“Mind Destroyers” is a techno track that hits hard from the first beat, setting itself apart not just by volume or speed, but by its uncompromising intensity and atmospheric weight. Solitude Recordz carve out a space in which the dancefloor is no longer just motion — it’s tension, release, and immersion.

Mind Destroyers

2017’s first Drumcode release comes in the form of chart topping regular Julian Jeweil, who’ll be putting out his first solo effort on the label. Jeweil’s ‘Rolling EP’ showcases his skill as a producer and kicks off with the emphatic title track ‘Rolling’. The perfect soundtrack for the early hours in the club, this sweaty affair proves just why he’s at the top of the game right now. ‘Venice’ and ‘Blue’ illustrate his signature sound to a tee, with the EP’s final track ‘Traffic’ an acid-tinged behemoth, guaranteed to light up any set.

Julian Jeweil – Traffic – Drumcode – DC167

Julian Jeweil – Rolling – Drumcode – DC167

Timmo follows up his debut Drumcode release ‘We Beat On’ with a brand new 4-tracker packed to the rafters with his own unique blend of techno. His productions are getting plays from the likes of Adam Beyer, Joseph Capriati and Richie Hawtin amongst others; 2017 is set to be his biggest year yet. 

Timmo’s unique sound has captured the eyes and ears of many highly revered techno DJs around the world and his ‘System’ release is a stark reminder of exactly why this is. ‘Intensify’ is a big room record that is set to do some real damage on dance floors worldwide. This peak time tool thumps through 7 minutes of power, dragging you in and throwing you out the other side as the track rolls on. 
‘The Maze’ is an example of his excellent production, with his use of synths on a level that some producers take years to hone. ‘System’ is a haunting track, authentic four-to-the-floor techno that screams in to top gear right from the off. The release closes with the more groove and bass line laden ‘Together’. One of those tracks that is guaranteed to get stuck in your head…

Timmo – Intensify – Drumcode – DC168

Sam Paganini   - Desire (JAM001)

Out now on Beatport

https://www.beatport.com/release/percussionix/2280205

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell.

Intec's new release is from UMEK who is a Slovenian artist accredited with kick-starting the techno scene in his home country, before earning critical acclaim on a global scale when he first started his career in the 90s.

Having released on labels ranging from CLR and Novamute right through to Toolroom, in recent years UMEK's own imprint "1605" has also become a main outlet for his music.

People with a good knowledge of technos history will be more than aware of the impact of UMEKs classics tracks, such as his anthemic Gatex that came out only a few years before his first Intec release in 2005.

Having also collaborated with many influential figures such as Chris Liebing and Joey Beltram, this new solo EP is UMEKs third release on Intec.

Titled Percussionix the EP opens with (Mix 1) which centres around a thick set bassline cut with filter sweeps and full of menacing intent. Leading the track is a combination of tribal percussion loops, which provide the track's main driving force.

Track two is UMEKs alternative mix of Percussionix which titled (Mix 2) has a more refined sound with the raw edges of the percussion being rounded off to smooth the sound, and its bassline is left unfiltered so it becomes more of a gradual sweep that grows with building tension.

ID152 1. Umek Percussionix Mix 1

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RSPKT157 - Carnival Of Souls

Spektre - Land Of Strays

Pan-Pot - Funke

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

Buy all

Wehbba - Third Wave - Drumcode - DC202

Egbert - Geheimwaffe

Buy/Stream: WeAreTheBrave.lnk.to/Kiss

Alan Fitzpatrick keeps moving from strength to strength with his ‘We Are The Brave’ imprint. Following on from their successful summer, the label get back to their underground roots as we enter the club season. Next up we’ve got two deep, ominous rollers from Portsmouth lad ‘A.S.H’. 

Acid tinged 'Kiss' sets the deep moody tone for the record, where colossal kick drums ride along with a delicate, yet impressive array of synths and arpeggios drift over the top. 'Kiss' is remarkably dreamy at the same time as being immersive and full-bodied, the lead synth rips through the speakers and the drops bring the sensations needed for the club.

'Reactor' sets off similarly, but soon breaks off into a bright arpeggiated lead synth line that reverberates through the track right up to the drop. 'Reactor' is then interrupted by a fierce and brooding synth lead! Big drums take control of your feet while the synths take your ears for a ride and the result is a beautifully hard, melodic techno wonder!
  “I keep saying that A.S.H is one to watch, his productions are next level. So proud to have him on the label again” - Alan Fitzpatrick. 


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A.S.H - Reactor

Independent record label owned by Adam Beyer.