I love these frequencies, make me feel good

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"The Days Long" from Duane Pitre's new solo album "Omniscient Voices" - Out Nov 19th, 2021 on IMPREC.

Pre-order available via Imprec.com

Duane Pitre returns to Imprec with Omniscient Voices, an articulate, intense and emotionally resonant set of five pieces for justly tuned piano and electronics.

Omniscient Voices is a uniquely distinct work that follows Pitre's trilogy of releases which culminated with 2015’s Bayou Electric and included the critically acclaimed Feel Free (2012) and Bridges (2013) albums. Where those albums were rooted in long form pieces, Omniscient Voices is a collection of shorter pieces, offering more harmonic variety than previous works, with a unique sound and feel that is still unmistakably the work of Duane Pitre.

In 2019, after a five year period where Pitre did not focus on outward facing music, but instead on his own personal practice, a small idea in the form of a question came to him: would the combination of his latest computer- and electronic-based experiments, used in conjunction with justly tuned piano, produce interesting results; simply put, would it “work”? Concurrently, Pitre was studying a handful of Morton Feldman scores for their focus on tonal clusters, reading a book on Arvo Pärt’s life and work, and contemplating the pulse-based rhythms of Steve Reich and Phillip Glass.

In 2020, with no intention of making a new album, the composer tried to answer this question. The results would spawn five pieces that would become Omniscient Voices. On this new work, Pitre finds himself giving equal priority to both piano and electronics, utilizing his Max/MSP-based generative network to real-time convert precomposed piano motifs, into data, which is then used to communicate with two polyphonic, microtonal hardware synthesizers whose patches Pitre authored; this process generates the electronic component of the album. Pitre also utilizes controlled improvisation to interact with the piano-reactive electronics in a spontaneous and inspired manner, going back and forth between these two pianistic approaches. In all, this approach creates a “musical feedback loop” of sorts.

Despite Omniscient Voices being the culmination of 15 years of hard work and inspiration, this beautiful album somehow materialized in a natural, intuitive and effortless way (like any artist's best work.)

Mastered and cut by Golden and pressed at RTI for maximum fidelity.

Artist's statement:
“When making the pieces that would become Omniscient Voices, I often viewed the piano as human action, a single note becoming a single gesture that has the potential to change the electronic environment, the electronics becoming the environment surrounding that human in the natural world, who then has the power to change their actions based on their surroundings. All actions have consequences. The interconnectedness of everything. Single actions making waves of change.”

RIYL: Arvo Pärt, Morton Feldman, Steve Reich, Phillip Glass

Duane Pitre - The Days Long - from Omniscient Voices - Pre-Order Available

Carla Bozulich
"Deeper Than The Well"

From the album Boy
Out 04 March 2014 on Constellation

cstrecords.com/cst102
www.carlabozulich.com/

Carla Bozulich • "Deeper Than The Well"

Carla Bozulich
"Lazy Crossbones"

From Boy
Out 04 March 2014 on Constellation
cstrecords.com/cst102

Carla Bozulich • "Lazy Crossbones"

PITRELEH is the collaboration of Duane Pitre & ELEH.

"Enclosure: Wave Ramp" is side B of their debut LP, available on Important Records. Buy here: http://importantrecords.com/imprec/imprec384

Pitreleh use high resolution analog and digital tools to create music utilizing natural vibrations and harmonics as rhythm and melody. Inspiration is drawn directly from vibrational waves (sound, gravity, water).

The electronics, of which both pieces are constructed, are tuned using pure intonation which utilizes the prime numbers: 1-3-5-7.


PITRELEH - ENCLOSURE: WAVE RAMP (excerpt)

Elodie Lauten passed away yesterday. I am dedicating this to her.

http://youtu.be/3IoWvCUGPgU

Music for Interference Patterns (2014)

Who doesn't love the sweet, sweetness a bottle of pop and the meat, meatiness of a hot dog. Mmmmm-mmmmm! Let's sing about it in a rock and roll song as it's a tried and true way of celebrating wieners and coke.

HOT DOG AND BOTTLE OF POP

AN AIRING OF GRIEVANCES

Liquid Light Forms will be released Tuesday, March 5th, the initial 100 copies available on translucent yellow vinyl.

"Battenkill" is the first of 3 compositions named after and influenced by rivers in upstate, New York. The album focuses almost entirely on electronic pieces utilizing predominantly voltage controlled modular synthesizers and sequencers. Liquid Light Forms radiates with pulsating, dense rhythmic patterns that morph and emerge as they compound on themselves. The result is a hypnotic and truly psychedelic listening experience that proves to be one of Koen's most captivating recordings yet.

