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YSE Saint Laur'Ant - Crying Woman

12th Stock

Waves of sound float like tides through forgotten corridors, where echoes reverberate against the glass and silence transforms into rhythm. Shadows dissolve into smoky patterns, while hidden currents carry fragments of memory across infinite horizons. In the flow between stillness and movement, time surrenders, and infinity breathes in every pulse.

Fading Through Glass

Wandering

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Coconoize - Etés Brulants (Instrumental)

Toubtrooberhain EP

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S&G_Spectacular_(Ilya Santana Edit)

Traxsource

Rafael Cancian - Sweet Flute

Gazzz696 live at Electrik Disko Sessions 5th October 2019

Dancing With Friends Vol.1

Joe Cleen - Gliders

Santino Surfers walks the sunny latitudes of guitar music legacy to concoct an amorphous blend of chilled-out, soulful, and melodically lavish material. Imagine twangy 60’s black and white guitars splashed with neon color and dusty country rock curls in distorted gleam.

The ‘surf’ sound is prevalent throughout the work (hence the name), setting the dial at laid back, grooving and liberated moods that probe the frontiers of the psychedelic. The music is mostly instrumental with occasional visits by vocals and vocoders.

‘Three Corners One View’ is the second single. It sits comfortably bopping on an upbeat break, steady bass waving while guitars paint sweet and dreamy figures in the afternoon sky.

A few more singles will follow, leading up to a full-length album release on Music For Dreams. Special thanks to Koda Kultur & Musikforlæggerne for supporting this project.

The single is available in all digital stores: https://music-for-dreams.lnk.to/3corners1view

Connect with Santino Surfers
Spotify : https://open.spotify.com/artist/0rhvpJA9qFkdTot8R8AdaQ?si=kJ4z0UnaSd613zxIfoc4-A

Connect with Music For Dreams
FB : https://bit.ly/2MEexC2
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Connect with Kenneth Bager
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Santino Surfers - Three Corners One View - s0476

for all requests contact : 
contact@duererstuben.com


David Hofmann and Till Gerloff, found their common ground in and around House
music. It eventually lead to the formation of Dürerstuben in early 2009.

Yet, their musical starting point was somewhere completely different.
It was in 2007 when, in David's small home studio, the two began working on Hip Hop beats and lyrics. They
then lost touch with each other for a while, a time in which they both individually discovered their love for the
Berlin club culture and techno music. Based on this new-found shared interest, a reunion was inevitable and
eventually lead to what the two now call House.

Since, everything that has ever been of musical importance to Hofmann and Gerloff, has found its way into
the distinct style of Dürerstuben.
From the roots of modern twelve tone music over Claude Debussy, Roger Troutman, Quincy Jones and Metro Area to the House and Disco of the
80's and 90's and of course the Techno of the first decade of the new millennium. All these influences
contribute to Dürerstuben's ambitious desire to create music with mood, soul and character. 

With this goal, the two friends have been producing pieces that move away and at other times towards musical mainstream,
putting emphasis on the music's ability to move people's minds and bodies.

Aside from finding their own style, Dürerstuben have always been very keen on connecting with the
audiences during their live sets. Still today, Till and David draw a major portion of inspiration and fun from
being part of the lively atmosphere during a club night. The aspect of sharing their music and the ability of
creating a completely new atmosphere plays a big role in how Dürerstuben work and function.
In this way of being inspired, new wonderful details constantly make their way into the soundscape and also
the stage design of Dürerstuben. No matter what the future holds for the duo, you can bet it will not be
monotonous.

Regarding the origin of the name Dürerstuben, all speculations remain mere legends.

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Dürerstuben

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alonso.177

shooba-dooba

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