Random collection of released and unreleased tracks

Original DVS NME Tracks

Dark Science Electro

25-track album for $15: dvsnme.bandcamp.com/album/the-electro-manifesto

Exactly one year after his 2020 release entitled Dunklewissenschaft, DVS NME returns with a collection of new tracks that were produced between late 2020 and early 2021. This 25-track album is another obvious thematic tribute, only this time he chose to pay homage to the writing of the socialist revolutionary Karl Marx. Every song title is a nod to the German philosopher's economic and political theory. Even the album cover borrows directly from Marx, re-adapting the original cover of the 1848 pamphlet entitled 'The Communist Manifesto'.

This album, as with the last, relies heavily on the sounds of classic Electro machines like Mono/Poly, MS-20, SH-101, Jupiter-8, Juno-106, SH-2, System 100, Juno 60, JX-3P, TB-303, Polysix, TR-606, OB-8, TR-808, ARP Odyssey, as well as some contemporary additions to his studio like Hydrasynth, System 8, Novation Peak, Minilogue, SE-02, and Microkorg.

DVS NME is the man behind the weekly radio show/daily blog called 'Dark Science Electro' and has been a dedicated contributor to the Electro community for the last 11 years. He shares his love of Electro music by posting Electro-affiliated news, art, mixes, albums, memes, concerts, tracks, gear, and more. This album is available for $15 USD.

Released May 14, 2021

Clips here: https://soundcloud.com/dvsnme/the-electro-manifesto
Buy here: dvsnme.bandcamp.com/album/the-electro-manifesto

Buy Here

DVS NME - Alienation

Dj Mag Review:
UMWELT
Post Human Satamile
The title really says it all. While NY imprint Satamile has a reputation for releasing uncompromising material,, French producer Umwelt applies his focus even deeper into the electro abyss. 'P.O.W', with its ghoulish riffs and industrial influences,, recalls a time when it was dangerous to walk the streets of New York. 'Biological Entity' and 'Zeta Reticuli Incident - a reference to Umek's electro alter ego - are powered by humming low-end intensity, while the hyper-breaks of'Delinkant' suddenly spiral out of control, like an angry crowd on the verge of rioting. This is the sound of new world disorder, frightening and unpredictable but strangely alluring.

UMWELT
biography
Lyon, France !


Behind Umwelt is a french music fanatic and an electronic music promotion activist. 
He is a real radio passionate: he has run radio broadcasts since 1993 and Teknocity since 1999.

As a DJ, going by the name of Freddy'J, he started mixing hardcore in 1993.. Now he is more eclectic. He plays electro, electrobreaks, breakbeat, breakcore... but he still has a weakness for dark sounds . 
He has outstanding mixing abilities; a french journalist saied “he is the Mozart of descks!”. Actually, he has not only a perfect technique but also a huge feeling by   leading people on a physical and mental travels.

As an artist, Umwelt he has been composing electronic music since 1996 and released his first tracks in 1997. He began producing techno and electro on his own labels Shelter and Fundata Records that have met a great success. Now his sounds are more electro, dark and broken. From the beginning, he has exclusively worke with hardware: this man loves machines ...he doesn't find computers and softwares very attractive and very sexy...


- “Post Humain” - SAT28  – Summer 2005
- “La Nouvelle Chair” - K6 XIV – 2005
 - “Telek” -  on Beatzclash vol1 compilation LP + CD  LHLP03/LHCD03 – 2002

- "Mountain Wilderness" - SH 05 (100 ltd) – 2000
- "Revisited EP" - SH 04 – 2000

 - "Landscape EP" - SH 03 – 1999
 - "Swelt EP" - FDT 04 - 1999
 - "...City EP" - SH 02 - 1999
- "Tchoukar EP" - SH 01 – 1999

 – "KinderspielL" (aka Junkman)  - FDT 03  - 1998
 - "Un:Real Convenience"  cd album - FDT01CD  - 1998
 – "STYX" - TK 01  - 1998
 - "Gas 41" - FDT 02  - 1998
- “Action” -Trax CD Sampler 008  - 1998

 - "Zeltron EP" - FDT 01 - 1997
 - “Traboul” (exclu) - license on Futuria 97 compilation - 1997


Bandcamp

The Zeta Reticuli Incident by Umwelt

A track written on 7/27/2025. MPC triggers TR8S, MicroFreak, SE02, JU06, OB6, Hydrasynth, Peak, Minilogue, and Rev2. Microcosm being weird in the background too.

