All That I Got

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Nicolai Von Pein - All That I Got (Original Mix)

DC Promo Tracks #1290: "Have You Ever (Main Mix)" by Secret Witness is part of the release "Have You Ever" on Bienvenue Recordings @genetellem  

Buy Now: https://bienvenuerecordings.bandcamp.com/album/have-you-ever 
Interview: https://www.dreamchimney.com/interviews/Secret-Witness/

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks: Secret Witness "Have You Ever (Main Mix)"

Eugen Grieg & Vapor Loop-Soft Collapse (Mellon Place Records)

Music Video:
https://www.youtube.com/watch?v=lH8Ru-JRPRA&ab_channel=dinglesteinmusic

We are electro-magnetic beings, let mother nature heal and recharge your energy.

Picture mornings where golden light spills through your windows like honey, warming the air with that particular brightness that makes everything feel possible. The kind of days where shadows are crisp and defined, where colors seem more saturated - the deep blue of the sky, the vibrant green of leaves catching sunlight, the warm terracotta of brick buildings glowing in the afternoon warmth.

Sunny Days

Nebruk & Vapor Loop-Under Fold (Mellon Place Records)

Available for sale at: 

http://www.juno.co.uk/products/rahaan-ted-empleton-dessert-island-discs/582514-01/

With brother RAHAAN on the flip.

Dessert Island Disc's 10th release features a brilliant disco gem from the mighty Rahaan on the A side while the B throws up another Aussie local with his own label but going under the pseudonym of Ted Empleton. Both tracks laid out for a friendly tour of any dance floor with a Disco Bent. They don't last long - no digital release either so grab a copy before they're all gone and going for ridiculous money on Discogs!

Ted Empleton - Fly Robbin'

Toubtrooberhain EP

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https://www.discogs.com/Various-Red-Motorbike-14/release/8187950

Frasier - Into My Dub

More relevant than ever, ‘World Gone Crazy’ sums up many people’s thoughts in these turbulent times.

This version appeared on the 'Greg Wilson Presents Super Weird Substance' compilation, a GW edit featuring elements of both the club dub and original mix. It was not previously available on SoundCloud until now.

'World Gone Crazy' was the fourth 12" single on Super Weird Substance back in July 2015. Originally written in the early nineties as part of the Mind Body & Soul project Greg Wilson was then developing with singer Tracey Carmen, it was intended for an album that never was and only a demo version was ever recorded. 

Its lyrics identified an information age already spiralling out of control. Two decades on however, and it’s far beyond anything anyone could have imagined back then. Originally referencing the post-acid house generation, ‘a generation lost and disillusioned’ now becomes the sixties generation, growing old in a world even more corrupt and confused than the one they thought they’d change.

It was suggested that 'World Gone Crazy' would be perfect for Leeds singer/musician The Reverend Cleve Freckleton and gruff gravitas of The Reverend’s voice was exactly what the track needed, serving to give its words more poignancy now than when they were written. 

Channeling the fire and spectacle of a spiritual laden Deep South service, Cleve cuts a commanding figure, calling out the world’s wrongs from his sonic pulpit. 'World Gone Crazy' was adroitly programmed by Peza, with The Reynolds and the song’s original singer, Tracey Carmen, providing powerful bvox and Ché Wilson weighing in with funk-laced rhythm guitar.

You can purchase a copy of the track at Juno Download: 
https://www.junodownload.com/products/greg-wilson-presents-super-weird-substance/2900826-02/

The Reverend Cleve Freckleton & The Sinners 'World Gone Crazy' (GW Edit)

Vinyl - https://lengrecords.bandcamp.com/album/last-night-in-sant-celoni-incl-in-flagranti-remix

With summer finally making its presence felt, Payfone makes its Leng Records debut with a simmering, sunset-ready sizzler that oozes drowsy heat from start to finish. It’s a slow-burn dancefloor beauty all right, but we expect nothing less from Anglo Italian Phil Passera and his growing band of musical collaborators.

