K.Classical

Mariah Carey - Hero (Saxophone Instrumental by Kenny G)

alto saxophone : Jimmy K
piano and music : Bimantoro

First Love Utada - Hikaru Cover - Instrumental duet saxophone and piano

soprano: cannonball bigbell global series
reeds: v16
ligature:selmer vintage 30's


First Love Nikka Costa Cover - Instrumental - Jimmy K - Soprano Saxophone

Careless whisper saxophone instrumental

India's classical music is deeply bound to the country's ancient mystical traditions. This unique Rough Guide brings together the greatest names in Indian Classical music, performing some of the most beautiful ragas of India’s classical legacy. Enjoy the musical artistry of legendary performers such as Shivkumar Sharma, Hari Prasad Chaurasia, Zakir Hussain and Ravi Shankar.

For more information, visit www.worldmusic.net/indianclassical

THE ROUGH GUIDE TO INDIAN CLASSICAL MUSIC

India's classical music is deeply bound to the country's mystical ancient traditions. Stretching back  through time to the Vedic period musical historians encounter the Rigveda, an ancient collection of Sanskrit hymns, and the Sama Veda, a text which begins to discuss the origin of seven shruti (notes) from the sounds of nature. The practice of combining tones in certain sequences and the notation system that was developed during this era is connected to the development of the Indian classical raga form. 'Raga' literally translates as a 'hue' of colour and is a musical method of constructing melody through prescribed conventions. Ragas are linked to different moods and times of the day. Amjad Ali Khan's ‘Raga Chhaya Nat’ is in the Hindustani (North Indian) chhayanat mode and illuminates his crystalline prowess on the sarod, a stringed lute that is played with a plectrum. Uppalapu Srinivas' song 'Sankari Sankuru' is played on his mandolin in saveri raga, which is said to bring about the mood of pity and was originally composed by one of Carnatic (South Indian) music’s greatest figures Syama Sastri (1762-1827). 

Indian Classical Legends Shivkumar Sharma, Hari Prasad Chaurasia and Brij Bhushan Kabra are heard delicately delivering a Hindustani bhairav raga on ‘Ahir Bhairav’. This raga is related to Sikh tradition from northern India and appears in the Guru Granth Sahib (the central religious text of Sikhism). Ravi Shankar’s radiant sitar shines bright on the fast-paced track ‘Devgiri Bilawal Dhun’. Shankar’s name and ascendant international career is now synonymous with Indian classical music. Widely regarded as a musical sage or pandit, his definition of raga touched upon its vast and complex nature, describing it as a ‘scientific, precise, subtle and aesthetic melodic form’. Another sitar scholar, Vilayat Khan is heard on ‘Dhun Punjabi Ang’. The Khan musical lineage traces all the way back to the court musicians of the Mughal Empire.

Father and son duo Allah Rakha and Zakir Hussain enter into percussive playoff on the live track ‘Ek Taal’. Tabla virtuouso Zakir Hussain remains grounded by the musical discipline and natural flair he inherited from his father who he regarded as ‘a spirit who was created to work for music by God’. Carnatic vocalist Dr M. Balamuralikrishna’s marvellously melodic instrument sparkles on ‘Sadhathava Pada’. His formidable range and versatile tone mark him out as a legendary singer. He is also credited with popularising the jugulbandi concept in Indian classical music – when two soloists of equal skill perform together. Riverboat Records artist Jyotsna Srikanth contributes ‘Annapoorne’, a work crafted by the famous Carnatic composer, Muttuswami Dikshitar. The subject matter concerns Annapoorne, the Hindu goddess of nourishment. The raga used is sama, one that denotes peace.

Uncover the mystery and beauty of India’s verdant classical tradition on this excellent introduction to one of the world’s most valuable musical repertoires. 

Jyotsna Srikanth: Annapoorne (taken from The Rough Guide To Indian Classical Music)

Indian Classical Saxophone Instrumental

-Mantan Terindah- song by Kahitna - Saxophone instrumental played by Purwanto Nugroho.

Mantan Terindah Song By Kahitna - Saxophone Instrumental.

Semua baik Cover by Jimmy K
Gospel Indonesian Song
 
Music : Jimmy K
Alto Saxophone : Jimmy K

God  Bless us :)

Semua Baik  - Jimmy K - Saxophone Instrumental

‘Moham’, an instrumental interpretation of the song, Moham Kondujaan’, a song originally composed by music director Johnson Master, one of Baiju Dharmajan’s biggest musical inspirations.

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Moham

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Singer : Natashia Nikita

Album Name : ( " Tetap Setia " )

Design Cover : ( 2014 )

Taken From The Album Nikita " With You "

Media : ( CD Audio )

Album Code : ( CDM - 750A )

Release Data : ( 15 Oktober 2006 )

Locations : 

( Railway Station & Braga Street , Bandung , West Java , Indonesia )

Publisher : ( " © 2006 Maranatha Records Indonesia " )

( P & C ) : ( " © 2006 PT.Stora Adhiswara " )

Website :

http://www.maranathaindonesia.com/?content=product_detail&id=1056

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( " Tetap Setia " )
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Vocal By Nikita

Composed By Sari Simorangkir

Taken From The Album Nikita ( " With You " )

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( Lyric )
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Selidiki aku , lihat hatiku

Apakahku sungguh mengasihi-Mu Yesus ?

Kau yang Maha Tahu , dan menilai hidupku

Tak ada yang tersembunyi bagi-Mu

*******
( Reff )
*******

Telah ku lihat kebaikan-Mu

Yang tak pernah habis dihidupku

Ku berjuang sampai akhirnya Kau dapati aku

Tetap Setia

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Natashia Nikita ( " Tetap Setia " ) ( Alto Saxophone Instrumental )

Indian classical raga (Kosh Pal Ji on raag Puria dhanashree)

Ruby G Beats - Saxophone jazz hiphop instrumental

Untitled (6)

In Those Days is a dark-fantasy jazz/blues concept album built on the book of Judges—half film score, half rock opera, all one continuous world.

Obligé scores a crownless Canaan with smoky horns, upright bass, haunted guitars, and stormy drums: temple nightclubs for Baal, crooked odd-meter stealth for the left-handed assassin, noir prophecy under the palm tree, iron chariots rolling like war machines, midnight tension in Jael’s tent, Gideon shaking in a winepress, a daughter caught in the teeth of a vow, and a man who looks ordinary but tears down gates and pillars by a strength that makes no sense.

Some tracks play like pure score, others like songs sung from inside the story, but the same themes keep resurfacing—motifs slipping between sax lines and vocals, big-band blasts giving way to quiet, wounded prayers. This is Judges as a jazz-shadowed myth: no king, too many gods, and a handful of fragile people trying to stand up in the ruin.

Alas, My Daughter

Tribute to Indian Classical Music

Jagadodharana - Bombay Jayashree

Retired Official, interested in Music of all types

Indian Classical Saxophone Instrumental

Durgesh Mehta (Digmont)

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