VIPER (Ultra Slowed)

Whiplash

For SE 006, @michael-claus offers up a diverse set of music that ranges in tempo and genre and is packed full of atmospheric bliss.  Using a variety of acoustic instruments, field recordings and synthesizers, Claus creates a cohesive sound through out the entire release and we couldn't be more excited to share it with you.

Out January 28th 2019

Cover by @Michael-claus

https://silvaelectronics.bandcamp.com/album/arrival-lp

SE006 // Michael Claus - 'Arrival' lp PREVIEWS

Vinyl only.

blindallies.bandcamp.com/

Cosmic trips by the label newcomers and the artists you may already recognise.

Artwork:
Image courtesy of Studio Prokopiou
Model: Luke Harris
www.studioprokopiou.com

Various - Pacification (BAREC-009, Vinyl Only)

Pursuit of Loneliness

Painting sound 2

LA Truck Drivers - MiniMegaMix

[BTRY'063] JENNISEK - "POINT OF NO RETURN" [2019]


Elias Pavlidis aka. Jennisek is a Greek/Palestinian producer who works preferably with modular synthesizers to produce his music.

Mainly inspired by Cyberpunk, futurism and hard Sci-Fi, he incorporates such elements into his music and gives the listener a vicarious experience of a futuristic dystopia trough it.

The Athens based producer is a computer engineer/programmer by profession and this has been combined together with his passion for electronic music. Because of this he had done 2 performances at major festivals, CTM (Berlin) and Unsound (Krakow), as part of music and technology oriented workshops.

Now he has teamed up with "Battery Park Studio" to drop his first release ever in the underground Electro scene. You will dive into a 6 track journey full of modular synthesis and futuristic electro beats.

WEB:
www.batteryparkstudio.de

ARTWORK: 
[KIRILL JUNOLAINEN]

MASTERING: 
[BATTERY'PARK'STUDIO]

POINT OF NO RETURN

[BTRY'063] JENNISEK - "POINT OF NO RETURN" (PREVIEW) [2019]

Soma Records reveal it’s the force behind new Electro label Avoidant & announce next release from Kronos Device.

Soma continues to push the boundaries as they announce a new electro sub-label Avoidant – designed to push dynamic and diverse sonics from across the globe. Already with 6 releases under its belt from duo CYRK, Scottish new blood PinballSpider and Autonomous, future stars Syrte & Confluence their roster is steadily growing with fresh talent.

For the label’s next release and its first on vinyl, Kronos Device return in fine form for their first EP in four years ‘The Infinite Ones’ with a bass-heavy, BPM busting electronic gem; synonymous with their sound. Simon Brown (aka Dexorcist) and Phil Klein (aka Bass Junkie) joined forces in 2001 after pre-establishing themselves as major names in the underground scene.

Resources:
www.soundcloud.com/avoidantrecords
www.facebook.com/avoidantrecords
https://avoidantrecords.bandcamp.com

PREMIERE: Kronos Device - Hyperqub3 (Avoidant)

The date was the 30th of February 3030 and the sun was setting on Geneva. The air was thick, filled with ash from an impact that has radically modified the scenery. At the surface of the Rhône, jellyfish were adjusting their perceptronic implants in order to map out this sudden modification of their environment that had become the largest crater in the history of the Jonction area. The trail of debris ran from the junction of the Rhône and Arve rivers right up to the legendary derelict factory called formerly called l’Usine, which used to be a centre for alternative arts, culture and live music.
Terrified by the deafening crash of the astral body into the millennia-old building, humanoids and robots alike flocked to the smoking hole that seemed to lead straight to purgatory. Among the curious crowd, Burd Bibendaze, Salt Lake City’s infamous astral body impactology in fresh water environments specialist. Burd had been in town for a thousand years by now, still studying the hybrids created by the impact of the last asteroid to hit Geneva’s lake region in the early 21st century.
As Burd was still trying to fathom his luck at witnessing a second impact in such a short space of time, he saw something move in the gaping hole beneath him. A relatively small, half slug-like, half humanoid being was floating it’s way up out of the hole. The creature had a mask in the shape the like of which Burd had only seen in history books, as if there really was a life-form that fit the 21st century human’s idea of what an extra-terrestrial.
As the automated security forces rushed to the unkown creature, it waved them aside with a deft movement, stopping them mid-air with a power beyond Burd or any of the onlooker’s comprehension. The creature stopped and looked straight through Burd’s eyes and into his soul. “Hello Burd”, came a voice in his head, “My name’s Brian”. And with a little wave, it vanished in thin air before the second batch of automated security forces flew into sight. 5 track digital record. out April 15th, buy here: https://brainwavescrew.bandcamp.com/

Artwork by Thomas Perrodin 

https://soundcloud.com/weith
https://soundcloud.com/brainwaves_crew

PREMIERE #884 | Weith - Frequency Submission [Brainwaves] 2020

Master by Lloyd Stelllar
Artwork by Lloyd Stellar

Scheming (Lloyd Stellar Remix)

G.ear (Breakfast Musik / Paris, FR)

