http://pusicrecords.bigcartel.com

http://www.decks.de/t/various_artists-pusic_records_005/c4g-pi

http://www.deejay.de/PSC005_-_Va_-_Various_Artist_-_Vinyl__168228

http://www.juno.co.uk/products/imymind-saine-giovanni-damico-various-artists/557578-01/

https://oye-records.com/list.php?skey=pusic

saine - ground loop

LENG SHOP - https://lengrecords.bandcamp.com/music

Riding a wave of critical praise and positive feedback for his most recent Emperor Machine album, the fabulous Island Boogie, Andrew Meecham returns with a typically wild and dancefloor-focused set of dubs, ‘versions’ and remixes.

According to Meecham, Island Boogie is his most personal set to date – a full-length excursion that not only delivers perfectly formed expressions of his dub-tinged, off-kilter synth-boogie sound, but also tracks that draw deeply on his earliest influences and long-held musical expressions.

It’s fitting, then, that this remix EP begins with his own sparse, stripped-back ‘version’ rework of ‘S-S-S-Single Bed’, a fine cover of the mid-80s Fox single featuring the vocals of Michelle Bee. Meecham’s dub-wise revision is a skeletal and driving affair, with snippets of echoing guitar, colourful synths and Bee’s distinctive vocalisations rising above a weighty dub disco bassline and rock-solid percussion.

It's followed by two revisions of album favourite ‘Wanna Pop With You’ from A Love From Outer Space main man Sean Johnston under his now familiar Hardway Brothers alias. Combining his own love of raw, analogue-sounding electronics and trippy dancefloor psychedelia with select elements of Meecham’s original – percussion, synth sounds, crisp guitar licks and elements of Séverine Mouletin’s lead vocals, Johnston’s main ‘remix’ is a weighty, mid-tempo treat. Arguably even better is his accompanying dub, which is more groove-and-effects focused and makes more of Meecham’s superb original bassline. It’s heavy, spaced-out and undeniably intoxicating.

To round off the package, long-time friend of the label (and sometime contributor) Rose Robinson dons her Tigerbalm pseudonym and gets to work on ‘La Cassette’. Brilliantly cutting up Séverine Mouletin’s vocals, she delivers a driving slab of spaced-out, synth-heavy dub disco that adds more weight and energy to Meecham’s original. It’s a fittingly on-point way to close out a superb selection of club-ready revisions.

LENG SHOP

The Emperor Machine - S-S-S Single Bed (Version)

jungle home

Eugen Grieg & Nebruk-Within (jE jE Music Recordings)

Taruun & Orika-Quell-(Mellon Place Records)

Toubtrooberhain EP

Kartoffelbuffer mit Zimt

https://www.discogs.com/Various-Red-Motorbike-14/release/8187950

Frasier - Into My Dub

More relevant than ever, ‘World Gone Crazy’ sums up many people’s thoughts in these turbulent times.

This version appeared on the 'Greg Wilson Presents Super Weird Substance' compilation, a GW edit featuring elements of both the club dub and original mix. It was not previously available on SoundCloud until now.

'World Gone Crazy' was the fourth 12" single on Super Weird Substance back in July 2015. Originally written in the early nineties as part of the Mind Body & Soul project Greg Wilson was then developing with singer Tracey Carmen, it was intended for an album that never was and only a demo version was ever recorded. 

Its lyrics identified an information age already spiralling out of control. Two decades on however, and it’s far beyond anything anyone could have imagined back then. Originally referencing the post-acid house generation, ‘a generation lost and disillusioned’ now becomes the sixties generation, growing old in a world even more corrupt and confused than the one they thought they’d change.

It was suggested that 'World Gone Crazy' would be perfect for Leeds singer/musician The Reverend Cleve Freckleton and gruff gravitas of The Reverend’s voice was exactly what the track needed, serving to give its words more poignancy now than when they were written. 

Channeling the fire and spectacle of a spiritual laden Deep South service, Cleve cuts a commanding figure, calling out the world’s wrongs from his sonic pulpit. 'World Gone Crazy' was adroitly programmed by Peza, with The Reynolds and the song’s original singer, Tracey Carmen, providing powerful bvox and Ché Wilson weighing in with funk-laced rhythm guitar.

You can purchase a copy of the track at Juno Download: 
https://www.junodownload.com/products/greg-wilson-presents-super-weird-substance/2900826-02/

The Reverend Cleve Freckleton & The Sinners 'World Gone Crazy' (GW Edit)

S&G_Spectacular_(Ilya Santana Edit)

The Prayer

Traxsource

Rafael Cancian - Sweet Flute

for all requests contact : 
contact@duererstuben.com


David Hofmann and Till Gerloff, found their common ground in and around House
music. It eventually lead to the formation of Dürerstuben in early 2009.

Yet, their musical starting point was somewhere completely different.
It was in 2007 when, in David's small home studio, the two began working on Hip Hop beats and lyrics. They
then lost touch with each other for a while, a time in which they both individually discovered their love for the
Berlin club culture and techno music. Based on this new-found shared interest, a reunion was inevitable and
eventually lead to what the two now call House.

Since, everything that has ever been of musical importance to Hofmann and Gerloff, has found its way into
the distinct style of Dürerstuben.
From the roots of modern twelve tone music over Claude Debussy, Roger Troutman, Quincy Jones and Metro Area to the House and Disco of the
80's and 90's and of course the Techno of the first decade of the new millennium. All these influences
contribute to Dürerstuben's ambitious desire to create music with mood, soul and character. 

With this goal, the two friends have been producing pieces that move away and at other times towards musical mainstream,
putting emphasis on the music's ability to move people's minds and bodies.

Aside from finding their own style, Dürerstuben have always been very keen on connecting with the
audiences during their live sets. Still today, Till and David draw a major portion of inspiration and fun from
being part of the lively atmosphere during a club night. The aspect of sharing their music and the ability of
creating a completely new atmosphere plays a big role in how Dürerstuben work and function.
In this way of being inspired, new wonderful details constantly make their way into the soundscape and also
the stage design of Dürerstuben. No matter what the future holds for the duo, you can bet it will not be
monotonous.

Regarding the origin of the name Dürerstuben, all speculations remain mere legends.