Alternative Neurofunk soundcloud!!!!! : https://soundcloud.com/recusance

Spanish enthusiastic of everything that crack's the speakers down!!!!!

Electronic music producer since 2003

I have shared gigs with lots of artists like as: Noisia, Limewax, Hostage, Phat Riders, Deekline, Duel Calibre, Slim Blue, Anti-Science, D-Ranged, Rektchordz, Ceos, Cereal Killaz, Bomberman, etc. 

I make & I love: Dubstep, Drum and Bass, Drumstep, Neurohop, Complextro, Breakbeat, Breakstep, in short, anything that sounds like a hellhound on the most deep of the hell.

I have release some tracks (mainly breaks) on labels like as Electroshock, Selecta Breaks, etc

My motto: Motherfuckin' Bass on Your Motherfuckin' Face


=)

Add me to facebook or twitter to contact me

Hope u glad all that you're going to find here!

DJ/Producer from London.
Co-owner of Virus Recordings & head henchman of Piranha Pool Recordings.
One half of Killbox. Bookings : mark@esp-agency.com 
USA/Canada : saleem@amodeagency.com

An artist synonymous with Drum and Bass, Ed Rush has become a byword for cutting edge, forward thinking
beats. Moving through the sounds of hip hop and electro in his early musical years, Ed Rush soon became
interested in the emerging London jungle scene.
Showing his innate ability to manipulate chopped breakbeats and piles of sub-low bass, it wasn't long before Ed
Rush and Nico dropped the huge 'Bludclot Artattack'. The first classic to Ed Rush’s name, this proved to be a
platform for another collaboration with DJ Trace. Simultaneously developing his own style whilst pushing the
boundaries of a genre, classics such as ‘The Mutant' and 'Guncheck' put Ed Rush’s attitude injected productions
firmly on the map.
One of the pioneers of new sound dubbed Techstep, Ed Rush soon teamed up within another leading light,
Optical; to form what would become one of the most progressive production teams in the scene. In 1998, Ed
Rush & Optical released an album universally recognized as changing the landscape of Drum and Bass forever
with the legendary, ‘Wormhole’ on Virus Recordings. Still regarded as one of the main catalysts for the Neuro and
Techstep sound, ‘Wormhole’ paved the way for household names such as Noisia, Bad Company and many more.
Since then Ed Rush has released a plethora of genre-defining tracks and albums, both solo and with his partner in
crime, Optical. Still busy at work on a new Ed Rush & Optical LP due in late 2013, Ed Rush is not merely content
with helping shape the scene and remaining one of its most consistent producers. Beginning his own venture, he
now looks to the future with the birth of Piranha Pool. An outlet for showcasing new talent and veterans alike,
Piranha Pool represents what will be the future of Drum and Bass.

All Enquiries: management@evolutionchamber.audio

From the moment Mitya Veshchunov first began pouring over his brother’s jungle record collection, the man who’d soon become Receptor was hooked on the genre. First it was Aphrodite, then it was Pendulum’s ‘Another Planet’ which would later shape his path into the genre; soon followed by his discovery of the more tech-influenced tracks of Noisia and Konflict. He immersed himself within this subsection, leading him then onto the expansive catalogue of Lifted Music, one of the most notable contemporary labels which flourished during this period. Lifted Music presented itself as a different flavour with no boundaries and it became a mecca for Receptor’s own musical tastes as they were evolving – later reflected through his own work. 

At the age of ten, Receptor was gifted a Yamaha PSR-740 synthesiser by his father, due to his son’s growing interest in music. Despite never being educated musically, he learned musical notation through a friend and over the course of six months his skills exploded, with him laying his hands on a plethora of DAWs through the internet. From EJay to FL Studio, his production knowledge increased at an astounding rate – something which would soon be more widely recognised after his move to Moscow, a central hub for drum & bass both in Russia and on the global stage. 

Receptor has always endeavoured to inject his music with the Slavik roots that have been a primary inspiration for him. Emulating the sonics featured on ‘Pirate Station’ stages and across the ‘Therapy Sessions’ compilations, his amalgamation of styles enabled him to build an extensive audience. From ‘Rhyno’ on Lifted Music’s sister-label Breed 12 Inches, through to ‘Kurchatov’ in 2009 on Obsessions (the first label from Black Sun Empire) and his ‘Girls’ EP on John B’s Beta Recordings, Receptor’s discography was proving to be as formidable as his fan base.  He was later called on to perform remix duties for Black Sun Empire’s ‘Dawn of a Dark Day’ ft. Foreign Beggars and Noisia’s ‘Alpha Centauri’, highlighting a definitive part of his career, with the producers being a central part of his founding interest in drum & bass. In the space of a decade, Receptor had catapulted himself from the role of fan, to standing amongst his idols as their counterpart. 

After a long hiatus, Receptor now returns and is planning to push his name into the direction he’d always planned. This will represent a more experimental approach to sound design, something which will develop through his release’s forthcoming on Evolution Chamber, an imprint he’s leading alongside Task Horizon and Magnetude. With tour dates set to be announced throughout 2020, Receptor is delivering the same energy which has been seen previously during his sets at Pirate Station, Ultra Music Russia and the 10-year anniversary of World of Drum & Bass. Receptor is offering some of his biggest selections to date, which many listeners have been waiting for patiently; the music he brings along with him makes this wait worthwhile.

I release music on my own label now, check it here:
https://soundcloud.com/pseudosciencerecordings/
https://pseudosciencerecordings.bandcamp.com/
http://hybris-music.com

UK/ EU Bookings:  
james@evolutionartists.co.uk

All other inquiries:
hybrisdnb@gmail.com

Drum and Bass in all it's Glorious Glory from all over the world!