@universe-of-gear

''It's my third musical project since I started MAO in 2017, I founded a techno label the same year, actually I was really into techno until may 2020 when I discovered ghetto and electro vibes. I always loved jungle, breaks, acid and synths with really weird textures so I think I just found what suits me perfectly.
Concerning my approach it's really natural to me, creating was always a way of expressing deep feelings I kinda feel more confortable behind my synths than in a conversation where I have to unveil myself. I started doing music when I was 9 and went through a lot of different styles, hippie, stoner, rock, punk, metal at first, then house, techno, experimental, breakbeat, jungle. My inspirations are coming from absolutely everywhere without any limit you would be surprised. Lately one of my best source of inspiration are OSTs from movies, anime and videogames''

#breaks #jungle #electro #ghettotech

ANGELSCAST 25 - G.EAR

DVS NME is an Electro music producer/deejay and Post Punk enthusiast living in Colorado. He runs a weekly mix series called @DarkScienceElectro (est 2010) and is actively producing under the name @DVSNME (est 2000)

His musical influences include, but are not limited to: Abstract Thought, Adult., The Advent, Aether Pilot, Afrika Bambaataa, Aphex Twin, Aloka, Andrea Parker, Animistic Beliefs, Annie Hall, Anthony Rother, Armec, Arpanet, AS1, Ashtar Lavanda, Audiogenetics, Autechre, Automat, AUX88, Bass Junkie, Binary Digit, Blackploid, Blatromen, Blotnik Brothers, Boards Of Canda, Boris Divider, Carl Finlow, CEM3340, Cignol, Client_03, Commuter, Composite Profuse, Comtron, The Consumer, CPU, Cyan85, Cybotron, Cygnus, Cylob, CYRK, Dark Vektor, Das Muster, Datawave, Datassette, Deemphasis, Delayscape, Der Zyklus, Detroit's Filthiest, Dez Williams, DJ Stingray, Dave Clarke, Helena Hauff, Dibu-Z, Digitizer, Ditone, DJ Di'jital, DJ Godfather, DJ Overdose, Djedjotronic, DMX Krew, Dopplereffekt, Drexciya, E.R.P., Dynarec, Ectomorph, Egyptian Lover, Ekman, Elecktroids, Electronome, The Exaltics, Heinrich Mueller, Exzakt, Fabrice Lig, Faceless Mind, FAH, Fleck ESC, Fotoapparat, FPU, Franck Kartell, Francois Dillinger, Galaxian, Gedanenexperiment, Gesloten Cirkel, Glass Domain, Go Nuclear, Gosub, The Hacker, Hadamard, Hardfloor, Headnoaks, Heinrich Dressel, Heurisitc Audio, The Hidden Persuader, I-F, Illektrolab, Imatran Voima, Inkamera, Isolated Material, Ivna Ji, IXRQ, Japanese Telecom, Jauzas The Shining, Jeremiah R., John Carpenter, John Selway, Kalson, Kan3da, Keith Tucker, Kobol Electronics, Komarken Electronics, Kon001, Konerytmi, Koova, Kraftwerk, Kronos Device, Krypton 81, Lake Haze, Lectromagnetique, Legowelt, Lithium Flux, London Modular Alliance, Low Tape, Lowfish, Luke Eargoggle, Luxus Varta, Luke Vibert, Luz1e, Machino, Maelstrom, Manasyt, Mandroid, MAS 2008, Maschine Brennt, Melogik, Mesak, MetaComplex, Microlith, Microthol, Miss Kittin, MNLTH, Model 500, Mono Junk, Morphology, Mr. Velcro Fastener, MSRG, Mumm, MystesSystem, N-Ter, Nebenprodukt, Newcleus, Nite Fleit, Noamm, Noise&Noise, Nomenklatur, NRSB-11. Nullptr, Oberman, Ole Micc Odd, Orgue Electronique, Pametex,  Paul Blackford, Pip Williams, Planet Pluto, Plant43, Polytron, Privacy, Q-Chip, R325, RA-X, Radioactive Man, Rebustape, Reedale Rise, Relaxant, Reptant, Retax Gorgon, Richard Easel, Robodrum, Rutherford, S>>D, Sansibar, Sbassship, SC-164, Scape One, Siak, Silicon Scally, Simulant, Skinny Puppy, Solar Chrome, Solvent, Solid Blake, Sonar Base, Sound Synthesis, Stingray313, Sync 24, Synth Alien, Syrte, T/Error, TecRoc, Terens K., Teslasonic, Thomas Kress, Textasy, Ticco Ross, Transparent Sound, UHU, Ultradyne, Umwelt, Underground Resistance, Unit Black Flight, Univac, VC-118A, VCS2600, Velocs, Versalife, Vertical67, Vessel In Distress, VLR, Voice Stealer, Volfram, Volsoc, Wee DJs, Weltwirtschaft, Will Web, Wumpscut, Xerodefx, XY0815, Zerkalo, Zeta Reticula, Zobol, Zwischenwelt, 96 Back, 240 Interceptor, and many more.