Name: When the Night is Calling by DRUST IV
Duration: 3 min 30 s
Description: Done in 2017 very quickly, had some words and was thinking of Carlos Santana when we did it, but turned out more like Herb Alpert, which isn't a bad thing in my book! My old friend Mick Lynch played Bass and keyboards on it, he's now living in Jamaica.

This is so groovy! Got the girls dancing in the office! :-)

always a sonic feast around here (and a guitar feast, too). i like herb alpert, myself, and much other syrup of the time. my friends laughed at me. they still do.

It sure feels like night. Mysterious and spacious.

The instrumentation is golden, beautiful music, great vocals.

very good mix and gorgeous easy listening!

Ride it Out

The Haymaker (le foin)

Jazzelicious - SKETCH

My new ep is drum free so here is sounds with drums

The porous multitude of continuity as it condenses

Praxis  Constellations of Echo

This practice consists of recording and documenting performance under the following principles:

Rule 1: Each performance and its recording shall exist only once. No interruption, no repetition.

Rule 2: The content must not be determined in advance.

Rule 3: The performer shall close their eyes.

Rule 4: Beyond the initial recording, subsequent composition may arise in response, as an echo.

Rule 5: A work attains completion only when published on the Internet, with the date of its creation. If it remains unpublished, all traces must be erased. The praxis may occur only once per day.

「星座の反響」実験　praxis Constellations of Echo

ルールに基づき、演奏を記録、録音する。

ルール１：演奏や録音は一度きり。中断したり、弾き直しをしてはならない。 

ルール２：内容を規定する準備をしてはならない。

ルール3：目をつむる。 

ルール4：最初に記録、録音した範囲以外には、付随する作曲を施しても良い。

ルール5：その日のうちに日付とともにインターネットに公開されたものを完成とし、公開しない場合完全に記録を消去する。実験は一日に一度のみ。 

2025.09.18

Constellations of Echo 2025.09.18

Constellations of Echo 2025.09.22

Praxis Constellations of Echo

This practice consists of recording and documenting performance under the following principles:

Rule 1: Each performance and its recording shall exist only once. No interruption, no repetition.

Rule 2: The content must not be determined in advance.

Rule 3: The performer shall close their eyes.

Rule 4: Beyond the initial recording, subsequent composition may arise in response, as an echo.

Rule 5: A work attains completion only when published on the Internet, with the date of its creation. If it remains unpublished, all traces must be erased. The praxis may occur only once per day.

「星座の反響」実験　praxis Constellations of Echo

ルールに基づき、演奏を記録、録音する。

ルール１：演奏や録音は一度きり。中断したり、弾き直しをしてはならない。

ルール２：内容を規定する準備をしてはならない。

ルール3：目をつむる。

ルール4：最初に記録、録音した範囲以外には、付随する作曲を施しても良い。

ルール5：その日のうちに日付とともにインターネットに公開されたものを完成とし、公開しない場合完全に記録を消去する。実験は一日に一度のみ。

2025.09.18

Constellations of Echo 2025.09.23

Constellations of Echo 2025.09.26

Yellow Bird Bath

Done in 2017 very quickly, had some words and was thinking of Carlos Santana when we did it, but turned out more like Herb Alpert, which isn't a bad thing in my book! My old friend Mick Lynch played Bass and keyboards on it, he's now living in Jamaica.

When the Night is Calling

The Isle of Islay - Single (partial)

Folk-Rock with Acoustic and Electric guitars, Rock music.

Notes on Delivery

The Budding enthusiast that comes, by design or chance, to discover this collection shall, upon Preliminary Survey of its Contents, find him or herself confronted by divers  ‘Fulsome Bloomings, Abandoned Airs and Declamations’, all, indeed, allegedly composed by Messrs Drust & Erskine. 

It is, however, to be Anticipated that the fledgeling aesthete may, whilst hopefully being familiar with the general Thrust of this or that Song, find him or herself Uncertain as how best to approach the True Form of the Musical Pieces, and, moreover, how best to discern the Melody and Intonation: indeed, how to Discover, and consequently Interpret, the Leitmotif. 

Be then reassur'd that the Composers are devotees of Cantabile, and each Song in this canon has been thoroughly Mulled Over and Subjected to Rigorous and Demanding attentions. By this Means, Songs, that may, upon Inspection of the grounds upon which they were first Inspired having revealed a requirement for overly-exacting Polytonality or Interval that may Induce a certain Reticence, have subsequently been Hammer'd into a Shape that Messrs Drust and Erskine aver is Deliverable by one Mode or another. 

Accordingly, Messrs D & E press you oil your lung, fill your chest, loosen your tongue, and hold forth in as fulsome a voice as your maker may have designed for you, and relish every nuance of counterpoint, every flourish and every roundelay here afforded for your delectation.

When the Night is Calling

DRUST IV

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