gravity is a deeper, more heady track with menacing bass and shooting lasers. Nebula then sucks you into a spooky sound world, with hard drums and cinematic synths adding up to an evocative journey. Last of all, 1991 is more tripped out, with beautiful melodies circling above the soft drums, which makes it feel like you are adrift in space. 

These are four more superbly dramatic techno cuts from one of the best in the game. 

Enjoy your Filth on Acid NOW!

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

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PREMIERE: Ilija Djokovic - Atom (Original Mix) [Filth On Acid]

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

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Wehbba - Another Mistake - Drumcode - DC202

Timmo returns to Terminal M to release his highly anticipated debut album ‘Starlight’ this September. 
 
Since making his debut in 2008, Bulgarian talent Valeri Ivanov, aka Timmo, has swiftly become a name of note within the current techno landscape following with a string of releases via some of the biggest labels in the scene, from Adam Beyer’s Drumcode and of course Monika Kruse’s Terminal M imprint. Having emerged as a core figure for the label following his collaboration ‘Violet’ with Kruse back in May, and leading straight on from his ‘Starlight’ EP which featured three tracks from the extensive body of work in early June, the imprint will now welcome the arrival of his eleven-track LP ‘Starlight’, featuring a combination of club-focused tracks alongside more emotive soundscapes. 
 
“’Starlight’ is my debut album, and I’m very happy it’s going to be out on Monika Kruse’s Terminal M. It took me more than a year to finish and create it as an experience, the way I felt it should be. Starting with more melodic tracks, going through more energetic and electric ones and finishing off with some acid. 
 
All 11 songs have been recorded in my home studio in Sofia, using a variety of synths and modules, some dating back to the early 80s like the Roland Juno 60, and some being brand new or improved versions of classic synthesizers such as the Sequential Prophet 6.” - Timmo 
 
Opening via the ominous ‘Leaving Earth’ and flowing straight into the action via the acid laced ‘New Beginning’, the eleven-track project swiftly takes its form as a balance of driving, uncompromising productions accented by subtle interludes and moments  of  space.  Take  for  example  the  bubbling  ‘Solar’  and  the  warping  ‘Belle  Epoque’,  which  keep  the  focus  on oscillating synths and regimented percussion, whilst title cut ‘Starlight’ takes control and ups the energy via soaring lead synths and frenzied electrics. 
 
Next up, ‘Sonic Voyage’ reveals yet another twisting journey as Timmo merges ever-evolving leads with restrained vocal snippets, whilst ‘Vortex’ and ‘Spacefreaks’ add further energy via a medley of hefty kicks and menacing bass patterns throughout. Entering into the final three cuts, ‘Rhythm X’ brings forth further infectious 303-lines, tripped out vocal hooks and slick hats to head further into the peak time, whilst the darker ‘Connect’ throws its hat into the mix via a combination of commanding female vocals and choppy bass licks, before arriving at closing track ‘Interspace’ which lowers the tempo and switches the emphasis towards bright synth melodies and calming breaks featuring rich soundscapes to punctuate the project in emphatic fashion. 
 
Channeling main room sonics whilst intertwining rich melodies and softer tones throughout, ‘Starlight’ sees the unveiling of Timmo’s most complete body of work as he continues his ascent as one of his genres leading talents via the ever-impressing Terminal M.

beatport/spotify/vinyl

Timmo - Solar

Mark Reeve - Serum DRUMCODE

A blistering buddy to the first instalment of Pig&Dan’s ‘Tunnel Vision’ EP will land in April. 

Not one to rest on their laurels, Pig&Dan have come out firing in 2020. One of the techno genre’s most prolific artists, their 17 year has seen a wealth and consistency of output unmatched by most in the industry. This is exemplified by the ‘Tunnel Vision’ series launched on Drumcode this year.

Set for release just one week after its predecessor, part 2 continues in powerful, peak-time mode. ‘Sirenism’ is a tour de force, driven by a pulsating lead that pops with acidic undertones. ‘Rinse Out The Sound’ is an intoxicating blend of warbled effects, warm synth layers and crisp drum work. ‘Perception’ is marked by an exuberant top line riff and steely percussive layers and makes for a colourful addition to any set. ‘Wasted’ is muscular techno at its finest, finished with a glistening layer of melody. No surprise the collection went down a treat at Warehouse Project, Drumcode Halloween and Dockyard Festival, among others. The duo are in irresistible form.

Tunnel Vision II

Pig&Dan — Wasted — Drumcode — DC222

If you want a snapshot of where techno stands in any given year, and a preview of where it’s headed, look no further than Drumcode’s A-Sides compilation. Since 2012 it has marked the label debuts of countless vital Drumcode artists and affiliates, from Layton Giordani, Wehbba and Boxia, to Amelie Lens and ANNA, no less. Every year, new names are unearthed, tried and true techno contributors serve up their best, and icons of the industry land their debut on Adam Beyer’s storied label.

The 2020 edition hits with 13 tracks, eight coming from label debutants. There’s Eats Everything searing rave bomb ‘Organico’ and Dubfire’s ice-cool electro offering ‘Deadbug’, both artists landing their maiden contributions to DC after long affiliations with Beyer. With three EPs in less than two years on Truesoul, Oscar L steps up to DC, showing the breadth of his sound palette with a soaring, synth-laden gem ‘Dark Fate’. Belgians Joyhauser featured at last year’s Drumcode Festival paving the way for ‘Fierceness’, a beautiful melody-drenched cut befitting their DC cap. Anfisa Letyago is another first timer and shows why she’s one of the scene’s most highly touted new artists with the brooding beast ‘Are You In’. A growing label favourite, Juliet Fox follows up ‘Was Beautiful’, her superb track on last year’s A-Sides, with ‘Our Fantasy’, reinforcing her skill for crafting anthemic techno compositions. Thomas Schumacher & Victor Ruiz link and the result is ‘Intuit’, a sleek futuristic roller that hits you square between the eyes. Other highlights come from longtime Drumcode cohorts Reset Robot and Harvey McKay, who both dish up premium works, reinforcing their classy productions nous.

Loco & Jam — Addicted — Drumcode — DC223

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My new ep is here and incredibly proud on the result. It’s the first project rolling out of my new studio and i spent so many hours building the place and creating the tracks..

Settle In The Sun

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Independent record label owned by Adam Beyer.