Silencing of the reefs forject in collaboration with TBA21 Academy. Recorded in Greenland, Belize, Dominican republic 2007, 2012 and 2013.

freeze to melt

Electroacoustic composition using Gong improvisations performed by Stefan Cartwright, 2008.

Mirage

Projection

Reflection

イカルス (Ikarusu) - 2011

Une composition pour exorciser la stupéfaction, l'hébétude et la fascination morbide, induites par les images diffusées en boucle, suite au séisme qui frappa le Japon le 11 mars 2011.

Un temps pour revenir sur cette folie de l'Homme : se doter d'une énergie et d'une puissance de destruction démesurées.

Cette pièce est dédiée aux victimes de l'atome, passées, présentes et - hélas – futures.

Le travail de composition s'est étendu du 19/03/2011 au 24/04/2011.
Création mondiale le 27 mars 2012 au Los Angeles Sonic Odyssey (USA).

--

Ua composicion per exorcizar l'espanta, l'estabornida e la fascinacion morbida, indusidas peus imatges difusats en bocla, arron lo tèrratrem qui a tocat lo Japon lo 11 de març 2011. 

Un temps tà tornar sus aquesta holia de l'Òmi : dotà's d'ua energia e d'ua poténcia de destruccion hòra mesura. 

Pèça dedicada a las victimas de l'atòme - passadas, presentas e per viéner. 

Tribalh de composicion deu 19/03/2011 tau 24/04/2011.

--

A piece composed to exorcise stupefaction, hebetude and morbid fascination induced by the  infinite video loops broadcasted after the earthquake in Japan.

A time to think about this human madness : build a huge energy and destruction power.

Dedicated to nuclear victims from the past, today and the future.

Composition work from 2011/03/19 to 2011/04/24.
World creation for the Los Angeles Sonic Odyssey (US) by march 27.

イカルス - Ikarusu (2011)

Conte bantou du Cameroun.
Ecrit et composé par Francis Bebey.

Extrait de "Tout souffle, contes à quatre voix", 
JE CONTE POUR TOI, AMCD004 (2000)

Francis Bebey - Africa Sanza ou la Création du Monde

Tempus Fugit Interea

Live solo performance by Doug Lynner on The Mystery Serge, a vintage 1975 Serge Modular Synthesizer and a Cyndustries six-pack. No keyboard or reverb or delay has been used in this performance. The performance was live streamed on www.electro-music.com at 8:30pm Pacific time 12/31/12 as part of a 17 hour live event of 34 1/2 hour concerts.

Pulse Meditation (live stream recording 12-31-12)

Jeremy Young recently released Filaments on Eliane Tapes, Moving Furniture's sporadic series of work inspired by the remarkable French composer Éliane Radigue. The series was inaugurated with a release by Kassel Jaeger back in early 2018, and after a long silence two new tapes have just been released. To mark this occasion, we invited Young to produce a mix. Like me, Young is an American living in Montréal, Canada, so it was also nice to discover some connections between us. Young works primarily with reel-to-reel tape and contact miked objects and has worked on a wide variety of projects including sound-poetry and audio-visual scoring. We at ACL have long been fans of Jeremy's solo work as szilárd, and especially his trio Sontag Shogun and their predecessor (The) Slowest Runner (In All The World). And so it is our great pleasure to present Je Suis Mon Absence.

More at: https://acloserlisten.com/2020/12/01/jeremy-young-presents-je-suis-mon-absence-mix/


TRACKLIST

00:00    ~          Pan Sonic - “Ahdin”

02:14    ~          Maggi Payne - “Apparent Horizon”

12:57    ~          John Butcher - “Willow Shiver”

15:53    ~          Lucy Railton - “Third Lament”

20:09    ~          Kaffe Matthews, Andrea Neumann, Sachiko M - “III.”

