Bombaaaa 🤪💣🎶🖤🔊🔊🔊🖤🖤🖤❤️❤️❤️

Techno 2

Socket Calibration

Noir Music 113

Beatport

Embody

Out now on Beatport
https://www.beatport.com/release/bettah/2330746

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell, and the new release is a techno focused EP from Eats Everything.

As his fans already know, Eats Everything is an eclectic artist who is hard to pigeon hole, and recently his chunky sound tailored for the dance floor has started to incorporate a lot more techno.

Having first broken onto the scene following EPs on labels like Dirtybird and Petz Records, he has quickly risen through the ranks adding labels like Relief, Hypercolour and Crosstown Rebels to his impressive back catalogue.

Eats Everything is a successful solo artist but many will also be familiar with collaborations working with people such as Justin Martin, Green Velvet, Tiga, Totally Enormous Extinct Dinosaurs, Catz 'n Dogz and Claude VonStroke.

His first Essential Mix for Radio 1 is still widely considered one of the best, and his techno tracks and remixes have already found homes on labels including Pan-Pots Second State and Matador's Rukus.

Having already rubbed shoulders with many of electronic musics most iconic artists and arguably becoming an icon himself, its only logical that Carl Cox would be the next person to welcome Eats Everything into the fold, with this being his debut on Intec.

First on the EP is Bettah which centres around the thump of a thickset kick drum and filtered synth stabs. All about the down beat, the tracks jackin groove and rigid sound is brought to live with the energy of the soulful vocals stabs. Straight up techno with a party vibe this track is sure to set the dance floor alight.

Appropriately titled No Seatin Available the second cut on the EP makes you want to be on your feet while punching the air to the beat. Using tom drums to build a rolling groove, the tracks raw funk and dark atmosphere will have people rushing to the dance floor from all parts of the club once this gets hold

ID158 2. Eats Everything - No Seatin Available

Look who's back:

Balthazar + JackRock + Filth on Acid = Acid Kiss.

Enjoy the trip.....This is Filth on Acid NOW!

More

Balthazar & JackRock - Acid Kiss (Original Mix) [Filth On Acid]

Dave Sinner - Pulsar

Almost one year in the making, Bulgaria’s outstanding techno talent lands his return to Drumcode with a four-track EP. 

Timmo (aka Valeri Ivanov) doesn’t do things in half measures. Since the release of his excellent ‘System’ EP last year and ‘Muzik’, his inclusion on A-Sides Vol.6, he’s committed himself to crafting, refining and polishing a quartet of cuts inspired by the cosmic realms beyond planet earth. Titled ‘Meteorite’, its release marks 10 years since he first began producing and stakes its claim as a resounding career highlight with tracks already highlighting gigs for Adam Beyer at Tobacco Dock, Awakenings, Future Kappa Festival and Junction 2.

Beginning with the title track, the streamlined work throbs with a searing synthetic pulse. ‘Black Moon’ sees the EP land its first blow, kicking with a mixture of undulating synths and understated hoovers. ‘Spacetime’ stays true to its name delivering intergalactic techno vibes. ‘Cosmos’ concludes the work, taking us into extra-terrestrial dancefloor territory, with a barrage of trippy synth work and a melodic underbelly the makes the track both beautiful and heavy-hitting in equal measure.

Timmo - Spacetime  - Drumcode - DC194

[Live recorded at Katharsis Night in Brno, Cezh supported by Hedone crew]

Originally from Kochi prefecture, now residing in Tokyo. He started organizing his own nights in 2011 where he honed his dj skills. Playing anything from classic to cutting-edge tracks, his smooth mixing brings a unique tension and intonation to the ﬂoor through individualistic loops. By gaining his reputation through his dj sets and an insatiable pursuit of the techno scene led him to play regularly in Osaka as well as various venues in mid and West Japan. As an organizer he has brought over many prevalent modern techno artists such as Claudio PRC, Ness, Luigi Tozzi and Refracted, in order to evolve the techno scene in Japan. In 2014 he moved to Tokyo where he linked up with his main partner Kannabi to start the techno party Katharsis. In recent years his music production skills have ﬂourished, hence, set up the label Katharsis Recordings. The ﬁrst release is sprit 12 from the Label founder Masafumi Take and Kannabi. Also include Iori and Takaaki Itoh remix. He is recognized as the next generation to take up the techno mantle in Japan.

https://soundcloud.com/masafumitake
facebook.com/MasafumiTakeOfficial/
residentadvisor.net/dj/masafumitake
https://katharsis.bandcamp.com/

SCOPÁVIK 088 | Masafumi Take

Back for his 3rd EP on FOA, it's the master of brainmelters with pumping beats: Ilija Djokovic. We challenge you to play these 4 rocks on a big rig before a massive crowd and not see the concept of gravity being questioned.

Enjoy your Filth on Acid NOW!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Ilija Djokovic - Gravity (Original Mix)

Full Premiere: https://www.wearesoundspace.com/premiere-2pole-lethargie

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

2pole
https://soundcloud.com/2polemusic
https://www.facebook.com/2polemusic

Tronic
https://soundcloud.com/tronic-music
https://www.facebook.com/tronicmusic

PREMIERE

Premiere: 2pole - Lethargie [Tronic]

Buy here

SCB & Wehbba - Survival

Buy | Stream: https://snd.click/Bonfire

Filth on Acid keeps it Filthy with a Brazilian national under influence of Berlin fumes: Alex Stein, who delivered us 2 super filthy tracks for your dancefloor.
This is FILTH ON ACID NOW!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Alex Stein - Disclosure

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Love in the Age of Machines

Pleasurekraft - Last Sapien

'One of Drumcode’s finest, Bart Skils returns for his first solo EP since 2018...'

Read More : https://whenwedip.com/2020/05/premiere-bart-skils-drumcode/

Follow: @bart-skils // @drumcode

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Premiere: Bart Skils - Settle In The Sun [Drumcode]

No stranger to the Kraftek roster, Dutch rising star SAMA continues his musical evolution with his powerful 'Distorted Identity' EP. The title track's enigmatic vocal provides the philosophical beating heart from which everything else flows. Form and content combine for yet another compelling Cosmic Techno journey.

Premiere: SAMA - Distorted Identity

Independent record label owned by Adam Beyer.

Timmo - Spacetime - Drumcode - DC194

Drumcode

Recent comments

Skullbreaker

Allyne Jhennifher

Allyne Jhennifher

2CelebrateMusic

Related tracks