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meow>3*

Baddie mood

Molly Nilsson   I Hope You Die

[LYRICS]
Take your shirt off, ta-ta-take your shirt off, oh!
Ta-Take your (hey!) shirt off
Ta-Take your (hey!) shirt off
Whatcha doin' over there, boy, lookin' at me?
I know you wanna take me out to a party
Ooh, we can get a little freaky, boy, a little naughty
But I ain't gonna go unless you (take your shirt off!)
Damn, you're lookin' pretty, boy, you got it goin' on
I know you wanna dance with me to our favorite song
We should really get outta here, don't take too long
But I ain't gonna go unless you (take your shirt off!)
Now I see you sweat-sweatin'
Yeah, I know you're gettin' hot
Got my eyes on you, boy
Let me see what you've got
Take your shirt off
And spin it around
You got your stunner shades on
And you're dancin' around
So put your hands up
Yeah, to the breakdown
So take your shirt off, ta-ta-take your shirt off
The lights, the music, the smoke and the sound
As I'm walkin' through the scene, yeah, I spot him in the crowd
I'll be lickin' my lips as he looks me up and down
He'll be lookin' hot, hot, when his shirt hits the ground
I've got a secret to tell you
I bet you'll never guess, has to do with me and you
(And the zipper of my dress)
The perfect combination to relieve a little stress
So it's about time that we started to (undress)
Now I see you sweat-sweatin' (undress)
Yeah, I know you're gettin' hot (undress)
Got my eyes on you, boy (uh-huh)
Let me see what you got
Take your shirt off
And spin it around
You got your stunner shades on
And you're dancin' around
So put your hands up
Yeah, to the breakdown
So take your shirt off, ta-ta-take your shirt off
Take your shirt off
And spin it around
You got your stunner shades on
And you're dancin' around
So put your hands up
Yeah, to the breakdown
So take your shirt off, ta-ta-take your shirt off
Take off your top (hey!)
Make my bubble pop (hey!)
Never gonna stop (hey!)
I'm puttin' you on lock (hey!)
T-T-Take off your top (hey!)
Make my bubble pop (hey!)
Never gonna stop (hey!)
Now feel that beat drop, sucka!
(Oh!)
Take your shirt off
And spin it around
You got your stunner shades on
And you're dancin' around
So put your hands up
Yeah, to the breakdown
So take your shirt off, ta-ta-take your shirt off
Take your shirt off
And spin it around
You got your stunner shades on
And you're dancin' around
So put your hands up
Yeah, to the breakdown
So take your shirt off, ta-ta-take your shirt off
Take your shirt off (undress)
(Undress) Take your shirt off
Yeah, I know you're getting hot (undress)
Take your shirt off (undress)
(Undress) Take your shirt off
Let me see what you got

(SONG DOES NOT BELONG TO ME AND BELONGS TO THE RIGHTFUL OWNER)

take your shirt off by millionaires [NIGHTCORE]

The Bidding-Chonny Jash cover Sped up

Golden Hour

Real messy bitch- Ayesha

6arelyhuman - Hands up! ft. kets4eki (Slowed)

Music belongs to rightful owner!!

6𝘢𝘳𝘦𝘭𝘺𝘩𝘶𝘮𝘢𝘯 - 𝘏𝘢𝘯𝘥𝘴 𝘶𝘱! 𝘧𝘵. 𝘬𝘦𝘵𝘴4𝘦𝘬𝘪 (𝙎𝙡𝙤𝙬𝙚𝙙)

emo boy - Ayesha Erotica ( sped up )

Digital silence /sped up/ Peter Mcpoland

I wrote this in 1986 for Eleven Pond after I read some magazine article about Europeans who used to have their extra-marital affairs in Portugal... no paparazzi, miles of desolate beaches, old romantic architecture, lots of available cheap rooms to rent... " I asked you twice, now I say to go, find sweat romance, down in Portugal.... LETS GO!" -jeff gallea

Portugal  (1986)

Molly Nilsson - (Won't somebody) Take me out tonight

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

Panic! At The Disco's official audio for 'Don't Threaten Me with a Good Time’ from the new album "Death of a Bachelor" out now. Get it now on Apple Music http://smarturl.it/PATDDeathOfABachelor or Amazon http://bit.ly/1LKW1wA and get "Victorious," "Hallelujah," "Emperor's New Clothes," "LA Devotee," & "Don't Threaten Me with a Good Time" instantly http://bit.ly/1LKW1wA 

Subscribe to P!ATD on YouTube: http://bit.ly/1jTpNa1 

WEEZER & PANIC! AT THE DISCO SUMMER TOUR 2016 w/ special guest Andrew McMahon in the Wilderness. Dates + ticket info on http://www.panicatthedisco.com/tour

Site: http://panicatthedisco.com
Facebook: http://facebook.com/panicatthedisco
Twitter: http://twitter.com/panicatthedisco
YouTube: http://youtube.com/panicatthedisco
Instagram: http://instagram.com/panicatthedisco
Spotify: http://spoti.fi/1CsbsdC
Shazam:http://bit.ly/1KiNmW5

Don't Threaten Me With a Good Time

Nightcore - Tangled Up (Lokee Remix)

SPOTIFY LINK: https://open.spotify.com/track/0VQKl5ZTF4ruGGvHgaRdLo

So far, this is the most complex electronic piece I have ever made, taking about 5 months to assemble. 

 I suppose this piece is in A quarter sharp & quarter flat minor. To explain, every instrument is moving up and down in pitch slowly, at different speeds. These slow vibrati give a strange, enriching vibrancy to the harmony, especially when interacting with another instrument.

 The piece was composed and constructed using FL Studio, Adobe Audition and Audiosculpt 3.0. After literally hundreds of crashes, the piece was split into 12 parts to save on CPU usage, then stitched back together.

buy this piece?

solitariat

Wild Side Ft. Jonah Scott

I make playlist so you don’t have too 🫦

Digital silence /sped up/ Peter Mcpoland

rice crispys