On to the good news then: I have a new co-manager. He is my brother, he has a diploma in sound engineering, produces dnb, dj's, and is currently doing a university degree in media. I hope he'll bring some media management skills to the party so that we can get this ball rolling again, and pick up where we left off.

With two of us running the show there's less chance of both of us being irresponsible (haha), and we should have more time to manage things properly.

Josh Joy, 

Co-Manager, DNB WORLD RECORDS
--------------------------
--------------------------

Greetings fellow World Records crew!
My name is Bennett and I am a drum ‘n’ bass Dj and producer from Adelaide, South Australia using the moniker Skunkwerks. I have a Diploma in Audio Engineering from SAE Studios here in South Australia. I am also currently doing a degree in Media at The University Of Adelaide.
Josh has kindly made me Co-Manager World Records with him. There are a few of us down here in Adelaide starting to make some seriously nice sounding tunes and I hope to get some of them onboard in the near future.
I’m 26 years old and a qualified sound engineer with about 7 years Djing experience. I have produced across different genres but have recently focused solely on drum’n’bass as it is the superior form of music. 
Josh and I are committed to making something awesome out of World Records and look forward to working with a wide and varied range of artists. We hope to establish a label with some real public recognition as a means to get all of our music heard worldwide (and hopefully sold on a commercially viable basis).
I will happily put up some bits of mine for remixing and will most likely send some of you guys out a remix request. 
Initially, If necessary, I can master tunes by myself in my studio with the possibility of full professional mastering in a multimillion dollar studio in the future.
Exciting times, look forward to communicating with you all in the future.
Regards,

Bennett Joy,  
Co-Manager, DNB WORLD RECORDS

Available now at:
http://www.junodownload.com/labels/World

Artists:
http://soundcloud.com/snare_65
http://soundcloud.com/borrow
http://soundcloud.com/adeomusic-1
http://soundcloud.com/l3dse7en
http://soundcloud.com/volume-control
http://soundcloud.com/dazzle526
http://soundcloud.com/dazer-2
http://soundcloud.com/hivemynd
http://soundcloud.com/skizak
http://soundcloud.com/paradigmshiftuk
http://soundcloud.com/thevisionarydnb
http://soundcloud.com/radiance-dnb
http://soundcloud.com/mike-lee
http://soundcloud.com/djscottieb
http://soundcloud.com/everett1
http://soundcloud.com/tom_alston
http://soundcloud.com/ptp
http://soundcloud.com/the-bassmighty-kreatorz
http://soundcloud.com/0pt1mus
http://soundcloud.com/skunkwerksaudio

DJ Support from
http://soundcloud.com/djscottieb
http://soundcloud.com/hendy666
http://soundcloud.com/skunkwerksaudio
50.Cal
StepDeck

NickBee (UA)
[AXON , INVISIBLE (NL),    Eatbrain(HU) , Bad Taste (UK) Ignescent(RU)




instagram: nickbeeaudio 
questions/propositions : message on soundcloud

With one foot set in the future and another amongst neurofunk DNB's architects, Nick's trademark sound is not easily classified. Morphing, animalistic basslines project through sonic space in perfectly organized chaos, with structure provided by painfully sharp drums. Never conforming to any set mold, Nickbee's allegiance to innovation makes a quirky, experimental element a defining factor of his music. Perhaps most impressive is the young artist's mastery of next-level sound design, which is never forced or overdone; only tastefully applied in careful amounts, always striking that perfect balance of hi-tech and low-fi…a skill reserved only for experts. As this producer continues to defy formula and rewrite DNB's blueprint, it becomes clear that only one word can adequately describe this future sound of drum & bass… NickBee.

KROT has began his career as a DJ and producer in 2005. Originally from Saint Petersburg, Russia. The main direction in sound is Neurofunk, but there are also releases in Liquidfunk d&b. Has been signed by many international labels, some of them: Neuropunk, Eatbrain, Close2Death, Mindtech, High Resistance, Blu Saphir, KOS.MOS.MUSIC, Influenza Media and more.

Thanks to any and everyone that has taken the time to listen and comment on my music. It means a lot.

Labels
Freak/Obscene
Beneath The Surface 
Future Sickness
Jungle Syndicate
Order In Kaos
Tech Cycle
Black Hoe
Ex Machina 
Force
Foul Play
Mindocracy
Danger Chamber Digital
Theoryon DnB
Technorganic
For bookings  www.djempirex@gmail.com

EMPIRE X Was born in Florida where he was raised into a family of musicians and music producers by a Mother well known for her talents as a singer. At the age of 15 X was putting on live shows locally for young audiences dancing, rapping and rhyming lyrics at venues with a group of teenage performers. This was just the beginning of Empire X’s many musical talents. Since the day he was old enough to realize the “art” of music, X knew he had something in him musically that he was not going to let be unheard or unknown. He was originally introduced to the Jungle hard core music scene in the early 90’s which led to him meeting a local DJ in 1993 by the name of Chad Allen that caught his interest and provided him with his first introduction to DJ’ing. X found himself very intreagued with the ability a DJ had to capture the mind, body and soul of every person in the club by spinning vinyl and performing talents. In 1994 he started spinning out at clubs and parties which eventually led to music production. Since his life of Drum and Bass production began EMPIRE X has become a member of many major organizations and recording labels Such as Freak/Obscene UK, Future Sickness Rec. UK, Mind Saw Rec. NY, Foul Play Rec. Fl, Tech Cycle Rec. Russia,Force Rec. Fl. and Order in Kaos Rec. UK.
Throughout X’s musical career he has performed with many musical talents such as Dylan, Robyn Chaos, Gain, Evol Intent, Empress, Panacea,Limewax, Kryteria,Mumblz, and many more.

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