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Techno

Stephan Hinz - Throwl EP
[SECOND STATE: SNDST005]
 
A: Stephan Hinz - Throwl
B: Stephan Hinz - Ignite

Bonus track available exclusively on iTunes: Stephan Hinz - Monday Ghosts

VINYL
Decks.de: http://bit.ly/1s0FMS8
Juno Records: http://bit.ly/1wBC6Mc

DIGITAL
Beatport: http://btprt.dj/ZPVc46
iTunes: http://bit.ly/1uFnYC5
Traxsource: http://bit.ly/10x1BBo

Stephan Hinz is back for his second release on Second State and this time he's flying solo with his Throwl EP. 
These are two massive dance floor tunes that will surely find their way into every
room scenario for the foreseeable future.

On the A side is the EP title track, 'Throwl' and Hinz does it again. Much like the huge hit 'Doch' from Hinz & Ruhmhardt's Panther EP earlier this summer, he's laid the groundwork with a giant kick drum, rolling bass and crisp hi hats, while a warm, distorted organ line relentlessly works into crescendo it never fully reaches. 
'Throwl' creates a massive amount of energy by never going over the edge, but taking it right there. Another brilliant display of how real restraint works magic on a crowd. 


Beatport

Stephan Hinz - Throwl

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

This series contains some of my early works, mostly between 2006 - 2015. Some of them were unreleased, some of them have just disappeared from the world wide web.
Sometimes you need to go back to your roots to gain new creativity and progress further.

Bombilla - Yellow King (Original Mix)

Listen to the album on Spotify:
https://open.spotify.com/album/4RxQZKckGdev1kzBQtqLYK


Crimson Reign

Sleaze Remix Project

Secluded - Round 12 (Luigi Madonna Remix)

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Moon Rocks - Drumcode - DC160

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - The Beat (ft. Zøe)- Drumcode - DC162

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno.  ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Future - Drumcode - DC166

Timmo follows up his debut Drumcode release ‘We Beat On’ with a brand new 4-tracker packed to the rafters with his own unique blend of techno. His productions are getting plays from the likes of Adam Beyer, Joseph Capriati and Richie Hawtin amongst others; 2017 is set to be his biggest year yet. 

Timmo’s unique sound has captured the eyes and ears of many highly revered techno DJs around the world and his ‘System’ release is a stark reminder of exactly why this is. ‘Intensify’ is a big room record that is set to do some real damage on dance floors worldwide. This peak time tool thumps through 7 minutes of power, dragging you in and throwing you out the other side as the track rolls on. 
‘The Maze’ is an example of his excellent production, with his use of synths on a level that some producers take years to hone. ‘System’ is a haunting track, authentic four-to-the-floor techno that screams in to top gear right from the off. The release closes with the more groove and bass line laden ‘Together’. One of those tracks that is guaranteed to get stuck in your head…

Timmo – Intensify – Drumcode – DC168

Hailing from Spain, we are pleased to welcome Ramiro Lopez to take the reigns for our next release. The in-form producer has already released music on the likes of Bedrock, Intec, Suara and Diymanic in a relatively short space of time and garnered major support from Adam Beyer, Carl Cox and Monika Kruse. Coming out on 15th May, his ‘Pretending’ release comprises of 4 tracks that have been a mainstay of Adam Beyer’s sets during the latter part of 2016 and now full force in to 2017. 

The release opens with ‘September’; Atmospheric to its very core, the crunching drums and low end rumbles make this one a sure fire weapon of choice. Next we jump into ‘Loving You’ with a haunting vocal that compliments the stripped back yet refined approach of this track. ‘Come Closer’ featuring Juliet Fox is a dark, rumbling number that screams building percussion that lends itself to become a peak time choice, whether it’s a club or festival. The release closes with ‘Pretending feat. KnowKontrol’; An 8-minute piece of work that is destined for unadulterated dancefloor destruction, whilst maintaining that melodic element that Ramiro Lopez is fast making his signature style.

Ramiro Lopez - Come Closer feat. Juliet Fox - Drumcode - DC174

02. Roland Werk - Der Kreis - Sanhaji Mastering

Making his debut on Drumcode in 2017 with his track ‘Fake’ featured on the A-Sides Vol 6 compilation, one of Brazil’s much loved exports Wehbba brings us his first full EP this February with ‘Eclipse’.

