Mono (inc. DJ Skull & Johanna Knutsson Mixes)

Mono

Beta Sensory Motor Rhythm

Alpha Theta

ARTIST- DVS1
RELEASE - Hush 03
Available - June 4, 2014

Distributed by HARDWAX. available soon at all proper vinyl shops!
Digital available at HUSH bandcamp - (Link above)

BUY DIGITAL DIRECT

DVS1 - Traverse (HUSH 03) SNIPPET

Eduardo de la Calle Quasi calligraphic

Italian-born, Berlin-based DJ and producer Z.I.P.P.O delivers a deeply introspective release on Mistress Recordings. Blending raw electro rhythms, nostalgic soundscapes, and futuristic Detroit influences, "Mistress 17" is rooted in evocative emotion with the right dancefloor energy and cutting-edge production – the perfect return for DVS1’s sub-label.

Artist: Z.I.P.P.O 
Release: Mistress 17
Label: Mistress Recordings
Catalog Number: HU-MR17-SH
Release Date: 12th March, 2025

A1. We Need One Another (Original)
A2. Last Hope
B1. We Need One Another (Instrumental)
B2. We Need One Another (Bassapella)
B3. We Need One Another (Acapella)

MISTRESS 17 will be available at some fine record stores and on Bandcamp: www.dvs1mistress.bandcamp.com

Mistress 17

A2. Z.I.P.P.O - Last Hope

.VRIL’s first EP for Kynant Records explores his trademark style of euphoric dub techno, whilst also diving deeper with spoken-word pieces in collaboration with two critical thinkers in the world of soundsystem culture and experimental music: Edward George and Isis Semaj-Hall AKA Riddim Writer. Acclaimed Dutch techno artist Steve Rachmad also dons his Parallel 9 alias for a remix. 

Written & Produced by .VRIL
Additional Production on B2 by Steve Rachmad
Vocals on A3 by Edward George
Vocals on B3 by Isis Semaj-Hall
Artwork by Irakli Kedia, Layout by Grant Gibson 
Distributed by N.E.W.S

B2 VRIL - Bruch Im Nullpunkt (Parallel 9 Remix by Steve Rachmad)

Eduardo de la Calle & Beste Hira - Arya

Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.

"To make this project, I had to dig really deep in terms of what my relationship was to techno; I've been involved with it for a really long time and there's a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often get asked "what is techno to you?" but I can't answer that with words; this album is the answer."

From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the vast, hard yet minimal techno Child is synonymous with. 

Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects.

Further echoes of dub production appear throughout the record as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil's creation is present, the process and the instruments have changed as Child again switches up his approach to studio work.

This insistence on trying novel techniques doesn't preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year's synthesiser expos.

"For me, it's an interesting experience returning to old techniques again after 30 years. [I'm] always exploring and finding myself back at the beginning. Connecting the present with the past."

This philosophy of 'time travel' is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.

BANDCAMP

Surgeon - Fall

Erik Luebs - Nontemporal Void - Bitta - Bitta015

a1. Granite Monolith
a2. Irradiated Body
b1. Coming Up For Air
b2. Facing The Horizon

pre-order: https://erikluebs.bandcamp.com/album/nontemporal-void
distribution via: clonedistribution.com/

A special Japan connection for the next release on DJ Nobu’s Bitta label. Osaka-based Erik Luebs joins the roster with an EP of iconic, trance-influenced techno melancholia. Having released most of his work through his own DIY channels, Luebs' sounds have reached many dancefloors worldwide. He now teams up with Bitta for something special. On Nontemporal Void, Luebs delivers four tracks that perfectly showcase his diverse sound palette. Each track hits a different box of energy—all while injecting a healthy dose of hypnotism. With a keen eye for detail, the EP moves from slowly built-up tension to eyes-closed techno grooves and synth-heavy euphoria, showcasing the many sides of a magnificent sound designer and creative artist.

01 Erik Luebs - Granite Monolith

7. Fadi Mohem - Submerge

A1. Markus Suckut - Patience
A2. Markus Suckut - Resurrection
B1. Markus Suckut - Myth
B2. Markus Suckut - Moments

A highly respected figure for dancers and artists alike, Markus Suckut offers his signature built-to-last sound to Fuse with ‘Moments’. In this style, confidence is key and Suckut provides soul to club music in a way few have been able to. Simple yet ever so refined, the German artist furthers his sound with the Belgian label with rolling tracks that reach beyond the dancefloor yet again. ‘Moments’ is just that, a collection of instances spent inside the mind or outwards into the world in order to move and connect. 

The A1 remains usually the first impression of every record, so it makes sense that ‘Patience’ would mark the beginning of this eight release for the Brussels’ club. A bubbly yet impactful track, ‘Patience’ rolls through six minutes in no time with eccentric percussion and a viscous low-end. Unafraid to break the codes in order to push his sound forward while respecting the essence of what makes the genre great, Suckut puts years of mastery at work in order to find balance and air between his elements. This impressive low-end rhythm is continued into ‘Resurrection’ - which is more of an exploration of dissonance and texture than its predecessor. With hi-hats whipping around the stereo field through metallic bends and a harmonic kick/bass, the record knows for what context ‘Resurrection’ is reserved for. ‘Myth’ then comes along to lighten the load with a positive groove and an extraverted arrangement, maintaining balance to the overall EP. Complete with a subtly modulating live-played percussion that echoes the character of a vocal and layered over an almost vintage drum sequence, the persistence of ‘Myth’ finds a sweet spot between techno and house, making it a versatile tool in almost any record bag. The soul of the EP, however, belongs to its title track ‘Moments’. Appropriately named, this fourth piece concludes Markus Suckut’s latest statement for the dancefloor. A suspension of time in structure as much as in melody, the producer takes the time to unveil each element of the record while maintaining a burning intriguing throughout. A truly timeless piece reserved for only the most special moments and most deserving crowds, Suckut proves once again that his understanding of emotion through his medium will echo his music across the world for years to come. 

Written and producer by Markus Suckut
Mastered by Ahmet Altinbas
Artwork by Ahmet Altinbas
Layout by Studio Phazed
Words by Noah Hocker

Moments

FUSE08 • Markus Suckut - Moments

Beat and Rhythm addict. 
Label owner of HUSH and Mistress Recordings.