light ☁️

Rinse FM Podcast

Download

Fred again... - 08 May 2021

Starting off a new mix series here on Dub Techno Blog.  Prolifik Wave has been churning out quality selections over the last few years.  Just take a look at his soundcloud (https://soundcloud.com/miami_mania) to see the sheer amount of stuff he puts out!

Tracklist

1. Textural Being - Fractal Beach (Cold Tear Records)
2. Ryan Davis  - When Rain Drops Soft 
3. BLADE RUNNER - I've seen things 
4. BRICKMAN - Sublime (Cold Tear Records)
5. Textural Being - Experience (Fundii Recordings)
6. Gary Beck - Distant (Drumcode Sweden)
7. Nicole Moudaber - Watcha Playin  
8. Deepchord - Aquatic  
9. My Favorite Robot - The Waiting Rain (Mind Against Remix) 
10. Dactilar Regular - The Elements 
11. Brickman - Lux (Monography)
12. 36 - Silhouette 
13. 36 - Shadow Play 
14. Giriu Dvasios - Siela  
15. Harvey McKay - Supercell (Drumcode Sweden)
16. Sonitus Eco, Emanuele Pertoldi - Coffee & Dub (Evasion Room Records)
17. Substak - Confusion (Sonitus Eco Remix)

Dub Techno Blog Guest Mix 001 - Prolifik Wave

TRACKLIST:

Maria Moles - River Bend
Ben Bondy - Kanga
Warmth - Wounds
Biosphere - Night Shift
Inhmost - East Sea 동해
Muslimgauze - ???
Polygonia - Gesang der Eichen
Sabla - Ground Loop
Scanner - Memory Remix
The Detroit Escalator Company - ∆
Alpak' - Idéa
Forest Drive West - Anchor
Deadbeat & Om Unit - Leaf
Muslimgauze - Jerico Loop-Bin Duplicator
Polygonia - König des Waldes
Absis - Sara
Sabla - Forestpath
Vørticė - Garden Snail (Adhémar Cold Moon Interpretation)
Warmth - Home
The Jaffa Kid - Astia

Introspective Electronics w/ Avsluta x Netil Radio | March 22

Neon Cleptu 18 

Intoxicating dimensions. For this episode I like to welcome Xenia Reaper.
@user-951049725-782254964

Xenia Reaper released a brilliant and highly recommended EP on their own label XENOPLEX, and contributed to a Various Compilation on INDEX:Records and will be on the new Various Compilation of Emotional Waves. 

They tries to earmark his own interpretation of breaky and deep glitchy feelings. This show contains that wide spectrum of smudged-out and head channeling electronics that keep coming back in his own productions.

I'm very pleased that they participated and will be the one to guide us through his musical fascinations

Broadcasted 21.07.2022
www.lyl.live

Neon Cleptu 18 → Xenia Reaper

Revelation of Sound is pleased to present ABSIS aka Salva Coromina. He's a regular DJ on the Barcelona scene since the late 90s under the alias of mouseDown/MouseUp, he was a resident DJ at The Loft and a regular at Sonar for many years, he has always been exploring the deeper face of electronic music moving from ambient to techno. He currently releases his productions on labels like Hivern Discs, Oslated...

Release date: November 9, 2022.

Follow ABSIS:

SC: https://soundcloud.com/absismusic
Instagram: https://www.instagram.com/absis_music/
FB: https://www.facebook.com/ABSIS-121055595960929

Videos:

https://www.youtube.com/watch?v=BLQ2keInNGA&list=PLVFtanEGTSlunDPoRix-kAvfWA1gL3ej5&index=5

Revelation Session # 216/ ABSIS (ES)

Watch: https://youtu.be/tXjVoH_nYeg

Live session played with fujara, quena, ngoni, sansula, koshi, sarangi, shakers and percussions blended with nature and electronic sounds as recorded during the last soundbath of 2022.

Soundbath - Live Session

This dj set will be with me as my sweetest memories ever <3 Such an amazing crowd through a journey with different music styles that I confess created some anxiety because of the challenge of crossovering all the electronic sub-genres on that gig. 
In the end the reaction was so good that I'm still processing the incredible vibes and energy you guys manifested at the stage.