A no nonsense 4 track offering, and all thoroughly road tested by Adam, they have gained much support from longtime Drumcode fans. Eclipse, delivers a low end rumble along with a modulating synth line. Reigning high throughout the track, is the undeniably catchy and unique synth. Leaving this track one to be recognised on dancefloors all over the world.

‘Protocol’ doesn't turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it’s eerie undertones.

Probably the most acid influenced track of the EP, ‘Glasswerk’ has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into ‘Framework’ to close out the EP. Its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

Wehbba - Framework - Drumcode - DC185

After an excellent performance at Drumcode Festival, Tiger Stripes comes strong with his first EP on the label since 2009.

Since 2015 Tiger Stripes has been an invaluable contributor to Drumcode’s ‘little brother’ Truesoul. As recent as March he released ‘Sound of the Bettest’ in collaboration with Riva Starr, their fresh raggainfluenced take on techno entrenched as a 2018 highlight for the label. Drawing from a wide palette of sounds to craft his groovy, personality-laden take on techno, the Swede has produced arguably his finest work yet with the ‘Insanity’ EP. ‘Baby’ is a melting pot of three decades worth of influences, from James Brown, to Northern Soul and indie pop of Ariel Pink.

The result is a stunning kaleidoscopic techno treat, that brims with rave, garage and funky house spirit. ‘Insane’ is a dynamic feast for the eardrums as trippy arpeggios, a persistent vocal and lush synth leads cascade throughout the seven-minute track. ‘Too Deep (to Bear) follows, an exhilarating slice of late-night techno before the EP concludes with ‘Dying Planet’, mixing up a potent environmental message with tough dancefloor functionalism.

Tiger Stripes - Dying Planet - Drumcode - DC196

Techno stalwarts Heiko Laux & Joel Mull return to Drumcode for their first outing since 2016.

Friends and collaborators for over a decade, Heiko Laux and Joel Mull continue their fruitful partnership with a searing four-piece work. ‘Centipede’ is a thematic follow-up to ‘Rooter’, their last atmosphere-heavy production that dropped on Laux’s Kanzleramt imprint in 2017. A year earlier they teamed up for the vinyl-only ‘Munch’ EP on Drumcode Limited that explored subterranean techno grooves. 

Their latest work was created during an extended stay at Mull’s home in Stockholm while Laux was visiting for a show. The evocative ‘Contour’ brings the EP into focus, as delicate strings set an atmospheric tone. The title track ‘Centipede’ follows, a track tailor-made for deep Sunday afternoon rave explorations as a menacing riff runs throughout. ‘Bullet Ant’ is driven by industrial percussion and brain-bending synth effects that dip in and out throughout the muscular work. ‘Centipede’ (Morph) follows on from its namesake, teasing out some space and introducing melody to the palette for a deep late-night impact.

Heiko Laux & Joel Mull - Contour - Drumcode - DC204

Alex Bau - Noise A (Alan Fitzpatrick Remix)

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Cologne-based Patrik broke into the scene back in 2010 with his unique spin on techno. Signed to a number of top dance labels including Intec and Filth On Acid, he describes his sound as something which can make people dance. 

“His raw sound with emotional melodies and deep lyrics really touched me when I listened to it.” @monikakruse said. 

The latest EP ‘Like Forever’ on @terminalm combines trance like melodies, growling FX and warehouse drums in a soulful meleé of emotive mind music. Tribal rhythms, spoken word vocals and splashy percussive underbelly complete the picture. 

Monika adds her magic touch to the remix of the lead track, teasing out the main motifs and injecting a large dose of her own personality. ‘Hope’ is a whirlwind of arps and kettledrum kicks that create a wildly expansive soundscape that hypnotises you by stealth. 

Follow Patrik Berg 
SoundCloud: @patrikberg
Facebook: www.facebook.com/PatrikBergofficial
Instagram: www.instagram.com/patrikbergdj
 
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Like Forever

Premiere: Patrik Berg "Like Forever" - Terminal M

Independent record label owned by Adam Beyer.

Tiger Stripes - Dying Planet - Drumcode - DC196

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