Buy/stream: https://drumcode.ffm.to/dc257

System

Julian Jeweil - System - Drumcode - DC257

The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

Stephan Hinz - Breakout - Drumcode - DC142

Low-End-Pilgrimage

Drift-Through-the-Valley

Acid and break beat are coming back, and that can be heard in Jam El Mar’s remix. Jam El Mar drops a snapping acid line, thick kick and has a massive pad engulfing the mix, this is a big room techno anthem with a hint of trance.
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EARLIEST MUSICAL INFLUENCES?
Maybe the most important musical influence was when I first heard Jimi Hendrix’s 'Voodoo Child' and the b-side 'All Along The Watchtower’. It was a five-inch single and ended up looking like a spiral, from the number of plays it got on my turntable.

This release was the ignition to become a guitarist and a musician. When Henrix played his hi-gain sounds it has the same intensity and expression similar to that of todays techno music, I think anyway. HIs guitar didn’t sound like a guitar, and more like an electrical thunderstorm.

Later when I discovered electronic music, it was mainly Tangerine Dream that has been a strong influence and Klaus Schulze. They had this intense atmosphere that you can maybe hear on some of my older productions that I did. When I heard the early R&S Records like 'Energy Flash', ‘Metasm' and 'Acid Phase' - I was set on fire with inspiration, and still am today.
 

IDEAL SETTING TO LISTEN TO THIS?
Most likely a main room techno party dance floor, with a top-notch sound system, sweat dripping from the walls and a comet passing by. LOL. I simply love high energy moments in contrast to deep vibes in a perfect flow. ‘Snake’ has these changes from major to minor that give it a certain intensity together with that sizzling tone building up throughout.
 

FILE IT NEXT TO?
‘Snake’ sits next to my collection amongst other atmospheric tracks like ‘Sooth’ also by 2Pole or ‘Premonitions’ by Saturn Storm, not forgetting Charlotte de Witte’s ‘The Healer’.
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Jam El Mar: https://soundcloud.com/jam_el_mar
Christian Smith: https://soundcloud.com/christiansmith
2plole: https://soundcloud.com/2polemusic
Tronic Music: https://soundcloud.com/tronic-music
www.youngonesuk.com

More info

Premiere: Christian Smith & 2pole - Snake (Jam El Mar Remix) [Tronic]

On Golden Hour Thomas Schumacher uses his wealth of knowledge and unique ability to push boundaries, once again raising the bar for dynamic, peaktime Acid Techno.

Thomas Schumacher - Golden Hour

beatport/spotify/vinyl

Pre-order: https://drumcode.ffm.to/dc211

Secret Cinema joins forces with SAMA who debuts on Drumcode, to unleash the beast that is 'Diviner'.

Release date: 23.09.19

A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s
biggest yet.

The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to
find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.
The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’,
Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work
of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged
‘Can You Feel It’.

The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton
Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with
future-focused groove.

There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson,
Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija
Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon
also debuts on the label after a couple of quality additions to the Truesoul back catalogue.

Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong
DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco
Bailey and Mark Reeve craft powerful dancefloor weapons.

Pre-order

Premiere: Secret Cinema & SAMA - Diviner

Drumcode starts 2020 with a sterling EP from genre hero Thomas Schumacher, his first on the label after a long association with Adam Beyer.

No ifs or buts, if you’re a techno fan, Thomas Schumacher holds a place in your heart. His 1997 classic ‘When I Rock’ still gets rinsed, he has a vast body of stellar work on his influential former label Spielzeug Schallplatten, including a release from Adam Beyer, and he continues to deliver pin-sharp productions via his Electric Ballroom imprint, including a scorching remix of ‘The House of House’, the 1994 classic from Cherry Moon Trax. The rework was first played by Beyer at Time Warp and has been a 2019 highlight.

He first contributed to Drumcode in 2018 with ‘The Unseen’, a stirring contribution to ‘A-Sides Vol.7’, setting up a maiden EP with ‘Crimson’. Beginning with the brilliant ‘Feist’, it’s a no-nonsense brain melter, as 303 arpeggios bloom and recede, creating a thrilling rhythmic intensity throughout. The title track ‘Crimson’ is crafted around two minutes of tension-building synths, before a beat finally appears and a rasping deep bassline commands the dancefloor. ‘Anker’ brings the rave with eagle-eye focus, unleashing a wall of fierce acid to round out the pack.
“Adam and I have both been producing and playing techno since the early ‘90s. I have deep respect for him as a person and artist. It’s an honour to have the opportunity to collaborate in this way.” – Thomas Schumacher

Crimson

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Thomas Schumacher — Anker — Drumcode — DC217

Landing 10 years after his first concept album, Wehbba’s drops his debut full-length on Drumcode, featuring collaborations with David Caretta, Thomas Gandey and Brazilian vocalist L-cio.

Following a series of globally adored EPs and inclusions within the imprint’s esteemed A-Sides compilation series, the chart-dominating São Paulo native now reflects upon his life as ‘the artist’, offering an immersive montage of stories that echo a tenacious dedication to his craft. Enlisting the talents of multi-instrumentalist Thomas Gandey, Electroclash pioneer David Carretta and fellow Brazilian L-cio, with his unparalleled flute mastery, Wehbba’s synergetic cuts span the breadth of electronic music’s sonic landscape, as he challenges the notion of genres with seasoned voices.

Birthed from the purest inspiration, the album’s 13 cuts represent a myriad of musical references close to Wehbba’s heart, running parallel with the organic sensibilities of his field recordings. An ode to eternal growth, the LP highlights a cycle of perception and projection, as Wehbba studies the morphing of genres through his own musical filter. Discussing the upcoming album, Wehbba commented:

"The musical references on these works trace back to the 90s, when I started listening to electronic music and had no judgement of what was cool - when I was totally free. So they represent, without any filter, what touched me, ranging from braindance to goa trance, from ambient to hard house, and from drum n’ bass through every single mutation of techno and house music."

As a key ambassador for Brazil’s dance music community on a global scale, Wehbba’s long-standing career has seen him affiliate with many of the industry greats on both remix and collaborative projects; testament to his flourishing reputation. Following on from the geometric-led titles of his first two albums, Straight Lines and Sharp Corners alludes to the difficult decisions and blunt shifts he has faced in his career, and their capacity to shape his identity over time. Studying the great Antoni Gaudi, Wehbba’s third LP title takes reference from his perceptive quote: "There are no straight lines or sharp corners in nature, therefore buildings must have no straight lines or sharp corners. Anything created by human beings is already in the great book of nature."

Straight Lines and Sharp Corners

Wehbba — Dove Rush — Drumcode — DC220

Independent record label owned by Adam Beyer.