Dudu Bongo - PA (Tibi Dabo 1999 Remix)

@bigote_caballito

All the way from Granada there's a multifaceted artist by the name of Bigote.
Founder of Caballito label and DJ/Producer of sounds that bounce from Dembow and Dancehall to Funk.
You can find his work throughout the internet alongside the fantastic releases of his label.

Tracklist:
Remiseria Temperle - Ampolla y Quitiplas
DJ SWISHA & Kush Jones - BR DA TIJUCA - PIQUE DE FESTA JUNINA  
Jonathan Costa - De segunda à sexta (RealM & Lazy Flow soca funk edit)
DJ DARIIOFOX - DO MAN TYSON
Chants - Assiah Dance 
Kelela - Enemy (Estoc & Venganza Remix)
Kamran - Takeoff In Tehran
💰JOÃO LAGRIMA DE OURO💰 SENTA NO COLO 
FBC & VHOOR - Se Ta Solteira ft. Mac Julia
WRACK - Brass Alert (DJ MORO Remix)
BEAT AGRESSIVO - EU VI ESSA MINA CRESCER (DJ SK Beat) 
dj adame - 73CN0L0G1C
Batidão Derruba Cracudo (DJ W7 & DJ R7)
DJ GBR - Rave da Sirene
Doctv X Natoxie - Tro Lou ( couri vini riddim )

sweetdrops #123 w/ Bigote

BREAK IT ARF (NOSA EDIT)

Los Gritos de Mexico, soundscape of Mexico City is a 30min sound piece by Félix Blume. 
http://www.felixblume.com/losgritosdemexico
A shorter version is available on Arte Radio. 
https://soundcloud.com/arte-radio-1/los-gritos-de-mexico
Download in Wave 48kHz 24bit on Freesound 
https://freesound.org/people/felix.blume/sounds/260680/

This piece receive a special mention during the "Bienal of Radio from Mexico" and has been broadcasted on more than 30 radio, web-radio and on the Radia Network.

RESUME:
Mexico City: more than 20 millions people gathered making noise!
A noisy city for most; I would like to transform it in a sonorous city.

The street sellers make the voices of the polyphonic choir, the small bell from the ice cream seller substitutes the triangle from the orchestra, and the hammering of the protesters on the metallic wall are the percussions.

In Mexico City, people shout to be heard, they shout their rage against the cops, they shout at the ‘lucha libre’ fights, they shout together ¡ Viva Mexico ! to feel united, and during a demonstration they also shout ¡Viva Mexico ! People shout in church, they pray together or alone, whispering in the silent night.

The thunder booms: nobody can shout at the storm, and the rain cleans the silent city.  A solo voice after the rain, and the choir resumes gradually. 

People sing to forget and the shouting starts again, louder, so that the others don´t forget.

The water flows under the city, the forgotten lake is mourning; it remembers when the city was an Island… On the top, it is too noisy, underneath, the water keeps in silence the secrets of the past.

INTENTION
Most of the people in the world live in cities. The daily soundscape is in most of the case a continuous sound of traffic, close or distant. Mexico City has a series of sounds added to the background which make the specificity of the city: the cries and sounds of the street sellers are in most part responsible.
In the past, most cities had their own cries (as some classical music can testify, like ‘Les cris de Paris’ from Janequin). In Mexico City, this tradition has persisted until today,  but the government and general opinion is not in favour of them: street sellers are each time further away from the touristic center, advertising campaigns are done to make them disappear from the subway, and police operations block their access to the streets.

I would like to pay tribute to these Criers through a soundscape of Mexico City, that will become a sonorous memory of a time that sooner than later will disappear.

Los gritos de Mexico

This is a recording of the Kamalen'goni, native to Mali, Senegal and Burkina Faso. The Kamalen'goni is traditionally played by griots. It is one of the four instruments that conceive the project "The Craft of West African Instrument-making" in which I'm currently working on. All the instruments have​ been made and recorded by myself in London from December 2015 to March 2016.

http://cargocollective.com/instrumentmaking

I've used a pair of Neumann Km184 (XY coincident stereo technique) positioned 3 feet from the instruments. Mixed and Mastered by myself.

Happy listening!



The Kamalen'Goni

Sale la luna y se mete el sol - Canción Cardenche

Maykon and Josue are driving their bus on a vacant land in the small village of La Concepcion (Ecuador). They take us on an imaginary journey.

Bus Imaginario - Chloé Despax & Félix Blume

Enteros is the single of MANS O (@mans_o) featuring BABA SY (@babasy). It's included in a 6-track EP, out on October 13th.

On HI-TECH TONGUE, MANS O has prepared strong club-drum based beats as the canvas for 9 vocalists, singing in Wolof, Spanish, Berber, Catalan, Darija, English, French and Creole. Ikram Bouloum, Khadija Zhar, Gitano del Futuro, La Rana, and Opoku, MBODJ, Mookie, B4mba and Baba Sy from Jokkoo - all living in Barcelona and creatively involved in their own respective projects - are the perfect features for this release.

Multiplicity is the main focus on this set of sonic weapons that seek to remind us that languages, voices and tongues are highly advanced technologies, rarely comprehended as such. The attitude and spontaneity of each character is portrayed within the beats - inspired by all planetary bass music and Black electronica such as Dub, Deconstructed Club, Tarraxo, Gqom, Jungle, Grime or Dancehall - interweaved together with a permacultural approach in order to explore new collisions within each track.

Artwork by Raymond Rojas
Mix by MANS O & Juan Pomés
Master by Sam Chadburn

HI-TECH TONGUE

MANS O - ENTEROS (ft. BABA SY)

Tijolo Record's debut is São Paulo based producer Cesrv first release on 12" vinyl.
Available for pre-order @ http://tijolorecords.bandcamp.com
Shipping worldwide in October 23th.

The Underground

"The Underground" - Cesrv

@mans_o's track 'Magia' featuring @khadijazhar and @gitanodelfuturo will be released on 'Hi-Tech Tongue' through @xxiiibeats on October 13th. More info: bit.ly/MansOTrack

Mans O – Magia (feat. Khadija & Gitano Del Futuro)

Dudu Bongo es el proyecto en solitario del productor, multiinstrumentista y compositor Eduard Alves Fernández (Barcelona, 1994). Su labor creativa tiene como base un abanico de referencias estéticas y sonoras que van desde el jazz y la música popular hasta la electrónica y la música experimental.Fruto de más de 6 años de investigación, y en constante tránsito entre países como España, Inglaterra y Brasil, sus creaciones buscan mimetizar las travesías físicas y mentales, proponiendo mapas y juegos sonoros.

The Kamalen'Goni

Dudu Bongo

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