Bob Marley Covers Album - Trenchtown Rock

REDEMPTION SONGS

TRENCH TOWN ROCK

Darkside

Blasphemy

And the Snakes starts to sing

The House Of Wolves

god only knows

Acoustic cover of Miley Cyrus's song "Easy Lover" from her newest album "Something Beautiful"

Thank's R I H E F I for this acoustic instrumental. His Youtube Channel is here : https://youtube.com/@rihefi?si=NRzzaqMo8mJqUDcs
Link for this music video : https://youtu.be/3ds2y3J4P5E?si=-_XJ68dfqeqGtePH

Easy Lover (Acoustic Version)

Touhou 12 Stage 5 Theme Power Metal Cover.
Originally from Touhou 12: Undefined Fantastic Object.
Remixed and drums made with help of AI generative tools.
Like and share if you enjoyed it ^^🎵

[Touhou] Rural Makai City Esoteria ~ Power Metal Cover

Enjoy this cover version of Ameno. Extended one to come. 

Ameno 2025 trance Edit

remix/cover version of the lonesome boatman. This is my 3rd version of this tune. Hope you enjoy. 

The Boatman (The lonesome one) 2025

I have been remixing songs for over 20 years simply as a way to learn how to use different software. 
Songs like hate me now have been on an old hard drive for well over 20 years.
My remixes were never supposed to be shared or even heard by anyone.

Polish guy living under a rock. Currently into Touhou Music 🎵
I enjoy messing around with AI and music and sharing my stuff with people.
I play some violin, guitar and sometimes draw lol

The Black Cross is a gothic metal band conjuring soundscapes steeped in darkness, mysticism, and cinematic intensity. Formed as a ritualistic union of heavy riffs, haunting melodies, and baroque aesthetics, the band blends elements of hard rock, doom, punk, and darkwave into a force both brutal and beautiful.

Led by frontman Michael on vocals and guitar, the five-member coven includes the enigmatic Lilith (synth & vocals), the shadowy axe-wielder Cain (rhythm guitar), brooding low-end guardian Malach (bass), and the fierce and relentless Abaddon (drums). Each member represents a different facet of the band’s occult-inspired persona.

Their debut album The Chapel of Shadows introduced a new liturgy of sonic storytelling — songs like Velvet Crucifix, The Seraphim Lie, and Darkness Is My Friend explore themes of sin, salvation, and the sacred in decay. With theatrical visuals, powerful live performances, and an ever-expanding mythology, The Black Cross is more than a band — it's a resurrection in sound.

Listen. Worship. Burn the silence.

Who Am I?

I grew up in Ballymun, Dublin, back in the 80s. Before I ever set foot in a rave, I was a full-on rocker, blasting 80s rock music day and night. Then came the 90s—and everything changed. My first rave was at the Mansion House, and it flipped my world upside down.

I left that night humming two tracks I’d never forget: Rozalla – Everybody’s Free and 2 Unlimited – Get Ready for This. I was hooked. So hooked, in fact, that I walked straight to Abbey Discs on Abbey Street at 4 a.m. and queued until it opened (yeah, I know—bit of a weirdo). You’d swear it was the Christmas sales or I was queuing for one of those free holidays from Budget Travel.

That morning, I bought my first vinyl records—despite not owning a turntable. All I had was a tape deck. For the next year, I kept buying vinyl with no way to play it, until I finally got my hands on a second-hand mixer and turntable setup (nothing fancy—definitely not Technics).

While in college on Cathal Brugha Street, I kept raving—mainly in Sides DC. In 1993, I moved to Jersey and got my shot as a DJ at Raffles Nightclub. The only mixing I was familiar with at the time was flour, butter, and eggs for pastry. I flopped hard on my first night—and many nights after. But I kept at it. I worked six nights a week between the lights and decks, learning every step of the way.

Eventually, I came back to Ireland and settled in Ennis, where things really took off. I landed the big nights at The Queens Hotel nightclub and then Central Park. Life became a grind: 50–60 hours a week in a restaurant and 4–5 nights behind the decks. I stayed with The Queens Hotel nightclub for 20 years until I finally decided it was time to hang up the headphones. The long hours and late nights had taken their toll—I was done.

But the music bug never really left me. Over the years, I collected studio gear, planning to start making my own tracks. I dived into YouTube tutorials and music production books, teaching myself everything I could.

Then came COVID. Like many, I had a rough time. I had a serious talk with myself—what was I doing? If something happened to me, all this studio gear gathering dust would go to waste. So I made a decision: drop some weight, get healthy, and get back into music production.

Now? I'm back. Making tunes, loving the process, and reconnecting with the passion that’s been part of me for decades.

That me.

New tracks tagged #cover