Panzer Knacker - Rollin on the side of the psycho [DJAX-UP 348]


Release date (3LP, cd & digital format): 3rd of November

TRACKLIST
1. Ø [Phase] - Insectoid
2. Lucy - Sana Sana Sana Cura Cura Cura
3. Ctrls - x.y
4. Rødhåd - Haumea
5. Planetary Assault Systems - The 808 Track (Parts 1 and 2)
6. James Ruskin - No Trace
7. Surgeon - Fixed Action Pattern
8. Inigo Kennedy - Arcing
9. Karenn - Pace Yourself

INFO
It was early 2007 when Inigo Kennedy inaugurated Token. Since that Identify Yourself 12” the Belgian label has gone from strength to strength, integrating both Kennedy and Ashley Burchett, aka Ø [Phase], into becoming integral cogs in the Token machine. In between releases by Grovskopa, Oscar Mulero and Go Hiyama, both Ø [Phase] and Inigo Kennedy dominated Token’s output, but it wasn’t until Burchett’s watershed Binary Opposition that Token received the shower of praise it deserved. Following this, label founder Kr!z issued three remix 12”s of that release which, including Token regulars, took in a profound cast of producers to reprocess “Binary Opposition” by the way of Sigha, Peter Van Hoesen, Planetary Assault Systems and Ben Klock. It was here Token stamped their authority on contemporary techno.

Since then Token has grown exponentially, bringing into their fold artists like Xhin, Mark Broom and Rødhåd, while Ctrls, formally one half of Northern Structures, has seen his solo career flourish on Token with the release of five records to date, and he joins Inigo Kennedy and Ø [Phase] as a label stalwart. Additionally this year, Orphx and Ancient Methods debuted their relentless Eschaton collaboration on Token, and Christian Wünsch’s Spherical Coordinates dalliance with Oscar Mulero has gained even more momentum with a second release called Kinematics Equations. Now, seven years after that debut Kennedy record, Token present Aphelion, a nine-track CD and triple vinyl grandstand of new and exclusive material from label regulars and like-minded artists whom Token founder Kr!z specifically commissioned for this milestone release.

The penultimate record before Aphelion was a second Token 12” by Rødhåd, another artist adding to the cultivation of the label’s sound and roster, and for this compilation the Berliner supplies his cosmically inspired “Haumea”. Joining the Dystopian founder on Aphelion are three of the UK’s most influential techno artists: Surgeon, James Ruskin and Luke Slater under his Planetary Assault Systems alias who provide Token with solo material for the first time after previously appearing on the imprint in remix form. Entirely new names to grace the label via Aphelion include Stroboscopic Artefacts founder Lucy, and Blawan and Pariah's Karenn project, while label faithfuls Inigo Kennedy,  Ø [Phase] and Ctrls naturally commit three Token defining productions.

Casting one’s eye over Token’s back catalogue and it’s clear to see the label is a staunch advocate of absolute techno, remaining steadfast in issuing quality material that remains true to classic strands of the genre regardless of its popularity flux. In that respect, Aphelion - a word used to describe the point in orbit when a planet or comet is farthest from the sun - provides a simple analogy that the magnetic force of Token, unfazed by the shadows cast by popular opinion, will proudly shine light on their artists and given styles. 

“We started in an era where our genre was very unpopular,” Kr!z explains. “And in the end that seemed a big advantage for us, because when everyone was giving up, we started our mission.” Regularly hosting label nights in prominent clubs around the world, Token has become a label supported by a wide-ranging body of artists like Âme and Ben Klock to Efdemin, Truss and Ancient Methods. With the label now branching out into album and compilation territory, Token’s duty to techno may not yet be accomplished, but it’s been a job well done.

www.tokenrecords.com
www.facebook.com/tokenrecords

Aphelion

Karenn - Pace Yourself

Ben Klock - Coney Island

Runway

Crumblet

....The unpredictable composition of the products (which vary in a broad probabilistic and somewhat chaotic manner) distinguishes fission from purely quantum-tunneling processes ....

Deep Heet Vol. 4

Planetary Assault Systems - Desert Races

Time and Perception Pt. 2

Compound Statement

out of TRANSLATION EP  -  OstGut Ton OTON052


get it here:  http://www.beatport.com/release/translation-ep/676909

Marcel Dettmann - Planning

buy at Dystopian shop: https://bit.ly/2wYIgM8
or at: www.spacehall.de

180108

Lucy & Rødhåd - 180108

Artist: Joel Mull
Album: Arrow of Time
Cat no: PRBL LP01

Written and Produced by Joel Mull 
Mastered by Walter Coelho 
Artwork by Andrei Kashan 
Curating and administration Linda Nilsson. 
In memory of Knut.

