technokoffer-1

Here is my new EP on Drumcode. You can get your copy here: http://www.beatport.com/release/fight-club/1111166

DC114 - Bart Skils - Base Camp - Drumcode [Lo_Res]

DC114 - Bart Skils - Fight Club - Drumcode [Lo_Res]

New track from the forthcoming compilation "Nothing is Worth the Hype 2" on Enemy Records. Available digitally February 21, 2011 and on vinyl in stores now!

I Feel

006 - ESSHAR

(interview & english version below)
In unserer sechsten Ausgabe unseres Podcats präsentieren wir euch Esshar. Esshars Sets erinnern an eine kosmische Reise, geprägt von dunklen Synthesizern, verspulten Atmosphären, ekstatischer Momente, gebrochenen Beats und treibenden Rhythmen - subtil und zugleich energetisch. Mit diesem Set eröffnete Esshar am 17.08.24 vor Joel Mull den Südpol.

INTERVIEW
Wie bist du zur elektronischen Musik und insbesondere zum Techno gekommen? 

Den ersten technoiden Impact bekam ich 1997 als 8 jähriges Kind mit dem Track 20Hz von Capricorn. Beim Herumfahren mit meiner Oma im Auto holte sie die Single CD raus, ein Spontankauf, ab dem Moment war der Grundstein gelegt. Im gleichen Jahr kaufte ich mir mein erstes Album, Scooter - Age of Love, ab da wusste ich, dass elektronische Musik für mich funktioniert und began sie zu genießen und zu erforschen. 20hz beeinflusst mich noch heute und umfasst alle Ecken und Kanten meines heutigen Stils. Sphärische Synthesizer, non-konforme Rhythmen, Verspultheit und ein Hauch vom sich Treiben lassen.

 Du gibst FLINTA*-DJ Workshops in Hamburg. Was für Erfahrungen hast du dort gesammelt und wie versuchst du dein Wissen weiterzugeben? 

Da ich einen technischen Background durch meine Ausbildung in der Veranstaltungstechnik habe, liegt mein Fokus in den DJ-Workshops auf die Vermittlung der Grundlagen in der Tontechnik und deren Hardware. Das Interesse an den Workshops ist unglaublich hoch. Es freut mich riesig zu sehen wie groß die Begeisterung der Teilnehmenden nach den Workshops ist und welche Talente dort bisher geweckt wurden. Für mehr FLINTA* an den Decks!

Du bist Resident-DJ im Südpol, was macht das Auflegen im dort für dich besonders?

Der Südpol ist ein Ort des Ausprobieren und Wachsen für mich. Ohne den Support und das Vertrauen in meinen musikalischen Output hätte ich wohl kaum meinen heutigen Stil finden und ausarbeiten können. Die Möglichkeit im Nebel zu pulsierendem gedimmten Licht das Publikum mit auf eine Reise zu nehmen macht für mich den Ort mehr als besonders.

______
(english)
In our sixth edition of our podcast, we present Esshar. Esshar's sets are reminiscent of a cosmic journey, characterized by dark synthesizers, twisted atmospheres, ecstatic moments, broken beats and driving rhythms - subtle and energetic at the same time. With this set, Esshar opened for Joel Mull at Südpol on August 17, 2024.

INTERVIEW
How did you get into electronic music and especially techno?

I got my first technoid impact in 1997 as an 8-year-old child with the track 20Hz by Capricorn. While driving around in the car with my grandma, she pulled out the single CD, an impulse buy, and from that moment on the foundation was laid. In the same year I bought my first album, Scooter - Age of Love, from then on I knew that electronic music worked for me and started to enjoy and explore it. 20hz still influences me today and encompasses all the nooks and crannies of my current style. Spherical synthesizers, non-conformist rhythms, a sense of being unhinged and drifting.

You give FLINTA DJ workshops in Hamburg. What experiences have you had there, and how do you pass on your knowledge?

Since I have a technical background through my training in event technology, my focus in the DJ workshops is on teaching the basics of sound engineering and hardware. The interest in the workshops is incredibly high. It makes me really happy to see the enthusiasm of the participants after the workshops and to witness the talents that have been awakened. Here's to more FLINTA* on the decks!

