Enjoy Pablo Say's debut EP on Terminal M.

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Pablo Say - Old Child

“Deep Current” captures the flowing energy of House, Deep House, and Tech House — a sonic stream of hypnotic rhythms, warm basslines, and atmospheric textures. This mix moves between deep emotion and club-ready groove, creating a perfect balance of energy and depth.
Designed for late-night sets, lounge sessions, or afterparty moods, “Deep Current” takes you on a journey through waves of rhythm and harmony, where every drop feels alive with motion.

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Acid Spirit

BothCool

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CIC029 | Davide Marsala - BothCool

Bart Skils’ fifth Drumcode offering comes in the shape of ‘Black Vans’. A high energy, full force, four track EP of powerful techno; he showcases his skills to produce four tight and solid tracks. Layering the EP with samples, synths and hard hitting drums, the four tracks create an emotive journey that proves Bart Skils is still on top of his game.

Bart Skils - Black Vans - Drumcode - DC153

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

06 - I Sing the Body Electric

Buy/Stream: https://WeAreTheBrave.lnk.to/Aphelion

The YellowHeads - Aphelion

Mark Reeve - Serum DRUMCODE

Dark Shapes (Incl. Dino Maggiorana Remix)

Dark Shapes (Dino Maggiorana Remix)

Hot off the back of a contribution to A-Sides Vol.9, Victor Ruiz returns for his second EP on Drumcode.

The Brazilian artist has been an industrious contributor to DC over the past 12 months, beginning with his excellent debut EP ‘Nimbus’ last May. Since then, he’s played Drumcode Festival, was part of the iconic Warehouse Project party in November and also featured in the first Drumcode Indoors session in March. His production prowess will be fresh in the minds of DC faithful after ‘Intuit’, his collaboration with Thomas Schumacher, was a standout of the recent A-Sides Vol.9 compilation.

The ‘Freedom’ EP is Ruiz’s next offering and emblematic of the creative breakthrough he experienced while crafting the four-track work. The title track is led by hypnotic rhythms and deep bass stabs before a vox enters the fore and builds to a delicious climax. ‘Illusions’ is a pulsating bassline-led groover that builds alongside mystical vocal effects. ‘Senses’ exudes an understated touch of Detroit soul and is a handy DJ tool for varying occasions. ‘Existence’ is a searing late-night techno affair, as layers of melody and swelling pads conjure a thrilling laser-kissed atmosphere.

Buy all

Victor Ruiz — Existence — Drumcode — DC225

Adam Beyer returns with his first solo EP in five years.

The Drumcode founder is measured when it comes to signing music to his own imprint, biding his time till the stars align. His last individual outing was 2015’s ‘Stone Flower’ EP, which included the thrilling label favourite ‘What You Need’. A succession of classy collaborations followed, linking with DC’s most vital artists highlighted by ‘Your Mind’ with Bart Skils, proclaimed one of the best tracks of the last decade by Mixmag.

An EP that gives a nod to uncertain times, while remaining resolutely positive, ‘No Defeat No Retreat’ was written during Beyer’s fruitful production sessions during lockdown. The opening track, ‘Park People’ sets the pace with an energetic, 80’s new wave creating the track’s spine. Its hypnotic energy stems from a powerful synth riff and vocal sample culminating in a skilfully balanced track that neatly combines the old with the new. The title track is a study in contrasts, deftly crafting a muted, nagging vocal hook and infectious bassline into a slice of forward-facing, edgy techno. With its subtle, undulating layers of melody building in the background, it ushers in an understated sense of euphoria, making it a perfect end-of-set mood-maker. A thrilling return!

Tracklist

1. Adam Beyer – Park People
2. Adam Beyer – No Defeat No Retreat

No Defeat No Retreat

Adam Beyer — Park People — Drumcode — DC229

Independent record label owned by Adam Beyer.