Since its launch in 2015, Parabel has established itself as one of the main Swedish techno imprint with very well received EPs by local artists Joel Mull, Patrick Siech, Nima Khak, The Persuader, Petter B or Patrik Skoog.

Parabel steps up with Joel Mull’s fourth LP ‘Arrow Of Time’, his first album in eight years and the first LP to be released on the label.

If you’ve listened to techno in the past twenty years, Joel Mull won’t need any introduction, with three previous LPs released on prestigious labels Inside, Harthouse and Truesoul, and regular EPs appearing on Drumcode, Cocoon, Mary Go Wild or Kanzlermant to name a few.

This new album is influenced by traveling, time and the future’s point of direction. It is melancholic, cinematic, with the soul of techno at its heart. Here is the concept hiding behind it in the artist’s own words:

”We all have moments when we think about time, I do, especially when I travel. There is a certain loose feeling when I write music and sketch on ideas while I’m in a moving object that is blasting throughout space, such as a plane or a train.

These moments are more intense for me than, for example, when I’m working on ideas in the studio. The studio is amazing but it can also be too structured. When I look out of a window and have a moving canvas in front, it directly adds emotion and easily inspires me.

‘Arrow Of Time’ is the inspiration to this album’s title. It is both the time capsule that we all travel in and the journey that you do every time you listen to music.

Most of the ideas behind the tracks have then been recorded in my home studio adding a few instruments to the mix such as the Roland sh101, Lyra 8 the Roland tr8 and through the Elektron Analog Heat to get it to glow a bit more.Then processing it on my laptop with plugins from UAD, Softube, Soundtoys and with my favorite software Ableton.

The album could not sound complete and get released to the outside world without the help of my favorite mastering engineer Walter Coelho.”

Tracklist:
1 - IRREVERSIBLE
2 - UP THAT HILL
3 - GLEAMING 
4 - NORTHERN SPHERES
5 - CAVER
6 - MNEMONICS
7 - COLORBLIND
8 - WORKING BODY
9 - AHEAD OF THE PAST
10 - HERTZSPRUNG 
11 - ALDEN PLATEAU

Arrow Of Time

6. Joel Mull - Mnemonics

Having initially released a pair of collaborative white labels featuring Lucy and Alex.Do over the last couple of years, Rødhåd’s imprint WSNWG notches up the pace with a vengeance in lieu of third instalment, foreshadowing another trio of joint EPs to be released throughout 2020 and including co-ops with Ø [Phase] (June), Daniel Avery (September) and Rene Wise (November). 

This also comes with the opening of a new chapter in Rødhåd’s career, as he will be starting to tour live in addition to his DJ sets, including dates at Berghain, Re-Textured Festival in London, Awakenings in Amsterdam; also joining forces with Sebastian Mullaert’s as part of his Circle Of Live project.

Borderless by essence, WSNWG’s aim is simple: showcase collaborations between Rødhåd and a variety of like-minded artists from various horizons, all recorded in the warm creative environment of his Berlin studio. ‘WSNWG003′ is the result of three sessions French techno stalwart Antigone and Rødhåd had in 2018 and 2019, with each of the tracks’ titles referring to the particular date it was made and recorded – understand ‘180702’ as 2nd of July 2018.

The journey starts off with the nostalgia-soaked, rolling punch of ‘180702.1’ – a number that justly epitomises both artists’ idiosyncrasies through a fine-tuned blender of near-classical emotional stir and gridlocked floor dynamics on a dubby tip. Delving further deep into post-industrial murk, its ‘.2’ counterpart casts a spell of veiled menace upon dancers and ravers through clanky assemblies of rattling drums, mirroring signals and brooding droney flights.
Flip it over and here’s ‘190709’ shifting the focus to breaks-heavy traction in powerful fashion. Riddled with mangled pep-talk samples, raucous machine howling and stuttering junglisms, the track spins in and out of orbit to entice the listener into a much physically demanding workout. Last but not least, no-nonsense floor-shredder ‘190904’ treats us to a brain-melting trip of fast-rotation synth loops, bleepy subs and fevered hi-hats that shall fit just right in the middle of any climactic buildup worthy of the name.

Panzer Knacker - Rollin on the side of the psycho [DJAX-UP 348]

DRUNX

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