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Drumcode

Adam Beyer’s new EP titled ‘Teach Me’ is an accomplished piece of work that highlights Beyer's year thus far. 'Teach Me' starts with some eerie chords before the distinctive vocal kick in and the track drops into a rumbling techno track. ‘Darlek’ uses rhythmic beeps and huge synth stab to create a funky rhythm before the atmospheric pads create a beautiful setting for this incredible techno track. ‘Stop Talking’ is a deeper offering from Beyer using weird and unusual noises to create and interesting piece of work that is helped along by the throbbing bass underlying in the track. ‘Spaceman’ uses a rhythmic vocal, percussion and sub bass to turn this track into a funky techno piece.

Adam Beyer - Stop Talking - Drumcode - DC132

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Rave - Drumcode - DCCD10

Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - Turn Down The Lights - Drumcode - DC134

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Rising star Mitch Freeman debuts on SOUND SOUND with his "Permanence" EP delivering 3 absolute dance floor weapons.

Mitch Freeman - Dance Tonight

under the moonlight

Artist : DOLBY D & MATT MUS
Blood And Sand
Label : Hex  / 2015 /
Vinyl  : 12 er
Genre : Techno

DOLBY D & MATT MUS - Blood And Sand  ( original )

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Moon Rocks - Drumcode - DC160

Karim Sahraoui, known by releases on labels such as Transmat, Cocoon and ARTS, as well as DJ appearances on Boiler Room and on dancefloors all around the world, makes his debut on OFF Recordings.

Book Of Life is a melodic techno track in Karim's signature style. Warm and emotional, albeit with a strong drive for the dancefloor, it can set a strong accent in a set.

Italy's DAST created a slamming peaktime techno interpretation, which is sure to create a massive effect on the dancefloor. Syncopated chords and a rolling groove build towards an epic break.

"Exodus" is aptly named as a perfect track to close the set by the end of the night. Lush and warm pads and melodies evoke a warm and optimistic atmosphere.

Anton Pieete remixed Exodus with a minimalistic and more groove-focused interpretation.

Altogether an EP with a timeless feel, spanning the borders between techno, house and electronica.

Buy on Beatport

Karim Sahraoui - Book Of Life (Dast Remix)

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno.  ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Future - Drumcode - DC166

Making his debut on Drumcode in 2017 with his track ‘Fake’ featured on the A-Sides Vol 6 compilation, one of Brazil’s much loved exports Wehbba brings us his first full EP this February with ‘Eclipse’.

A no nonsense 4 track offering, and all thoroughly road tested by Adam, they have gained much support from longtime Drumcode fans. Eclipse, delivers a low end rumble along with a modulating synth line. Reigning high throughout the track, is the undeniably catchy and unique synth. Leaving this track one to be recognised on dancefloors all over the world.

‘Protocol’ doesn't turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it’s eerie undertones.

Probably the most acid influenced track of the EP, ‘Glasswerk’ has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into ‘Framework’ to close out the EP. Its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

Wehbba - Protocol - Drumcode - DC185

Catarse

Wehbba - Catarse

Exclusive interview: www.6am-group.com/interview-and-premiere-alex-mine-lost-remix-roberto-capuano-carl-cox-terminal-m

Rewind back to 2015, and this was the year that Alex Mine actually produced the original track ‘Lost’, a track which remained homeless yet waiting to be unleashed on the right label. It wasn't until he bumped into Monika Kruse whilst in Barcelona for Sonar, where she signed it after the first listen to her beloved Terminal M imprint.

Initial feedback was outstanding, but it really all started to happen when Carl Cox said he loved it, and wanted to do a remix, alongside fellow Italian producer Roberto Capuano. Carl drops a funky, chunky groove rework with tech house vibes, whilst Roberto throws in his techno cut. A hypnotic combination of synthetic movements, vocals and acid rhythms.

Follow Alex Mine
SoundCloud: @alexmineofc
Instagram: www.instagram.com/alexmineofc
Facebook: www.facebook.com/alexmineofc

Follow Roberto Capuano
SoundCloud: @robertocapuano

Follow Terminal M
SoundCloud: @terminalm

Follow 6AM Group:
Website: www.6AMGroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: www.soundclod.com/6amgroup
YouTube: www.youtube.com/6amgroup

Lost 2018

Premiere: Alex Mine "Lost" (Roberto Capuano Remix) - Terminal M

Almost one year in the making, Bulgaria’s outstanding techno talent lands his return to Drumcode with a four-track EP. 

Timmo (aka Valeri Ivanov) doesn’t do things in half measures. Since the release of his excellent ‘System’ EP last year and ‘Muzik’, his inclusion on A-Sides Vol.6, he’s committed himself to crafting, refining and polishing a quartet of cuts inspired by the cosmic realms beyond planet earth. Titled ‘Meteorite’, its release marks 10 years since he first began producing and stakes its claim as a resounding career highlight with tracks already highlighting gigs for Adam Beyer at Tobacco Dock, Awakenings, Future Kappa Festival and Junction 2.

Beginning with the title track, the streamlined work throbs with a searing synthetic pulse. ‘Black Moon’ sees the EP land its first blow, kicking with a mixture of undulating synths and understated hoovers. ‘Spacetime’ stays true to its name delivering intergalactic techno vibes. ‘Cosmos’ concludes the work, taking us into extra-terrestrial dancefloor territory, with a barrage of trippy synth work and a melodic underbelly the makes the track both beautiful and heavy-hitting in equal measure.

Timmo - Cosmos - Drumcode - DC194

FIND YOUR HI-QUALITY COPY HERE: https://www.beatport.com/track/west-of-the-moon-original-mix/10967175

Out now as part of the Drumcode A-sides Volume 7.

BUY HERE

Bart Skils - West of the Moon [Drumcode]

Independent record label owned by Adam Beyer.

Timmo - Cosmos - Drumcode - DC194

Drumcode

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