Electric rasta neo futurism

digital jungle space revolution  fun future under ground net

A 100% vinyl mix compiled in the spirit of urgency to bring healing to the people.  Featuring Steppaz dubwise tunes from around the world and lots of deep cuts from major artists....blended nearly to perfection from start to finish....a must listen from start to finish...Created on 4-17-22, and recorded in a single take on 4-18-22.
track list soon come....

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State Of Emergency

Shashamani Sound (Ras G Pakal)- State of Emergency (April 2022)(100% Vinyl)

Featuring Bambu Station alongside the phenomenally talented St. Croix vocalist Reemah. "Chance To Grow" showcases Reemah's ability to write, chant and sing on a heavyweight roots tune. Reemah recently released her debut album on Feeline Records. Check it out now! 

Chance To Grow.mp3

Rising from the ashes of a world destroyed by evil politicians, internet pirates and wack rappers writing rhymes on their iPhones; The UltraNet has arrived. The main objective: Hack into the holographic material universe to eliminate key targets in the hip-hop propaganda power pyramid. Led by cosmic warfare veterans FSTZ (codename Doc Fest) and Orko Eloheim (codename Chakra Zulu), The UltraNet have already scored several key victories on the inter-dimensional battlefield. Armed with bass cannons and drum-war-machines, victory for the UltraNet is inevitable. 
Enter the UltraNet
Forthcoming on 12″ vinyl and digital – Summer 2016
ROGUEDUBS

Enter the Ultranet (FSTZ + Orko Eloheim)

8Bit+Bassquiat a alter production alias of Orko Eloheim paints sound with light on his sophomore instrumental beat release ART CHAKRA on 777Beats Mark Of The Beats records. Bassquiat pronounced Bass+Key+Aat a name flip in honor Jean Mechelle Basquiat curates high frequency audio art directly from the heart chakra. In pursuit of opening the heart chakra Bassquiat produced sonic creations of the collective consciousness powered by what he dubbed the ART CHAKRA. A infinite vortex of creative expression and self mastery within every man,woman and child on Earth.
credits

Programed, Written, Arranged & Composed by W. Bullard 777Beats Mark Of The Beats (ascap). Produced, Mixed & Recorded by Orko Eloheim for Drumwarz Media Productions at Starsystem Blacktica Studios

6. Time Stretch Conciousness (Brain Yoga)

5. African HardStep

4. Higher Power

2. Astronautix

New music from producers Mamadu, Devata Daun, and Orko Eloheim.  Catch them live at Soul Bazaar Weds, June 28th at Icehouse. 
Watch the video at https://www.youtube.com/watch?v=NBm6kjkeku0

London Spliff - Mamadu x Devata Daun x Orko Eloheim

On September 11, 2001, two planes crashed into two tall buildings and collapsed the psychological security of an entire nation. The government faltered, uninvolved civilians perished in the blink of a collective eye, and by lunchtime the world looked distinctly different in the new light of up-close terrorism.

Bigg Jus, founder (with El-P and Mr. Len) of indie-rap mainstay Company Flow, is not the type of intellectual to flee New York City in the aftermath for a rural life of simple fear. Rather, Jus is the type of intellectual to flee the city, withdraw with fellow underground rapper Orko Elohiem to the relative seclusion of a Georgia cotton mill, and emerge, a little under two years later, with the incendiary, blistering punch-to-the-Republican-gut that was NMS's debut album.

The sharply-named Woe to Thee O Land Whose King Is a Child, released on Big Dada back in 2003, was exactly what underground hip-hop is supposed to be all about: fiercely individual, just a little rough around the edges, wickedly smart and not afraid to take risks. If at points it faltered, losing focus when trying to compress three different themes (sci-fi futuristic raps, abstract raps, and political raps) into one politically-charged, futuristic, often abstract vision, at least it was a better alternative – too many ideas to fully develop is far preferable to too few – to the lingering malaise of shiny gangsta-gangsta and polished, manufactured commercialism. Now that NMS has re-emerged with a sophomore disc, Imperial Letters of Protection, it's worth a look to see just what has changed: the war is still dragging on, Bush is still in the White House, and Bigg Jus and Orko are still, for the most part, angry. And where Woe to Thee... asked questions, Imperial Letters promises to provide answers, begging the question: is it fair to be dissatisfied with a lack of answers when the questions are this hard?

The concept behind NMS (short for Nephilim Modulation Systems, if that helps at all) is that Bigg Justoleum and Orko Elohiem are space aliens, descended upon the earth "like fallen angels" to spread the truth. And at first listen, they do sound dauntingly like super-intelligent aliens: the rhymes scatter almost impossibly fast, making it easy to believe that these rappers are be beyond human comprehension. After a few play-throughs, though, it becomes easier (if still not easy) to understand more of the words, and these themselves aren't half bad. If a lot of reviewers have quoted the brilliant couplet "So every nuclear winter the Bin Laden and George exchange Christmas cards / Why do you think Saddam most trusted warrin' regiment's called the Republican guard?", it's because it merits the repeated quoting.

These are not the wild-eyed preachers that grab you by the wrist on street corners to shout their frenzied gospel; these are the aliens that grab you by the throat and press their megaphone right up against your temple, forcing you into submission.
The strong production provided by Orko Elohiem (777Beats/Drumwarz) carries it through. Imperial Letters of Protection may not be an easy listen, but that's because it doesn't want to be: this isn't an easy world, and what better for the angry gospel of world change than to wrap itself in equally urgent, often chaotic beats? "Strike Back" sounds like exactly the kind of dark prophecy NMS thrives on, the ominous, grandiose orchestral beat swooping darkly behind the rapid-fire, stuttery lyrics like a future gone dystopian. "Beast Vision", with its dramatic electric guitar, droning machinery and disturbing monster noises, sounds like...well, the end of the world, and I mean that in a good way.

07 Get Him Signed

Late Night Missions - Ft. Orko Eloheim, Crazy Monk, Man Danno, Revels

Zion Train Volume. 1

Sweep Over My Soul

Orko Eloheim is one of music's most influential and prolific hip-hop artists.  Orko is an avant-garde rapper and proudcer hailing from the Southern California underground, now residing in Minneapolis. His sound and style is a blend of psychedelia, afrofuturisim, urban dread and a virtuous knowledge of hip-hop culture. During his career he has worked with artists and labels such as Bigg Jus of Company Flow (as Nephlim Modulation Systems), Ninja Tune/Big Dada, Ras G, Aceyalone, Saul Williams, Gonjasufi, Adult Swim, and even Rick Rubin. His ahead of the game live show pioneered a decade ago, what has become common place today (live-programmed beat shows, hip-hop infused with electronic genres, and drum-driven production.