pip pip

Scratch Practice Beat<BOOM

A song about watching the skies for the eventuality of an incoming total nuclear destruction from an unspecified enemy.

Force De Frappe

STRIL-60

A song about trying to catch up with impending annihilation. 

Interception

Interception (feat MisfitChris)

Soundtrack for the Conspiracy 64k intro "Vessel" - http://conspiracy.hu/release/64k/vessel/

I was so incredibly nervous about this; doing "emotionally charged" music on cue was something that I felt was way out of my comfort zone, and I wasn't sure if I was up to the task - I especially struggled with the first part, which I felt was the most important. In the end, I think that fear permeated the music itself, and I was able to draw on experiences I lived through or witnessed to deliver this, turning all of how and what I felt like into what ultimately became the song.
Influence-wise, I decided early on that I wanted to take the minimalism of Vector Lovers and somehow merge it with the soaring energy of post-rock (like 65daysofstatic), with the mid-section being heavily influenced by - oddly - Nine Inch Nails, The Lion King and Shadow Gallery. If none of this makes sense to you, I can assure you that it didn't make sense to me either until the track started taking shape, but I somehow instinctively knew where to look when I needed certain elements.
In the end, I think the music ultimately ended up carrying a lot of the intro on its back, and it might eventually become one of the favorite pieces of music I ever did.

Download at
http://gargaj.umlaut.hu/music/Gargaj_-_Through_My_Veins.mp3
http://gargaj.umlaut.hu/music/Gargaj_-_Through_My_Veins.flac

Through My Veins

Finally! My first album 'Fragments' is here! It's a real bouillabaisse of mixed genre and style.

http://hanseemusic.com/album/fragments

Safari bombers

On their previous album Machine, GEM TOS & Dubmood contemplated on the feelings and bonds between humans and technology. On the followup, Force de Frappe, those relations were studied even further and in a concept of nuclear conflict and mutual total destruction. 
Overshoot Days is a continuation of this story line exploring themes of overreach, depletion of resources and departure. To face the decision of to stay or to leave, to change or decay, and the consequences for what is left behind. 

The sounds of Overshoot Days is a blend of the two previously mentioned albums, proto-internet digital computer soundchips with analogue mellowness and human percussion.

Overshoot Days

Overshoot Days  (Part 1)

Music can make you daydream, and has the power to fill your thoughts and heart with harmonies and rhythms that make you want to dance and feel alive.

Made for the Sound of Scenesat Volume 5 compilation.
https://sound.of.scenes.at/vol/5

Sound of Scenesat Volume 5

Dane - Disgrace (Lea Dreamers Remix)

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
____________________________________________________________

In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

____________________________________________________________

Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Exit Wounds

Amiga 500 executable music. Filesize: 18kb
Released @ Syntax Demoparty 2020.
Get the exe here: https://www.pouet.net/prod.php?which=87491

AmigaKlang

AmigaKlang - Calcpreculation (Virgill&Assassin)

A short experimentation after taking a few courses on writing for an orchestra. I just might be starting to understand a little how to write for different sections :)

EDIT: Re-uploaded a new version as the previous one had a track muted, and I fixed some problems with harmony. Silly me.

Athos

Dubmood is a Swedish chip music producer ex-pat in Marseilles with roots in the pre-internet software piracy scene. Long-time member of the infamous Razor 1911 and active since 1996, considered somewhat of a style-originator and reference in the chip music community.
Supported by the mysterious android Gem Tos (vocals, Atari) and Maskinoperatör (drums) Dubmood´s live shows are a organic blend of electro beats, raw energy and cataclysmic emotions that is unrivaled in modern music.