You are resident DJ at Südpol. What makes playing there special for you?

Südpol is a place for me to experiment and grow. Without the support and trust in my musical output, I probably wouldn’t have been able to find and refine my current style. The chance to take the audience on a journey, in the fog and under pulsing, dimmed lights, makes this place truly special for me.

Artwork by Janu Krohm

6D. Podcast 006 - Esshar

Jaamann @Hör Berlin [ 17.12.2024 ]

This is the recording of the last hour of my set at Sisyphos Berlin on March 8, 2025 during the re-opening weekend.
I hope you enjoy the journey ♡´･ᴗ･`♡

DJ Dripcore @ Sisyphos Season Opening | Dampfer | 08.03.25

played at @sisyphos-berlin for the first time and couldn't have wished for a better debut!
special thanks to the crew for lovely artist care and to @kollektivfischmarkthh and @miloobash for your support and sets. still buzzing from this night!

maifeierei @ sisyphos hammahalle 02.05.

://about blank -- MDF 03.05.2025

Esshar @ 96426 Hours Südpol - Happy Birthday!
Some new tunes! faster, groovy, warm - enjoy

|| live recording 04|25 ||

Esshar | 96426 Hours Südpol

let my mind breathe! wettertechnisch und stimmungsmäßig bisschen durch den wind gewesen, set genossen, sekt getrunken. bisschen minimal, bisschen moody, bisschen drama.
grüße und dank an @vittjas-tief + crew für die liebevolle orga dieses schönen soli-raves! 

marionism MDF opening @ ://about blank 09.06.25

"This mix moves from driving energy to deeper territory, while keeping that dancefloor feeling alive throughout. It reflects the sound I believe in, focused on narratives shaped by atmosphere and flow."

More of Nando: soundcloud.com/nandovos

DGTL MIX SERIES #158 - NANDO

S.E.T.I. is more than just a DJ. He is a passionate storyteller of electronic music, capable of filling spaces not only with sound, but with atmosphere. With driving, emotionally charged techno, he creates immersive experiences that resonate deeply. Deeply rooted in the Rostock scene, he lives his music with an intensity you can feel. S.E.T.I. meets his audience on equal footing—it’s never about putting on a show or seeking the spotlight, but about creating a shared moment that lingers long after the last beat.

Even beyond traditional club formats, S.E.T.I. finds ways to bring his music to life. At small, intimate gatherings—like on a campsite—he brings people together without entry fees or ego, guided by the simple belief that music connects. For him, it’s never about the money, but about the magic that happens when passion meets open ears.

Gear:
2x Technics SL-1200MK5
2x Ortofon Concorde MKII Scratch
Mixer: Allen & Heath Xone 96

Video:
Interview https://youtu.be/yFMEZQWJDb0
DJ Mix https://youtu.be/viGr7mGQcz0

Subscribe to our channel to not miss an episode, and follow us on our social media channels for more behind-the-scenes insights.

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Kontakt: info@matteroffact.de

This DJ set is created purely for non-commercial purposes. All rights to the tracks remain with their respective artists and labels. If you are a rights holder and have concerns about this upload, please contact us directly.

Copyright @ MATTTER OF FACT VINYL GbR 2025.
....WE PRESS YOUR VINYL...

S.E.T.I. - Techno Vinyl Only Mix - VINYL MATTERS 028

First hour of the set at incredible Nation of Godwana Wiese stage. rest live

Newa at Nation of Gondwana 2025

Available now! A new remix for Joel Mull's Sensory album. This track is an excellent example of the sound I strive to go for. Stripped back, hypnotic, moody, and heavy in all the right places.

The Monolith tag is a new series of ideas of tracks and remixes I have started that focuses on more of a stripped down approach rather than high-intensity big room club jams.

Joel Mull - Krauthouse (Dustin Zahn Monolith Remix)

Here's the main remix I did for Psycatron's new Inflyte Recordings label! The release also comes with a "monolith" remix from myself plus another mix from Dave Clarke and Mr. Jones

Joel Mull - Krauthouse (Dustin Zahn Monolith Remix)

Dustin Zahn

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