New music producer in Southeast Idaho. From midtempo to riddim, nothing is off the table.

Music Played by; Marco Carola, Joseph Capriati, Neverdogs, Stefano Noferini, Tomi and Kesh, Loco Dice, Chelina Manuhutu, Jamie Jones + More

Released on; Nozzo / La Pera / Under No Illusion / SK / Techaway / Black Seven Music & more



A+R for Black Seven Music



All Bookings: chrisbrooks.music@outlook.com


https://www.youtube.com/channel/UCuG5ea3skXaNf89Mi9y2v0Q?view_as=subscriber

DJ/Producer, owner of Glasgow Underground


https://www.facebook.com/Jamie.M.Paton/

One half of Cage & Aviary, Jamie Paton is also a DJ and producer in his own right. Barring one release on Dissident Distribution, under the moniker "Ape Into Jam" several years ago, Bizarre Feeling is his first release proper. Initially released on July 14th as a run of 100 white labels, followed by a full release in mid-September.

Charlesworth is a Manchester-based Deep-Tech and Minimal DJ and producer whose ascent accelerated rapidly through 2024. His debut EP Cecilia reached #1 on Beatport, marking him as a proven and credible force within the underground.

His sound is defined by heavy, controlled low-end, tightly programmed percussion, and rolling groove structures built explicitly for the dancefloor. Functional, stripped-back, and intentional, his productions prioritise movement and tension over trend-led aesthetics.

Rooted in the club culture of Manchester, Leeds, and Ibiza, Charlesworth has developed a growing catalogue of releases across respected labels including Distance, Zest, Distortion, No-Preset, Uncut, Till, Under Pressure, Bloom, and XtraTrax.

Momentum continued into 2025 with his track Chevere receiving plays on BBC Radio 1, signalling wider industry recognition beyond the underground circuit.

Alongside his artist career, Charlesworth is Business Development Manager at Trackstack, working directly with leading artists, labels, and industry figureheads. He also holds influential roles with Zest and XtraTrax, playing an active role in the strategic growth and direction of all three brands. This position at the intersection of music, technology, and infrastructure informs his forward-thinking approach to production, curation, and long-term artist development.

Charlesworth has shared line-ups with key figures in the scene, including Mahony, owner of Take Notes.

Everyone is Worthy to dance. 
Know your Worth.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Please subscribe on Bandcamp for exclusive access to tracks/Dj mixes etc.

https://peza70.bandcamp.com/subscribe

Peza has been a fixture in the electronic music scene for longer than he cares to admit! When he is not locked away in his studio in deepest darkest Shropshire he can be found playing at clubs and festivals up and down the UK and beyond.

His travels have taken him to stages at festivals and countries such as Switzerland, Beat-Herder Festival, Kala Festival (Albania), Convenanza (France), Evil Acid Barons Weekender, Campo Sancho,Festival No6 and Alfresco, among others. Regularly spinning in European cities such as Tirana, Ibiza, Vienna, and Berlin, he brings an eclectic blend of Acid House, Nu-Disco, House, Electro, and Breakbeat—basically, anything with that indefinable magic.


A master of the unexpected, Peza’s sets are known for his signature edits—breathing new life into forgotten gems or obscure oddities and seamlessly weaving them into the mix. blending music together that you wouldn't necessarily expect, but somehow managing to make it work.

Remixes and collaboration credits include artists such as Gorillaz, Damon Albarn, Joe Goddard, Baba Ali, Greg Wilson, Black Grape, The Duke Spirit, Liela Moss, Dicky Trisco, Mike Smith (Gorillaz/Blur), amongst many others.

Peza is also an integral part of Greg Wilson's 'Credit To The Edit' collective. DJ'ing alongside Greg, Derek Kaye and Henry Greenwood.
Peza is available for DJ bookings worldwide.

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