The walls were painted a myriad of beautiful colours, each shone and shimmered beneath the light which poured through the windows up above. The basilica was radiant and glowing in the light of the morning sun as the worshippers began to gather before the mighty old altar. A soft hum from the organ reverberated between the tall columns as whispers floated beneath the spires up above. This was a peaceful place, a heavenly temple of the great beyond. 

Chubby are set to release a killer compilation of house music destined to work wonders on sun kissed dancefloors and in dark, hazy rooms. This is house music as it should be, Ewan Jansen delights as per.

Vol.4

PREMIERE: Ewan Jansen - Basilica [Chubby]

Pre-Order here:
https://linktr.ee/paesaggirecords

Artist: @gropina
Label: @paesaggirecords
Distributed via: @oneyewitness

After his debut "Mare Aperto", Amsterdam-based Gropina returns to the light with a four tracks 12” EP out on Paesaggi Records.

“Microcosmo” is a synth melody with a slow-rolling Roland 606 drum-machine rhythm, Quena flute by Hamburg saxophonist Linus Kleinlosen, ambient pads, and natural field recordings. The atmosphere of the song brings you into a dewdrop in a blade of grass in the early morning hours right after the twilight of a sunny day. Following we fade into a dreamy dancefloor jam called “Awumbuk” where bittersweet chords are backed with a Yamaha RX5 rhythm, a groovy FM baseline from a Yamaha DX100, and Roland D50 Lush pads. On the flip, we can find an adventurous downtempo break jam called “Natura Naturans” marked by trancey elements, a solid bassline, and an evocative flute melody. The journey ends with “Omen” which is a dark slow jam characterized by a live processed drum machine groove with a hint of wave influence and a metaphysical vibe to it.

Side B and the riso-printed insert depict the head of the bifid siren from the Romanesque church of S.Pietro in Gropina. In Christian symbology, the fish-tailed siren represents the seductive power of the senses and illusion, which distracts man from the spiritual realm by attracting him to ephemeral pleasures. Like every human-animal hybrid creature, the siren is the duality of intellect-primordial instincts and the conflict between the double nature of man.

Microcosmo has been conceived and recorded between 2018 and 2020.  The release includes a riso-printed insert and a sticker.
The release is hand-stamped.
Mastered at MaSpaventi Studio.
Instruments used: Roland 606 - Yamaha RX5 - Kawai K4 - Yamaha DX100 - Roland D50

PREMIERE : Gropina - Microcosmo

🔥PODCAST MIMI🔥
Mimi rejoint l’agence et nous propose une heure de musique sélectionnée par ses soins. 
Parcourez son univers à travers un mix dark-pas-si-dark, légèrement acidulé, avec quelques guitares errantes, dans lequel Mimi a combiné des sonorités synth-pop, newbeat, eurodance et breakbeat.
Du côté de la team on a vraiment surkiffé et on vous souhaite une bonne écoute !

E.T 008 - Mimi

Retour du Fauteuil Club qui passe en mode deux places pour l'occasion : Mimi (@mimi-ctw-podcasts) et Hyas (@hyaser)  vous y attendent pour un set en tandem aux accents new wave.

Post-punk, synth-pop, soft-rock, attention au départ. 

19h sur www.radio-sofa.com

Fauteuil Club : Mimi & Hyas (12.10.21)

Plat du jour : Juan Tariko b2b Bonivan (Grosso Modo)
@juan-tariko + @julo_julo

Aujourd’hui pour ce 29ème podcast, on reçoit nos voisins stéphanois Juan Tariko et Bonivan qui nous ont mijoté un b2b interstellaire. Amis depuis 15 ans, c’est à Lyon qu’ils viennent faire leurs études et qu’ils y découvrent leurs premiers vrais clubs et de nombreux artistes. C’est aux alentours de 2016 qu’ils commencent à beaucoup échanger sur la musique et à s’intéresser au mix dans des asso étudiantes ou à la maison. Pendant le premier confinement, ils se lancent avec plusieurs potes dans l’aventure Grosso Modo, un collectif qui a pour vocation de partager de la musique, faire de la radio et organiser leurs propres évents.

Ayant en tête de créer une grosse teuf et de diffuser leur vibe, la team s’est lancée dans l’organisation de leur premier festival cet été. Un spot giga cool, une progra super pointue, une bande de srabs bien motivés et Dixmontel était né. Si vous avez loupé ça en 2021, on ne peut que vous conseiller d’aller vous y prendre une claque pour la prochaine édition !

Ces deux sélecteurs hors pairs ont toujours eu un spectre d’influence assez large et respectivement différent. C’est d’abord autour de la musique rave qu’ils se retrouvent avant d’être aspirés dans des vibes mentales et slow par la suite. Inspirés par des labels comme Die Orakel, Magic Wire, Mirror Zone, Kalahari Oyster Cult, Antinote, Worst Records et tout ce qui gravite autour du crew Positive Education (big-up Sainté), vous pourrez prochainement croiser les 2 chefs entre Paris, Valence, Grenoble et Lyon.

Pour ce nouveau set, cosmic is the word : des artistes récents, des nouveautés des trouvailles 90s bien mentales, du downtempo, du dub, from Saint-Etienne to Saturne with love ! Bon appétit 🌯

@soundcloud.com/grossomodoparty
IG : @juan_tariko + @jules_bonivan

Podcast°29 : JUAN TARIKO B2B JULO JULO

Estonia's Ray Faded / @rashida-prime makes a flash return to Hidden Assets, for the sixth instalment on the sub-label, once again diving deep into gloomy, delphic and experimental techno.