Unreleased

DVS NME - Tilting At Windmills

Spent a few hours in the studio this evening a churned out this slow track. I'm calling it 'Zephyr Skyline' (after High On Life) and it features the MPC triggering TR8S, MicroFreak, OB6, JU06, Minilogue, Hydrasynth, Peak, and Rev2. That downtempo melancholy got me. Hope everyone enjoyed their weekend. Cheers.

Unreleased DVS NME

DVS NME - Zephyr Skyline

A track that was originally produced 8 years ago but never got released. I always thought the original was too long for what it was so I covered it and made it an appropriate length.

DVS NME - Ansible

A track written by me 20 years ago and then revisited in September of 2025.

DVS NME - The Epic

A track written on September 8th. Proper Electro. 

DVS NME - Taking Price

NTT DoCoMo

Illuminated Displays

Reference Frame

Event Horizon

Return Of Atlantian EP

Humans Act Like Robots

Hi, here is the first full stream of EMS's "Rythmus Machine" , and tons of info about this overlooked producer. Also we have his limited Edition T-shirts for sell, 8$  on bandcamp. Buy one T'shirt and get the full Wav. file of the LP in return. Pretty good deal and great way to support the Artist and the Wunderground!!

http://satamile.bandcamp.com/




EMS is one of our most diverse and talented artists on the label. I found him living above Strange? Records in 1995 making his own modular synths, vocoders and drum machines for his electro productions. Stephen Machnowski currently has 3 eps on Satamile Records and a full length 2x12. He falls into the category of genius electro producer with records that have charted amongst the worlds top DJ’s and radio stations both nationally and internationally. It’s rare to find someone such as him who can build the exact modules from transistor up, write, engineer , perform live and dj!! 

XLR8R (USA) May 2004
"...six exceptional cuts in which minimal groove, analogical modulations, subtle vocoders, gloomy melodies and heading hypnotic bass lines combine perfectly, EMS introduces his definition of a both deep and funky syncopated music. The final result is just simply amazing!!

Dave Clarkes Techno Tip Sheet 
TOP FIVE ELECTRO 
1) Non Stop DJ's "Furious Ep" 
2) Blotnik Brothers "Elapse Current Loop" (Satamile) 
3) Manasyt "Sore" (Touchin' Bass) 
4) Ems " Synchronaut" (Satamile) 
5) RA-X "The Overthrow Ep" (RMR) 

EMS - SYNCHRONAUT - SATAMILE - 2xLP (SAT017) 

"EMS - Synchronaut" and "Blotnik Brothers - Elapse Current Loop" are two of Dave Clarke's 
TOP 5 electro picks 
--May 7, 2004 www.daveclarke.com (UK) 

"...more ears are primed for real electro than ever...ems brings unrelenting beats and time tested robotic vocoders to the dancefloor" 
--Review XLR8R (USA) May 2004 

"...six exceptional cuts in which minimal groove, analogical modulations, subtle vocoders, gloomy melodies and heading hypnotic bass lines combine perfectly, EMS introduces his definition of a both deep and funky syncopated music. The final result is just simply amazing!!" 
--Review by Atome.com (France) May 17, 2004 

"‘Crack In The Sun’ is a brilliant opener, almost hittting Detroit territory due to its warm analogue synths that play a lush sequence and modulate throughout the track, while underneath a stripped and jacking electro beat rolls with the sub bass, class groove. Also head for ‘Ginetik’ which has one of the warmest swooping basslines that hugs the beat with classic arpeggiator-esque synths that deliver a killer electro atmosphere. My fave has to be ‘Ellipticophasic’ which has an amazing and hard beat backed by acidic synths to drop what is probably the hardest cut on the album, it stands out so much due to the punchy drums that will rock a dancefloor solidly, ace New York electro shizzle." 
--Review by Boomkat.com (UK) May 2004 

"A full six track double pack that's bursting at the seams with cracking dancefloor electro grooves. After two great singles they cememt their place as key players for this top new york label. Hefty grooves, deep basslines and a more than liberal sprinkling of wicked sounds. Recommended." 
--Review by Smallfish.co.uk (UK) May 2004 

* The very first Satamile signature strikes back in full length version! After releasing three magnificent EP's, ''Exoplanet. Voice. Transistors'' ''Robotronic Rhythm''and ' 'Colonized'' on Andrew A. Price NYC based structure, rare and precious talent Stephen Machnowski signs here a dancefloor and mental electro deluxe album in its own and inimitable trademark. In six exceptional cuts in which minimal groove, analogical modulations, subtle vocoders, gloomy melodies and heading hypnotic bass lines combine perfectly, E.M.S introduces his definition of a both deep and funky syncopated music. The final result is just simply amazing! Grade A to sumptuous ''Crack In The Sun'', ''Ginetik'' and ''Ellipticophasic'', three tracks that confer ''Synchronaut'' opus its essential status. 
--Review by Dropshop.com (USA) June 2004 