Since making their debut with the brilliant “International Smark” back in 2013, Payfone has delivered a swathe of superb singles which cannily combine elements of boogie, disco, NYC proto-house, acid house and Balearica in uniquely alluring ways. Passera has a reputation for using no samples in his creations, instead favouring live instrumentation, classic electronic hardware and ear-catching vocals.
 
Since we last heard from Payfone, Passera has moved his studio from his East London warehouse to a wooden shack in Sant Celoni, a sleepy Catalonian town near Barcelona nestled in the foothills of the Montseny and Montnegre mountain ranges. The inspiration of his new surroundings is clear on this warm, groovy and undeniably picturesque composition.

“Last Night In San Celoni” is a  love letter from two girls meeting and falling in love amidst the tumbling streets and dramatic views of this little-known town just a few miles up the Mediterranean coast from Barcelona.

Featuring the innocent, under stated singing of Los Angeles’ based Jaz James and the seductive Spanish speech of Beunos Aries-based Lumdilla Rodriguez, the duo narrates a romantic, bilingual love story that will melt your heart. Incidentally, it could well be the first (partly) English-language song dedicated to Sant Celoni, but don’t quote us on that.
 
Musically, Payfone is in fine form on “Last Night in San Celoni” where Phil Passera offers up a warm and humid chunk of soft-touch dancefloor bliss underpinned by a combination of vintage analogue drum machine, 1980s style slap bass, rich electric piano motifs, and casually brilliant jazz guitar flourishes provided by regular Payfone guitarist Royce Wood Junior.
 
This result of years of collaborative work  (this song began as a keyboard riff written in a New York studio in the heatwave of 2014), the track’s sumptuous groove seems to gently tug at the senses like the lapping waves on a Baleric Mediterranean beach at Sunset.

The original mix comes accompanied by a more up-beat interpretation by Swiss stalwarts In Flagranti. Opting to fatten the groove whilst dubbing out many of the assembled musical elements, the experienced duo brilliantly wraps lo-fi synthesizer lead lines and 1980s package holiday pop flourishes around a chugging, low-slung groove that will have even the laziest dancers skipping towards the dancefloor.

LENG SHOP

Payfone - Last Night In Sant Celoni (In Flagranti Remix)

Buy Link: http://bit.ly/2NWmphv

https://soundcloud.com/user-668517702
https://soundcloud.com/citizensofvice

Release info

Premiere: Lanowa - I Feel Fire - Citizens Of Vice

for all requests contact : 
contact@duererstuben.com


David Hofmann and Till Gerloff, found their common ground in and around House
music. It eventually lead to the formation of Dürerstuben in early 2009.

Yet, their musical starting point was somewhere completely different.
It was in 2007 when, in David's small home studio, the two began working on Hip Hop beats and lyrics. They
then lost touch with each other for a while, a time in which they both individually discovered their love for the
Berlin club culture and techno music. Based on this new-found shared interest, a reunion was inevitable and
eventually lead to what the two now call House.

Since, everything that has ever been of musical importance to Hofmann and Gerloff, has found its way into
the distinct style of Dürerstuben.
From the roots of modern twelve tone music over Claude Debussy, Roger Troutman, Quincy Jones and Metro Area to the House and Disco of the
80's and 90's and of course the Techno of the first decade of the new millennium. All these influences
contribute to Dürerstuben's ambitious desire to create music with mood, soul and character. 

With this goal, the two friends have been producing pieces that move away and at other times towards musical mainstream,
putting emphasis on the music's ability to move people's minds and bodies.

Aside from finding their own style, Dürerstuben have always been very keen on connecting with the
audiences during their live sets. Still today, Till and David draw a major portion of inspiration and fun from
being part of the lively atmosphere during a club night. The aspect of sharing their music and the ability of
creating a completely new atmosphere plays a big role in how Dürerstuben work and function.
In this way of being inspired, new wonderful details constantly make their way into the soundscape and also
the stage design of Dürerstuben. No matter what the future holds for the duo, you can bet it will not be
monotonous.

Regarding the origin of the name Dürerstuben, all speculations remain mere legends.

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Dürerstuben

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alonso.177

shooba-dooba

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