@AURAKILLZ 
 @fucklilflame
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Fucklilflame on Apple Music , Spotify , others
SMD

Contact for Beat Purchases, Collabs, or Booking: beatsbyvante@gmail.com or showkidd.music@gmail.com

DuckSawwce (°1992, Washington DC, United States) is an imerging rap artist who works in a variety of genre. By applying abstraction, DuckSawwce wants the listeners to become part of the art as a kind of added component. Art is entertainment: to be able to touch the work, as well as to interact with the work is important.
His artworks are based on inspiring situations: visions that reflect a sensation of indisputability and serene contemplation, combined with subtle details of odd or eccentric, humoristic elements. By rejecting an objective truth and global cultural narratives, he creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the listener round and round in circles.
His works appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. In a search for new methods to ‘read the city’, he wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation.
His work urge us to renegotiate art as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society. By applying a poetic and often metaphorical language, he focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting.
His works are often about contact with architecture and basic living elements. By creating situations and breaking the passivity of the spectator, he creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position.
His works doesn’t reference recognisable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. DuckSawwce currently lives and works in Washington, DC

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