Radio Plays: 
Kiss 100 Dave Mothersole 5/11/04 
Kiss 100 Tayo 
Kiss 100 Rev Milo 5/16/04 
Spin 103 Barry O'donoghue 5/20/04 + 5/27/04 
Passion FM Dan Bean 5/15/04 

Selected DJ Comments 
Keith Tenniswood - "The EMS ting I got is ace!!!" 
Tomaz (switch) - "I really love this! Ginetik and Getghetto are the best tracks. Chart and 
Airplay (Charted #10)" 
Percy X - "Love one of the trax on this LP, still playing loads of em" 
Mark Broom - "Yeah into it. Satamile can't put a foot wrong for me...going from strength to 
strength. Big up the NY Possee" 
The Hacker – “Good album, pure electro. I like it!” 
DJ Hyper – “Love it” 
Ade Fenton (Advanced/Atomic Jam) – “Best tracks are ‘Illusion Mode’ & ‘Ginetik’. I prefer 
the harder tracks on the album” 
Xander (Romp) – “This is the business. 9/10” (Charted #7) 
Barry O’Donoghue (Hotpress/Spin 103) – “Absolutely fantastic. Two tracks on this week’s 
show. Word.” 

Grooves Magazine 
Following up on the original vinyl released earlier in 2004, the CD version of Synchronaut adds five new tracks. With a distinctively deep, dark analog sound that harkens back to a mix of early acid, Detroit techno, and classic Elektroids, the record is packed with the classic 4/4, relentless 16ths of percussion , and robotic vocals of the 80's b-boy sound. Brisk and biting, tracks like "Close Encounters" and "Get Ghetto" establish an oppressive futurist vision early. But "Plt_lounge_eur" is a lovely, almost nostalgic electro piece that lubricates the ear canals, being plush and synthetic at the same time, and "Rhthmus Machine" slows down to an introspective crawl, its sensuous knob-twiddling making the piece grow and rise like a post-massive dawn. EMS has put together these extra pieces with as much care and attention as his homemade instruments. Highly recommended. 
Written by Alex Reynolds
credits

released 26 April 2004 
Stephen Machnowski, Frankford+Wayne Mastering, Gabe @ B'constructive design, Roland 909, 808, Juno 106, Satamile
tags



http://www.electromusic.com/studio/
Technical History
The electromusic specialist began designing and assembling his studio in New York in 1994. The initial purpose was to have a live setup that he could use to construct songs directly on the dance floor with few pre-written sequences.
Many of his synthesizers and drum machines were self-engineered from recycled, discarded electronics; converted into chaotic but solid techno music machines. From the transistor up they were engineered for raw bass power and allowed stray noises and malfunctions to become part of the recording or show.
The main foundation pieces of equipment at the time were his "CMS-01" modular synth, "Modularhythm System-3" drum machine, and "Sputnik Voice Processor SVP-02" vocoder. After his first couple records, EMS started to incorporate some commercial synthesizers into his studio to fill out tracks for the third record with plenty of live-performed layers without having to multitrack, but instead doing a 1 shot composite recording. Some of his most-used additional instruments were the Oberheim SEM, Sequential Circuits Pro-1 and Roland SH-101, which contained several modifications and enhancements.
CMS-01 Modular Synthesizer
The CMS-01 contains the following modules: VCO(2), VCF(2), VCA(3), AR Envelope, ADSR Envelope, Sample&Hold, Ring Modulator, Patch Bay, Trigger Extractor, AC/DC Mixer, LFO/HFO, VC Glide, Comparator, Envelope Follower, VC Slew Limiter
VCO 1
Based on an old design which is mostly discrete, this VCO is quite temperature sensitive. This one was fun trying to keep in tune every time someone opened the door or cranked up the fog machine. Cold makes the pitch go flat on this unit. Other than that, it has a very warm sound and has a massive frequency range.
Listen to: Rhythmus Machine
VCO 2
Standard 1970s "3340" oscillator design with sub bass.
Listen to: EMS acid/switch mix
VCF1
Diode ladder filter.
Sample & Hold
Labeled S&H, this little component helped a lot at shows. To fill the silence between live or DJ sets this one was patched in to VCO2 with a slow clock for sample rate and the voltage was output to a self-oscillating VCF1. Lots of blips and bleeps that could be tweaked to sound like computers from early scifi movies. Some notes could shake the floor with bass where the next could hang on almost inaudible high frequencies.
Listen to: Sample and hold example
LFO
Well, this might as well have been called HFO since it was mostly used as a high-frequency modulation source often applied to a VCF. The sound from that kind of patch is described as "talkie" because at certain settings you can almost hear vowel sounds. The component is on the bottom left, look for the small blue LED.
Listen to: Gemini

Bandcamp!! Buy It!