I will release the full 4h dj set soon. Stay tunned

Radical Love Mix - Live at Boom Festival 2023

Barac Live @ Revolt - 09.05.2014

Kettenkarussell - Fusion (live)

Campfire Stories 37 (Colours Of Time) by Astral Industries by Ario

~ About The Story ~

If you take myth and folklore, and these things that speak in symbols, they can be interpreted in so many ways that although the actual image is clear enough, the interpretation is infinitely blurred, a sort of enormous rainbow of every possible colour you could imagine.

~ Notes ~

Campfire Stories is a mix series by friends of Silent Season. The focus of the series is on storytelling through deeper electronic music. Artists weave together narratives using the emotional characteristics of ambient and techno music.

Thanks to all the artists and labels whose sounds help tell the story.

Thank you for listening.

- - -

www.silentseason.com
info@silentseason.com

Astral Industries

Campfire Stories 37 (Colours Of Time) by Astral Industries

* INTERVIEW: https://boltingbits.com/mixed-by-no-moon/

We are extremely excited to have No Moon on our Mixed by series. He has released on the likes of Church, Craigie Knowes, X-Kalay and Blorp and continues to provide dreamy Electro, Techno and Breakbeat tracks for the dance-floor and beyond.During a worldwide pandemic we found the time to talk through a recent move to Berlin, the influential city of Manchester and we even managed to get some insight into his music production methods.

MIXED BY/ No Moon

Leafar Legov live [21:12:20] - 17.06.20

Originally scheduled to play Paloma August 29th

Full support this way:
https://soundcloud.com/estimulo
https://palomarec.bandcamp.com/

Paloma Quarantine Podcast 035 - Estimulo

45 minutes of music from me and a few close friends.
Big shouts to Millú and RRR for having me on to spin a few yarns about the latest release. 

Speaking Through Machines: https://sambrickel.bandcamp.com/releases

Full interview: https://www.rrr.org.au/on-demand/segments/sam-brickel-on-full-circle

Tracklist

1. Dashiell - Under the Ice
2. Sam Brickel & Dashiell - Hey Avalon
3. Sam Brickel - In the Air
4. Ménage - With A Green Heart
5. Eugene Pascal - Neutral D
6. Sam Brickel - Prescient Dream
7. Sam & Jack Brickel  - Tone Control
8. Sam, Dash and Iota - Oreos
9. Sam Brickel & Louis Marlo - Apparitions (Lou's Dub)
10. Iota - Noxi
11. Consulate - Speaking Through Machines Remix

Full Circle w Sam Brickel

Recording from ~~ Virtually Nowadays ~~ NYC Live Stream 15.05.20. 

Love to DJ Voices for havin' me ^___^
Set was part of the Nowadays patreon.com/nowadaysnyc to help raise money while the venue's been closed during covid-19 crisis. plz subscribe. 


