Gemeinsam mit Prof. Dr. Eckart Altenmüller geht Julia Kaiser in den vier Folgen des DSO-Podcasts »Berlin braucht Musik!« den vielen positiven Effekte von praktischer und rezipierender Auseinandersetzung mit Musik für Körper, Geist und Gesellschaft auf den Grund.

In der dritten Folge beschreibt der Musikmediziner und -physiologe die nachhaltigen Veränderungen einzelner Gehirnareale bei Musiker*innen verschiedener Alters- und Instrumentengruppen und weist auf die therapeutischen Kräfte von Musik hin.

Berlin braucht Musik! Folge 3 – Als heilende Kraft – Der Podcast des DSO

Gemeinsam mit Prof. Dr. Eckart Altenmüller geht Julia Kaiser in den vier Folgen des DSO-Podcasts »Berlin braucht Musik!« den vielen positiven Effekte von praktischer und rezipierender Auseinandersetzung mit Musik für Körper, Geist und Gesellschaft auf den Grund.

Die vierte Folge behandelt Phänomene wie die neurobiologischen Vorgänge, die das emotionale und ästhetische Empfinden etwa beim Hören von Dur und Moll erzeugen, wie ein Ohrwurm entsteht oder wie Musik entspannend wirken kann.

Berlin braucht Musik! Folge 4 – Über Ohrwürmer, Schönheit und Mut – Der Podcast des DSO

Einführungsgespräch: Volker Michael spricht mit Habakuk Traber über das Programm der Konzerte am 29. und 30. Januar 2022 mit dem DSO, Chefdirigent Robin Ticciati und dem Pianisten Leif Ove Andsnes. Auf dem Programm stehen Hector Berlioz’ Ouvertüre zu ›Les francs-juges‹, Robert Schumanns Klavierkonzert und Ludwig van Beethovens Symphonie Nr. 3 Es-Dur ›Eroica‹.

29./30.1.2022: Einführungsgespräch mit Habakuk Traber

Catmosphere - Candy-coloured Sky

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Candy-Coloured Sky

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Catmosphere - Candy-Coloured Sky (2015 Original) [Argofox Release]

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Murda Beatz - Fortnite ft. Yung Bans, Ski Mask the Slump God & Lil Yachty

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Fortnite - Murda Beatz ft. Yung Bans, Ski Mask the Slump God & Lil Yachty

About the DSO :

For more than 65 years the Deutsches Symphonie-Orchester Berlin (DSO Berlin) has distinguished itself as one of Germany’s leading orchestras. The number of renowned Music Directors, the scope and variety of its work, and its particular emphasis on modern and contemporary music, makes the ensemble unique. It was founded in 1946 as the RIAS-Symphonie-Orchester by the broadcasting station in the American sector of Berlin. In 1956 the orchestra was renamed the Radio Symphonie-Orchester Berlin (RSO Berlin), and in 1993, to avoid confusion in Berlin’s newly reunited cultural landscape, the orchestra decided to relinquish its familiar name in favour of its present one.

Ferenc Fricsay became the orchestra’s first Music Director. He set the standard and defined the repertoire. The orchestra’s sound was characterized by transparency, structural clarity and plasticity. It quickly became well known for its commitment to 20th century music, and its ability to attract first-rate conductors. In 1964, Lorin Maazel took on the artistic responsibility for the orchestra. He was succeeded by Riccardo Chailly (1982-89), Vladimir Ashkenazy (1989-99), Kent Nagano (2000-06), Ingo Metzmacher (2007-10) and Tugan Sokhiev (2012-16). Since September 2017 Robin Ticciati has been  DSO's Music Director and Principal Conductor. 

The Deutsches Symphonie-Orchester Berlin and its history have become emblematic of the democratic and cultural renewal of Germany following the defeat of National Socialism and the end of World War II. That is how the orchestra has been perceived at its concerts in Berlin and on tours throughout Germany and the rest of Europe, North and South America, and in the Near, Middle and Far East. Its groundbreaking radio and recording productions have further solidified this image. In 2011 the orchestra was awarded a Grammy Award for the Best Opera Recording.

Berlin braucht Musik! Folge 3 – Als heilende Kraft – Der Podcast des DSO

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