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Techno

Buy/stream: https://drumcode.ffm.to/dcx001

Drumcode hits the autumns months with a dancefloor ace fit for a variety of occasions. Patrik Berg, who debuted on the label with an excellent contribution to A-Sides Vol.10, returns with 'Living the Lie'. The cut respectfully honours a Gladys Knight classic, marrying the lead vocal lines with more of his trademark deep techno rhythms.

Patrik Berg - Living the Lie - Drumcode - DCX001

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

BODY ROCK

My new EP is out now!
https://pro.beatport.com/release/dark-rooms/1698574

Jay Lumen - Dark Rooms (Original Mix) Low Quality Preview

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Moon Rocks - Drumcode - DC160

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - The Beat (ft. Zøe)- Drumcode - DC162

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno.  ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Future - Drumcode - DC166

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno. ‘Going Down’ is built around a deep menacing vocal, as subterranean bass drums, thundering kicks and a sinister synth line combine for a high impact finish. ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Going Down - Drumcode - DC166

Midfield EP

Luigi Madonna, Roberto Capuano - Midfield

Zebra

Alex Preda & Olivier Weiter - Zebra - Ramon Tapia Black and White Remix

Making his debut on Drumcode in 2017 with his track ‘Fake’ featured on the A-Sides Vol 6 compilation, one of Brazil’s much loved exports Wehbba brings us his first full EP this February with ‘Eclipse’.

A no nonsense 4 track offering, and all thoroughly road tested by Adam, they have gained much support from longtime Drumcode fans. Eclipse, delivers a low end rumble along with a modulating synth line. Reigning high throughout the track, is the undeniably catchy and unique synth. Leaving this track one to be recognised on dancefloors all over the world.

‘Protocol’ doesn't turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it’s eerie undertones.

Probably the most acid influenced track of the EP, ‘Glasswerk’ has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into ‘Framework’ to close out the EP. Its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

Wehbba - Eclipse - Drumcode - DC185

Mac Book? I Mac? Big Mac? NO, it's UMEK delivering the finely designed and great tasting techno for release number 30 on Filth on Acid. This 3 course techno meal with just main courses served by the Slovenian producer, who was already turning tables when the whole Filth on Acid crew was still in diapers, is ready to eat your dancefloor for breakfast, lunch and dinner. Are you ready NOW? This is FILTH on ACID..

Get Here

UMEK - Amnesiac (Original Mix)

After an excellent performance at Drumcode Festival, Tiger Stripes comes strong with his first EP on the label since 2009.

Since 2015 Tiger Stripes has been an invaluable contributor to Drumcode’s ‘little brother’ Truesoul. As recent as March he released ‘Sound of the Bettest’ in collaboration with Riva Starr, their fresh raggainfluenced take on techno entrenched as a 2018 highlight for the label. Drawing from a wide palette of sounds to craft his groovy, personality-laden take on techno, the Swede has produced arguably his finest work yet with the ‘Insanity’ EP. ‘Baby’ is a melting pot of three decades worth of influences, from James Brown, to Northern Soul and indie pop of Ariel Pink.

The result is a stunning kaleidoscopic techno treat, that brims with rave, garage and funky house spirit. ‘Insane’ is a dynamic feast for the eardrums as trippy arpeggios, a persistent vocal and lush synth leads cascade throughout the seven-minute track. ‘Too Deep (to Bear) follows, an exhilarating slice of late-night techno before the EP concludes with ‘Dying Planet’, mixing up a potent environmental message with tough dancefloor functionalism.

Tiger Stripes - Baby - Drumcode - DC196

Techno stalwarts Heiko Laux & Joel Mull return to Drumcode for their first outing since 2016.

Friends and collaborators for over a decade, Heiko Laux and Joel Mull continue their fruitful partnership with a searing four-piece work. ‘Centipede’ is a thematic follow-up to ‘Rooter’, their last atmosphere-heavy production that dropped on Laux’s Kanzleramt imprint in 2017. A year earlier they teamed up for the vinyl-only ‘Munch’ EP on Drumcode Limited that explored subterranean techno grooves. 

Their latest work was created during an extended stay at Mull’s home in Stockholm while Laux was visiting for a show. The evocative ‘Contour’ brings the EP into focus, as delicate strings set an atmospheric tone. The title track ‘Centipede’ follows, a track tailor-made for deep Sunday afternoon rave explorations as a menacing riff runs throughout. ‘Bullet Ant’ is driven by industrial percussion and brain-bending synth effects that dip in and out throughout the muscular work. ‘Centipede’ (Morph) follows on from its namesake, teasing out some space and introducing melody to the palette for a deep late-night impact.

Tiger Stripes - Baby - Drumcode - DC196

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