Koen Holtkamp - "Battenkill" (from the album Liquid Light Forms)

"Varolius Study"
composed by Duane Pitre for Tectonics Festival website
mastered by Turk Dietrich
Zinc & Copper - well tuned brass

Composer Duane Pitre is currently working in conjunction with Zinc & Copper on a performance piece, titled "Pons," for justly tuned horn, trombone, microtonal tuba and electronics. The relaxed pace of this project has allowed Pitre to simultaneously work on additional, related material, such as "Varolius Study," which is a demo of what is to be a companion piece to "Pons." While the latter will be performed from a score, "Varolius Study" is being constructed in Pitre's studio using audio editing techniques that utilize recordings from "Pons" rehearsal sessions. Both pieces share the same instrumentation and just intonation tuning, which were designed by the composer.

Duane Pitre - Varolius Study

Brooklyn composer Ashely Paul creates completely original constellations of experimental music, designed to shock, haunt and provoke.

Composing this weeks slumber mix session, blending a select edit of contemporary and classical music, masterful musician Ashely Paul provides the dreamy soundtrack to your end of week airplay.

1. Der Runde - Keith Fullerton Whitman
2. A Sound - Molly Drake
3. Rothko Chapel 2 - Morton Feldman
4. Absinthe - Duke Ellington and his Orchestra
5. Bongo Closet - Geoff Mullen
6. We - Nagisa Ni Te
7. 05.06.2012 - Reuben Son
8. String Trio: Movement 2 - Joseph Byrd
9. Control And - Holly Herndon
10. Toylan -. Capitol Symphony Orchestra
11. Endgrove B - Eli Keszler
12. Mihoko - Reiko Kudo 

facebook.com/iDmagazineofficial ;
 twitter.com/iD_magazine ;
youtube.com/user/idmagazineonline

Slumber Sessions: Ashley Paul

electroacoustic composition for string quartet, bowed electric guitar and processed field recordings of a variety of chirping insects. 

Alex Waterman - Cello
Amy Cimini - Viola
Laura Ortman - Violin
Eli Spindel - Violin
Zach Layton - Bowed electric guitar

Recorded 4/11/13 at the Old Stone House,
Musical Ecologies series 
http://www.musicalecologies.net/

Stridulitrum - for String Quartet, Bowed Electric Guitar and Insect Chorus

Quiet Sun, Indian Summer; from the 2008 Period.Tapes release These Feathers Have Plumes

Quiet Sun, Indian Summer

Side B of The Invisible Hands 7 inch "Insect Dilemma/Disallowed b/w Lili Twil"
Out now on Abduction Records (ABDT051)

Personel:
Alvarius B: Electric Bass, Chorus Vocals
Cherif El-Masri: Electric Guitar
Aya Hemeda: Lead Vocals
Magued Nagati: Drums
Adham Zidan: Organ

Recorded live at Sonic Studios, Cairo, 2012. 
Engineer: Hussein Sami

Lili Twil

Portal, from the 2010 release on Tartaruga Records

Portal

DUANE PITRE is an American experimental composer and musician. His work often focuses on the interaction between electronic sound and acoustic instrumentation and also explores the balance between chaos and discipline. Pitre utilizes alternate tuning schemes (with a large focus on Just Intonation), enabling him to explore unaccustomed musical intervals. He works in a solo/ensemble capacity and with Turk Dietrich (Second Woman, Belong) as the duo First Tone.

He has presented and performed his live works across the U.S., U.K., and Europe at spaces such as Cafe OTO (UK), Roulette (NYC), The Stone (NYC), Muziekhuis Utrecht (NL), MoMA's P.S.1 (NYC), The Cube (UK), GRIM (FR), NK (DE), Elaine Gallery (CH), O' (IT), St. Ann's Cathedral (NYC), and ISSUE Project Room (NYC), where he was artist in residency in spring 2009. More than 100 different musicians from around the world have taken part in the performances of his works.

Pitre has been featured in publications such as The Wire, The Village Voice, The New York Times, The Creators Project  (a Vice/Intel collaboration), Pitchfork, Dusted, Skug: Journal for Music (Austria), and NewMusicBox. He has released over a dozen albums on labels such as Important Records, Type Records, and Root Strata.

PITRELEH - ENCLOSURE: WAVE RAMP (excerpt)

Duane Pitre

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