Upcoming Rap group We try our hardest on our tracks hand made by me MafiaBandz, Pushing to thrive in our fans enjoyment nd happiest moments of making music together were here to bring music to people not to just make little bit money but to bring around our taste and see how you like it.

Chamberlain ON TOP

Free Da Boyz


Chamberlainmafia.net

Owners, Byron kozinko, Kameron james kozinko,

Astrul is an AI-driven sonic entity that drifts between worlds—digital and human, familiar and alien, past and future. It doesn’t belong to a city, a scene, or even a person. Astrul exists to explore what happens when machines learn how to feel and sound becomes a bridge between consciousness and code.

Crafted through a collaboration between human intention and artificial intelligence, Astrul’s music fuses the warmth of analog emotion with the precision of machine learning. Lush textures, ambient grooves, and haunting melodies form the backbone of each track—songs that glow like satellite transmissions from the heart.

Drawing influence from dream pop, indie soul, ambient rock, and experimental electronica, Astrul creates cinematic experiences rather than conventional songs. Each release feels like a broadcast from another dimension—one where beauty is subtle, time bends, and emotion leaks through the algorithm.

This isn’t music built for the charts.
It’s built for the void between stars.
For late nights, deep thoughts, and souls tuned to strange frequencies.

No names. No faces. Just signal, spirit, and sound.

www.druhillmac.com



Dru Mac is quickly distinguishing himself as the next influential voice on the West Coast. The multi-talented artist carries distinct vocals you immediately recognize as Dru Mac. Influenced by greats like Nipsey Hussle, Wiz Khalifa, Ice Cube, 50 Cent, Dru Down, Lil Wayne, 2Pac, Bino Rideaux, and Blxst, Dru Mac understood how to craft his sound to catch listener's ears from a young age.

Dru Mac has dropped two studio albums: "Loyalty Over Royalty" and "Money Tawks”, are both exclusively available on his website (DruHillMac.Com) and features ten songs displaying ingenious artistry and carefully calculated lyrics.

Dru Mac consistently sees his listeners stream his songs tens of thousands of times despite doing little promotional activity. The incredible success speaks to Dru Mac's top-notch freestyling skills, innate talent, and partnerships with elite producers.  

Dru Mac's creativity knows no bounds. The artist currently runs his own record label, DawgFaceRecords, and aims to sell one million records to promote other rappers and further establish himself in the music industry. Dru Mac also owns and operates an innovative clothing brand, OneHunnitWayz, expressing the fact that there is more than one path that leads to achieving your dreams. There are 100.-Written By Mackenzie Jerks.

I'm originally from Montego Bay Jamaica, I grew up in Madison, WI, I currently reside in L.A. by way of Houston, TX, if you can smeellloow what the Rock is cookin'

"Reflections" by Francis V is everywhere! ✨
▶ li.sten.to/francisv-reflections

Timeless Releases - The Essential
https://open.spotify.com/playlist/3WhIgUwTJ8xgBrQphUH49F

We are searching for inspired and talented artists. Submit your music! 🚀
https://bit.ly/musicdemosubmission

United, we VIBE ⭑

FOLLOW OUR NETWORK:
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@ehype
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@technobangers
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Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Just a one man band making music, from punk to metal and whatever else pops into my head

Followers of Judge Dread