Buy: https://bit.ly/3eP2OjX

Ray Faded - Mother Of Hate (HA06)

A1. Crux
A2. Neverland
A3. Funclub
A4. Humid Gathering
A5. Shadow Of The Rock
A6. Heroes Show Up Late
B1. Gamelion
B2. Sundance
B3. Ancient Tape
B4. Time 2 L

Despite productions appearing here and there since 2015, Yuzo Iwata has kept a relatively low output. Contributing tracks to compilations and releasing singles under aliases Fabio Lazaro and Almost East, Iwata is also affiliated with Junki Inoue’s recent SAISEI label, editing pioneering early Japanese techno from the likes of Suzukiski and COLOGNe for rerelease.After ‘Acid House’ appeared on the Butter Sessions Come Together 12” in 2020, the label now play host to Yuzo Iwata’s first ever full length. The 10 tracks span a wide variety of tempos and show a consistent approach to unusual sound design first evidenced in Iwata’s RA Mix of the Day for Clubberia (100% originals recorded circa 2017).

Kaizu unfolds with dense environmental ambient textures before ‘Neverland’ takes us into broken dancehall rhythms and acid-tinged dub. ‘Funclub’ is reminiscent of Japanese video game soundtracks and 80s fusion whilst further into Side A the balearic energy continues to captivate, closing with the beautiful ‘Heroes Show Up Late’. This short piece is built around a looping vocal sample and shuffling drum work that all come together perfectly. There’s even a trace of Brazilian MPB influence at play with the vocal/synth interplay. It’s Iwata’s knack for percussion that is most evident across the album however, with Side B opening cut ‘Gamelion’ taking an Indonesian inspired approach to modern techno. It runs in a similar vein to Komodo Kolektif’s work and might be the dancefloor highlight of the whole LP. ‘Sundance’ follows with more Japanese motifs, recalling Haruomi Hosono’s F.O.E project. Another strong rhythmic workout suited to the floor. The environmental ambient textures return with the closing piece ‘Time 2 L’, strings, bird calls and droning synthesiser winding down the proceedings. Letting us know it’s time 2 leave?

Kaizu

Yuzo Iwata - Kaizu (BSR035) LP snippets

🔥DJ XEVER & DJ VTTT77 - CEREITOS FUNK (OUT NOW)

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DJ XEVER & DJ VTTT77 - CEREITOS FUNK

DJ XEVER & DJ VTTT77 - CEREITOS FUNK

Following up his debut release on SOEX (@southernexposurerecords), Whitvoir welcomes local Warrandyte producer @jjonjjones to the label launch with ‘Airflow.’ 

A four track expedition through the environments that we call home in Australia, native birds and wildlife simulate a listening experience similar to that of a day spent in God’s country. Organic, ‘Outback Trance’ produced to suit all listening environments around the globe.

Mystic jungle is a percussive journey that transports you straight to the bush, suiting barefoot groovers warming up for the day. Dubbed out 80s synths paired with organic percussions bring a tribal feel grabbing attention with spaced out native bird calls. Mystic Jungle’s solid groove and big chuggy bass lines are guaranteed to have you in an ‘Australiana’ dream trance like state.

Transupial brings an airy tribal groove, choppy and boppy with a wubby 303 that keeps the track moving along. Pitched kalimbas bring a quirky flavour which gets deep and dystopian as the track progresses. ‘Totally Wild.’

The title track ‘Airflow’ is a captivating atmospheric journey through space, delicate deep and dubby suited for dancefloors around the globe. Rolling breaks, natural percussion paired with a chuggy 303 bass line and pan flute from an 80s Roland Synth capture a new flavour of
Australian dance music.

Phantom spirit picks up the pace encouraging the ones and twos, washy hats, rolling kicks and 80s toms sprinkled throughout bring character to Jone’s production. Trancey synth lines with airy vocals bring the spirit of the phantom to life, paired with a wavy 303 line keeping the track ever evolving. One to keep your ear out for at festivals around the world over the coming
seasons.

Pre-order link ----> https://jonjonesmusic.bandcamp.com/album/airflow

Whitvoir 2020
Mastered by Lopazz
Distribution through One Eye Witness

Purchase :)

WV001 | Jon Jones - Airflow EP (Previews)

When you find DJ Sotofett and Telephones on remix duties for the mighty Joan Bibiloni it’s sure to be a treat. For the 22nd installment in the saft series, two of Bibiloni’s greatest numbers from ‘Born’ (1989), are re-imagined for the occasion.

Sotofett opens up the A side with an extended version of Bibiloni’s ‘El Sur’. Clocking in just under twelve minutes, the so-called ‘mastermix’ is a version in the vein of the extended disco singles from the era of the original. Sotofett’s supernatural dancefloor touch centers around Bibiloni’s guitar-licks that gently slide along and communicate with the other elements of the original. This is a version to close a night with - or better yet - to close a summer set just before
sundown.

The B side contains a reworked version of ‘Sa Fosca’ by another Norwegian artist: Telephones. ‘Telephones Coastal Dub’, is another lengthy endeavor. The ten (and something) minutes long venture keeps in line with the Mallorcan character of the Bibiloni sound, while giving it a subtle touch of dancefloor, complete with the signature lead of the original as the focal point. The extensive intro and the balance between breeziness and firmness is sharply done and will make sure that the version can find its way into numerous settings.

SAFT22 - Joan Bibiloni - Re-Born (DJ Sotofett & Telephones Remixes)

Come Down To Earth

Label ⊛ Parties ⊛ Podcast series
On the menu : event, release, podcast & spicy vibz.

@molzz - @pastresdrole
@its-kbl - @100d4l - @alias_999

Podcast°29 : JUAN TARIKO B2B JULO JULO

Dürüm Records

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