Transcend rhythm - Embrace posthumanism - Unleash evolution.

Contact: noid.colombia@gmail.com

We are currently accepting demo and podcast submissions. 

Bogota, Colombia.

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No.ID is a vibrant cultural community dedicated to the distribution, promotion, and production of electronic music. Established as a cornerstone of the music scene in Bogotá, Colombia, No.ID is committed to supporting and expanding the reach of electronic music through innovative projects and strategic collaborations. As a record label, No.ID focuses its efforts on creating music that explores mental, groovy, and hypnotic sounds, encompassing genres such as fastgroove, techno, trance, electro, acid, and nu-indie.

Our mission is to provide a platform where artists can showcase their talent, connect with their audience, and develop their careers. By merging music with art and fostering a strong sense of community, No.ID creates spaces where creativity thrives and the electronic music scene flourishes.
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Residents:
@elmamu
@lola-hartz
@mikeoceanmusic
@william-guti-rrez
@nico_lehoiat

Affiliations:
:: Intellephunk :: TRNM RECORDS ::

IDBH, aka Colin Cook, based in Minneapolis, MN, is an artist and producer known for his innovative and genre-defying approach to electronic music. Throughout his career, Colin has been drawn to a more corrosive sound style, which has led to a rich and diverse background in punk, metal, hardcore, and industrial music. In 2024, he launched the IDBH project, marking a new chapter in his artistic journey. The project heavily draws on his roots in heavy, aggressive sounds but reimagines them through the lens of deeper, more atmospheric electronic styles.
IDBH's sound is defined by an intricate blend of dub techno, hypnotic rhythms, and industrial textures. Colin’s signature groove-laden percussion is paired with immersive atmospheres, creating a sound that feels both grounded and otherworldly. His work explores the intersection of sound design and ambient movements, often weaving cinematic moments into his tracks. His approach to sound is as much about texture and space as it is about melody, inviting listeners into a world where music creates vivid emotional landscapes and provokes thought.
In early 2025, Colin launched TRNM RECORDS, an imprint focused on the concept that "art makes a statement." The label's ethos revolves around curation over sheer content creation, emphasizing the deeper meaning behind each release, as well as creating art that reflects the current social and political landscape, serving as both a representation of the era and the artists within it. Colin has remained true to this philosophy, releasing a diverse range of work both on TRNM and through various independent singles and remixes. Notably, his music has appeared on Chicago-based label DINGNING23, further cementing his reputation as a rising force in the underground electronic scene.
Whether through his powerful percussion-driven compositions or his ambient sound explorations, Colin Cook continues to push boundaries, creating music that speaks to both the mind and the soul—with the hope of finding common ground between curators and dance culture.

Releases on:
Dingning23
TRNM Records

Duck Trash is a queer midwest techno & electro DJ who believes in the healing powers of the dancefloor. They illustrate the full range of human emotion in each otherworldly heavy dance mix. Please enjoy <3

Hip hop perked the interest of Detroit’s Craig Gonzalez to vinyl at a young age, and underground parties in the 1990s soon catalyzed a lifelong fascination with DJing. Inspired by versatility, his self-taught techniques have grown from weaving rhythmic layers into powerful, personal narratives.

Influenced by the Mike Huckaby’s depth and the hypnotic craft of Donato Dozzy, Gonzalez has honed his own style from a global network of like-minded artists. Family, history, and culture that surrounds electronic music have been key to his deep sensibilities, which translate seamlessly across a dance floor.

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

video, photos, sound, and artist outreach for flyover.

dub techno, deep house, minimal, tech


previous:
communion 2021
communion 2023
flyover presents side effects 8.26.2023
crystalize 1.19.2024
cafe ha on particle FM 5.15.2024
wax appeal record exchange 8.10.2024
flyover presents side effect 9.14.2024
wax appeal record exchange 12.14.2024
house proud, 4.4.2025
The Great Beyond 2025
Cafe Ha on Particle FM, October 16 2025
Galactic sound and magic St. Petersburg FL, November 8 2025

Detroit record label. Distributed by Submerge

FKA Yung Bugarron - Dominican American, Playground Radio Resident, Native New Yorquino, Multidisciplinary Artist, Lover, Sin Vergüenza

Bookings: sterlingjuandiaz@gmail.com

Duck Trash is following