Tracklist ~~

1. Perko - What Otters 
perko.bandcamp.com/album/nv-auto
2. Sub Basics - Inertia 
cncptcollective.bandcamp.com/album/cncptv002-sub-basics
2. Roy Mills - Stabbed In The Lab 
roymills.bandcamp.com/track/stabbed-in-the-lab
3.Consulate - Bore Tracer (unreleased) 
past release - bitterfeld.bandcamp.com/album/bitterfeld-05-consulate)
5. Plasticman - Rickshaw
6. DBR - Hyper Focus (upcoming on Steeplejack 
steeplejackrecc.bandcamp.com/
7. Kellen303 - Destroyed My Memory 
specrecords.bandcamp.com/album/kellen303-risky-spe-c-015-08
8. Konduku - Mun 
nousklaer.bandcamp.com/album/emerald-island
9. Rings Around Saturn - Grip 
rings-around-saturn.bandcamp.com/album/ps003
10. Realitycheck - Xternal 
renascence9293.bandcamp.com/album/altered-tech-rnsc010
11. Greenman - Circle Fall
12. WEN - Lo-Fidelity 
13. Pugilist - Untitled 
nousklaer.bandcamp.com/album/horizon
14. Megalon - Mission
15. OK EG - Filament (Tackle Remix) 
okegmusic.bandcamp.com/album/anther
16. I Believe - Red Planet
isla.bandcamp.com/album/i-believe-outside-time-ep
17. Ubik - We Jack The House
18. Orichalcum & The Deviant - Dawn of Epsilon
19. Ronan - Crystal Viewer 
planeteuphorique.bandcamp.com/album/dream-portal-2
20. Perko - ???
21. Instra:mental - When I Dip nonplusrecords.bandcamp.com/album/nonplus-013-thomp-when-i-dip
22. Rene Wise - Loud Colours 
mote-evolver-label.bandcamp.com/album/loud-colours-e-p
23. Ramin Naghachian - Dawn Of Emptiness
24. Fio Fa - In Effect 
radiantlove.bandcamp.com/album/radiant-love-iwd-comp
25. Quazar - Flightrecorder
26. NA - B Storm
27. D. Tiffany -  Low LKR Records 
lkrrecords.bandcamp.com/album/cruel-trance
28. Al Wootton - Untitled 
alwootton.bandcamp.com/album/selah
29. Client_03 - Self Doubt Injector 
client03.bandcamp.com/album/thought-disposal
30. Horsepower Productions - To The Beat Y’All
31. Bolam - Break Yo’ Self 
meld-scotland.bandcamp.com/album/bolam-break-yo-self-meld002
32. Ebbz'N'Flo - Skeptikz (upcoming Animalia)
past Animalia - animalialabel.bandcamp.com/album/animalia-one)

happy bandcamp friday! stay safe

Virtually Nowadays

It's no secret that Japan has produced some of the finest meditative sounds, from the environmental music of Hiroshi Yoshimura to the warm synths of Haruomi Hosono. 

Ken Hidaka, Max Essa and Dr. Rob are three friends and deep digging collectors who've been immersed in these sounds for years, through writing, DJing or throwing their long-running monthly listening party at Bar Bonobo in Harajuku. 

Together they have charted the history of Japanese chillout and downtempo music from 1988 to 2018 on a compilation for Music for Dreams 'Collectors' series, titled Oto No Wa. Each track is the result of friendships and physical connections, mapping out the development of chilled sounds, from ambient to electro-acoustics, post-house and balearic.

Alongside a mix from Dr Rob, we asked him, Ken and Max to discuss some of their favourites of the genre: https://www.stampthewax.com/2020/07/12/a-brief-history-of-japanese-chillout-&-downtempo/

Image: Haruomi Hosono - Paraiso LP

Interview + Tracklist

A Brief History of Japanese Chillout & Downtempo - Mixed by Dr Rob

iota - downstream from pluto

"This mix is a compilation of unreleased music from some great friends and artists we have been lucky enough to meet and work with over the years. We have all witnessed our local scene continue to create and deliver amazing releases in the face of adversity, and this mix is a testament to the resilience of this community that still has plenty more up its sleeve. A big thank you to all the artists that contributed"

Art by Sacha Lovell
https://www.instagram.com/soft___s/

Tracklist:
Other Joe - New Years Kiss (unreleased)
Sean La'Broy - Spinach 3 (unreleased)
Ben Green - Yo I Left My Keys At Ur Houx? (unreleased)
LOIF - Shimmer (unreleased)
Citizen Maze - Strange Array (unreleased)
Nico Niquo - Tar Sands (unreleased)
iota - Dreams (unreleased)
Tangerine - Drifting Vessel (unreleased)
Fia Fiell - Untitled (unreleased)
OK EG - Intertidal Zone (unreleased)
Alex Albrecht pres. Melquíades - Further Afield (unreleased)
Jack Burton - Moss (unreleased)
Thomas Gray - Dura (unreleased)
The Soulscaper - City Whistle (unreleased)
Santilli - Cold Circle (unreleased)
Matthew Hayes - FINITE (unreleased)
Miris - Pinch Clarinet (unreleased)
Sam Brickel - Octave Theory (unreleased)
Dashiell - Heineken Dub (unreleased)
Miris - Dub Tune (unreleased)
Norachi - Untitled (unreleased)

LXXXVIII - chomley

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

light ☁️

DW