I see you guys love this track a lot. Take a listen to some of my other tracks. Would be nice to know what you'll think.

New #2

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Big KRIT - Mt Olympus

Roscoe Dash - Summer Time Swervin'

COMPLEX PREMIERE: http://www.complex.com/music/2014/07/dj-infamous-f-big-krit-yo-gotti-somethin-right-prod-by-big-krit?utm_campaign=complexmusic+socialflow+07+2014&utm_source=twitter&utm_medium=social

DJ Infamous continues to make big moves as the Atlanta DJ/producer drops his latest single "Somethin Right." The record is something of celebration, with Mississippi's Big K.R.I.T. and Memphis' own Yo Gotti lacing the bass-heavy track with boastful rhymes about putting on for the South. K.R.I.T. is behind the boards on this one, and as usually he comes through with soulful production that takes the listener to church. "Somethin Right" follows Infamous' all-star remix of "Double Cup," which includes contributions from Ace Hood, Jim Jones, Gotti, and more. 

DJ Infamous feat. Big K.R.I.T. & Yo Gotti - Somethin Right (Prod. By Big K.R.I.T.)

07 - Fat Trel - Fresh Feat Rockie Fresh Prod By Sloan Rozart

Lecrae - Broken (feat  Kari Jobe) @ReachRecords

Luke James - Exit Wounds (iTunes Version) (2014)

T.I. - Hot Wheels (Feat. Travis Porter)

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Lil Wayne - Poppin ft. Curren$y (No Ceilings 2) (DigitalDripped.com)

If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions — Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. 

Get Lifted

John Legend - Stay With You

It Don't Have to Change

Intruder Lupe Fiasco FL Studio Remake

27 - Big Krit - Handwriting

@Stannova 

T.I. - Fuck Nigga (Floyd Mayweather Diss)

Curren$y - These Bitches feat French Montana

04 - Let A Nigga Know ft Chinx Drugs  Fatz (Prod by Rico Beats) (DatPiff Exclusive)

Independent Music Composer / Producer / Mix Engineer / Mastering Engineer.

Can be found at www.honeypeadigital.com

Intruder Lupe Fiasco FL Studio Remake

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