"Spyware" by EMS for Satamile Rec.

DVS NME is an Electro music producer/deejay and Post Punk enthusiast living in Colorado. He runs a weekly mix series called @DarkScienceElectro (est 2010) and is actively producing under the name @DVSNME (est 2000)

His musical influences include, but are not limited to: Abstract Thought, Adult., The Advent, Aether Pilot, Afrika Bambaataa, Aphex Twin, Aloka, Andrea Parker, Animistic Beliefs, Annie Hall, Anthony Rother, Armec, Arpanet, AS1, Ashtar Lavanda, Audiogenetics, Autechre, Automat, AUX88, Bass Junkie, Binary Digit, Blackploid, Blatromen, Blotnik Brothers, Boards Of Canda, Boris Divider, Carl Finlow, CEM3340, Cignol, Client_03, Commuter, Composite Profuse, Comtron, The Consumer, CPU, Cyan85, Cybotron, Cygnus, Cylob, CYRK, Dark Vektor, Das Muster, Datawave, Datassette, Deemphasis, Delayscape, Der Zyklus, Detroit's Filthiest, Dez Williams, DJ Stingray, Dave Clarke, Helena Hauff, Dibu-Z, Digitizer, Ditone, DJ Di'jital, DJ Godfather, DJ Overdose, Djedjotronic, DMX Krew, Dopplereffekt, Drexciya, E.R.P., Dynarec, Ectomorph, Egyptian Lover, Ekman, Elecktroids, Electronome, The Exaltics, Heinrich Mueller, Exzakt, Fabrice Lig, Faceless Mind, FAH, Fleck ESC, Fotoapparat, FPU, Franck Kartell, Francois Dillinger, Galaxian, Gedanenexperiment, Gesloten Cirkel, Glass Domain, Go Nuclear, Gosub, The Hacker, Hadamard, Hardfloor, Headnoaks, Heinrich Dressel, Heurisitc Audio, The Hidden Persuader, I-F, Illektrolab, Imatran Voima, Inkamera, Isolated Material, Ivna Ji, IXRQ, Japanese Telecom, Jauzas The Shining, Jeremiah R., John Carpenter, John Selway, Kalson, Kan3da, Keith Tucker, Kobol Electronics, Komarken Electronics, Kon001, Konerytmi, Koova, Kraftwerk, Kronos Device, Krypton 81, Lake Haze, Lectromagnetique, Legowelt, Lithium Flux, London Modular Alliance, Low Tape, Lowfish, Luke Eargoggle, Luxus Varta, Luke Vibert, Luz1e, Machino, Maelstrom, Manasyt, Mandroid, MAS 2008, Maschine Brennt, Melogik, Mesak, MetaComplex, Microlith, Microthol, Miss Kittin, MNLTH, Model 500, Mono Junk, Morphology, Mr. Velcro Fastener, MSRG, Mumm, MystesSystem, N-Ter, Nebenprodukt, Newcleus, Nite Fleit, Noamm, Noise&Noise, Nomenklatur, NRSB-11. Nullptr, Oberman, Ole Micc Odd, Orgue Electronique, Pametex,  Paul Blackford, Pip Williams, Planet Pluto, Plant43, Polytron, Privacy, Q-Chip, R325, RA-X, Radioactive Man, Rebustape, Reedale Rise, Relaxant, Reptant, Retax Gorgon, Richard Easel, Robodrum, Rutherford, S>>D, Sansibar, Sbassship, SC-164, Scape One, Siak, Silicon Scally, Simulant, Skinny Puppy, Solar Chrome, Solvent, Solid Blake, Sonar Base, Sound Synthesis, Stingray313, Sync 24, Synth Alien, Syrte, T/Error, TecRoc, Terens K., Teslasonic, Thomas Kress, Textasy, Ticco Ross, Transparent Sound, UHU, Ultradyne, Umwelt, Underground Resistance, Unit Black Flight, Univac, VC-118A, VCS2600, Velocs, Versalife, Vertical67, Vessel In Distress, VLR, Voice Stealer, Volfram, Volsoc, Wee DJs, Weltwirtschaft, Will Web, Wumpscut, Xerodefx, XY0815, Zerkalo, Zeta Reticula, Zobol, Zwischenwelt, 96 Back, 240 Interceptor, and many more.