24:15    ~          Theresa Wong & Ellen Fullman - “Harbors Part 3” [excerpt]

30:59    ~          Vincent Gallo - “Sixteen Seconds Happy”

32:10    ~          Toru Takemitsu - “Twill By Twilight” [excerpt]

37:05    ~          Else Marie Pade - “Lyd & Lys 1960”

41:42    ~          Anestis Logothetis - “Fantasmata 1960” [excerpt]

43:43    ~          Cécile Cloutier (lu par Catherine Métayer) - “Solitude (1960)”

44:45    ~          Skin Tone - “An Absence / An Abundance Of”

53:16    ~          Mecha Fixes Clocks - “Give My Regards to Time”

56:43    ~          Godspeed You! Black Emperor - “Strung Like Lights At Thee Printemps Erable”

62:35    ~          Christof Migone - “( )”

64:10    ~          Sarah Davachi - “A Garden, An Orchard”

70:30    ~          Jean Schwarz - “Suite N” [excerpt]

78:43    ~          Pierre-Yves Macé - “Qui-Vive” [excerpt]

83:52    ~          Eyvind Kang - “Visible Breath”

Jeremy Young presents 'Je Suis Mon Absence.' [mix]

On her first solo lp, Roxane Métayer fully explores the sonic possibilities of the violin, field recordings and folk oriented orchestration and melodies. The violin is often taken the melodic lead, but at the same time serves a drone background, but just as much a percussion instrument. In any case: the focus is definately on the sound itself. She’s not afraid to use effects, minimal percussion, whistles and the occasional hushed vocal to expand the sonic palette to a maximum effect, resulting in multilayered, semi-improvised meanderings, gently evolving around a tight core.

Roxane Métayer - Opalescentes Épopées.

bio (fr) :

Musiques expérimentales et traditionnelles, composition et improvisation, archaïsmes rétrofuturistes.

François Dumeaux (Rodez, 1978) a obtenu en 2006 un D.E.M. et le prix SACEM, dans la classe de composition électroacoustique de Christian Eloy et Christophe Havel, au C.N.R. de Bordeaux.
Finaliste du concours de composition acousmatique Métamorphoses 2008, il a été à cette occasion édité sur la compilation éponyme.
Pour le 80ème anniversaire de Bernard Parmegiani, il a composé « SRA » à la demande de Annette Vande Gorne.
De 2011 à 2016, il a enseigné la composition électroacoustique au C.R.R. de Bordeaux, aux côtés de Christophe Havel.

Pratiquant l’improvisation libre et l’interprétation électronique en live, il a joué avec Joan Francés Tisnèr, Alain Cadeillan, Jakes Aymonino, Christian Vieussens, Peìre Boissière et dans Crypto Tropic, familha Artús, Shapeless, etc.

Il réalise par ailleurs des créations radiophoniques, des documentaires sonores, de la sonographie pour les musées et des bandes-son pour le théâtre la danse et le cinéma.


bio (en) :

Experimental and traditionnal music, composition and improvisation, retrofuturistic arcaisms.

François Dumeaux  (Rodez, 1978) won the SACEM prize and have been graduated by the Bordeaux Music Academy (C.N.R.) in the Christian Eloy and Christophe Havel’s electroacoustic composition class.
Finalist for the acousmatic composition competition Métamorphoses 2008, his piece have been released on the eponym V.A.
Annette Vande Gorne invited him to compose « SRA » for the Bernard Parmegiani‘s 80th anniversary.
Between 2011 and 2016 he teached in the Bordeaux Music Academy (C.R.R.) electroacoustic composition class.

In the free improvisation and the live electronic fields, he played with  Joan Francés Tisnèr, Alain Cadeillan, Jakes Aymonino, Christian Vieussens, Peìre Boissière and in a few bands : Crypto Tropic, familha Artús, Shapeless, etc.

He also realises radio art, documentaries, sonography for museums and soundtracks for plays, choreographies and movies.

イカルス - Ikarusu (2011)

François Dumeaux

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