Great old music, love this stuff. Where can I hear more like it, or like your ‘Fluresence by Space Time Continuum. Reflective Records, US 1993’. Do you have any old mixes available from the 1990s?

What genre of music do you consider this mix to be?

light ☁️

Barac Live @ Revolt - 09.05.2014

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

As our trajectory accelerates head-first into another year, it’s more important than ever to slow down and catch your breath. As automatic as that may seem, I’m talking more about the metaphorical meaning of breath aka a self-imposed moment of peace and quiet. To comprehend such a thing nowadays it’s crucial to have a soundtrack, and this episode of FHUO from the Daisy Records crew is the perfect accompaniment to refill the oxygen tanks. Frankifettucini & Obelix have created something truly special in this two-hour time frame, a magical trip through the sky, hopping from cloud to cloud, chasing a never-ending sunset. 

This mix is a true masterclass in immersion, which is what you would expect from two music nuts who run an incredible record store, as well as releases under the Daisy Records sub-label and curated events that really showcase what Naarm has to offer. They get it, and so will you after you listen to this. Enlightenment at its absolute finest, lose yourself then proceed to find yourself. See you on the other side. 

Peace & Love 

Their sounds >>>> https://soundcloud.com/daisyrecordsmelbourne

Their store >>>> https://www.daisyrecords.com.au/

FHUO # 92 // Daisy Records

June (i)tunes playlist  (Athens, 06-06-24, 37°C)


Isabel Zeumer, Karl Heinz Stegmann, Heinz Becker - Abends
Th Blisks - E v E 
L'Homme Statue - Jardim Secreto
Imaginaria - A State Of Mind
Rex Ilusivii - Letenje Jedrilice
Akis - Erotica
Arp - Il Sogno Di Monica 
Akis - At Sirius
Suso Saiz - Banana Buango-Mix
Sub Sub - Coast
Peak of Normal - Hava 
Folie 2 - SG Supersound 
Alex Ho - Tell Me 
David Datunashvili - Mixed Feelings
Alex Ho - Move
Paris Bis - Unis Dans La Nuit
Ghia - Keep Your House in Disorder 
Con Act - Lucky Dog
Hiroki Ishiguro - Unity
John Beltran - Em Trancoso
Cherly Glasgow - Glued to the Spot

Music For Heatwave I

Bill Spencer shares weekend recordings from his living room studio in Detroit, Michigan, from where he brings a range of soulful jazz rock, and ambient sounds, spanning to electronica and psychedelic dub.
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/bill-spencer/episodes/bill-spencer-18th-august-2024

A Month of Sundays w/ Bill Spencer - Japanese Dub Special 180824

From Japan here's producer, DJ and friend of the label Kunyuki Takahashi (@kuniyuki-takahashi) with a special recording of his live set during Rainbow Disco Club this year 2024. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Kuni. What was growing up in Sapporo like, being quite remote from the other major cities in Japan? Via what channels/media/ways did you learn about music, art, etc? 

KT: Tokyo is most biggest scene about culture and music, but I was really looking for more out of Japan. Sapporo is more slow. I was just into music when I was teenager so everydays looking interesting music, because around 80's was crazy it' like big bung for music. My friends and i also really looking for PUNK, Industrial music, Ambient music, also of cause electric music as well at that time. It was just our like networks and channels for connect to other essence from each one. You know Teenager No need mainstream, no need TV show just believe to get some good one  from friends!

MFM: Your sound overall has a very 'organic' and 'spiritual' touch. Where does this come from? Who and what were/are your inspirations?  

KT: Both of feeling is definitely I need and my favorite things about when I touch instruments because it's nice to connect into music. So many instruments has lot's of colors so it's my inspirations come from. But to be honest i'm really bad to playing instruments....

MFM: That is debatable, haha. Where did you actually learn to play all those instruments, like the conga's and flute?

KT: I learnt about percussion and congas by listening to African music, and in the 90s I spent a lot of time with these. I used to listen to Peter Gabriel's Realworld record series so it's my teacher of  music! There are flute-like instruments in synthesizers and music workstations, but when I tried to use flute sounds by Synth, I couldn't feel spiritual, so I decided to try my hand at it. There is so much spiritual real instruments.

MFM: Your contribution is a recording of your live show at Rainbow Disco Club in Japan this year 2024. What can you tell us about the show? For those who had to miss it, maybe you can describe the setting a bit?

KT: Yes it was from My good friend Masa From Rainbow disco club.
I've been joined Rainbow disco club many times and always did a Dance set but he Told me “could you play live show like your album from Music from memory For RDC2024?”, and I was say “YES I would love to and if we can do then I want to do proper Music from memory live set.” So it was so exciting. Because these music from MFM was very special. It was morning time, there is nature and birds singing, and I was joined with my like bird whistle, feel windows, relaxing people waiting before making dance time. I re-created all sound patterns so it was so fun like should do make Tape sound like bit noise sound, more retro sound. Also I really remembered about what I used different Chords before in the 80's and 90's!

MFM: Your live shows seem to be improvisation based, very playful. As if you're jamming in the studio. Does playing live differ much to you from working in the studio?

KT: Yes I love like improvisations when doing live show. I'm always thinking about each party is totally different energy from music lovers. I love to get something good happen with music lovers, and yes it's totally different with Studio works. Prepare for live set also needs time and skills, so i always try to do at my studio for what can happen at the live show.

MFM Mix 052: Kuniyuki Takahashi

The opener for 2025 is a mix by Khotin from Edmonton, known for his productions from such as Ghostly and Public Release. This 80mins recorded live in Victoria, British Columbia on August 5, 2023 sounds very imaginative. Over a powerful yet rounded bottom and nimbly dancing percussion, the dreamy and melancholic melodies that can be found his works sway, and his dubbed-out groove sometimes with a slight feverishness, but always maintaining a low altitude will make you feel as if you are dancing in the morning haze. Let's go deeper together.

@khotin

DREAMING 044 : Khotin - DJ set @Victoria Aug 2023

David Lynch tribute mix

030 Steve & Dj Earl Grey

DJ Earl Grey & Steve have been hosting a monthly Wednesday date-night residency for over a year, sharing the sensitive, soulful, and deep cuts from their record collection. Their shared love for each other - as well as jazz, soul, ambient, and rock - forms the foundation of their Waxflower mix.

This year, they launched Tender, a 'third space' offering yoga classes, deep listening sessions, movie screenings, exhibitions, workshops, and Naarm’s smallest record store.

Recorded live @waxflowerbar with @dj.earlgrey and @fax_lyrical

030 - Steve & Dj Earl Grey

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

The train is well and truly back on the rails, so let’s keep the energy rolling and treat those ears to a dose of pure sonic liberation. This brain-bending, neck-snapping, foot-burning mix comes courtesy of local legend Walter Majik, aka Jimmy Pham.

A masterful curation of all things mystical, this is a downtempo odyssey and an electrifying ride for the listener. Spanning every known dimension and beyond, this three-hour voyage elevates you into a higher state of consciousness, weaving together deep cuts from across the ages. Expect the finest in street soul, visionary alt-pop gems, 8-bit psychedelia, couch-core oddities, and so much more. It’s all about the journey—where you’ll end up is anyone’s guess.

This is Cafe-del-MORE!

Tune in, Drop out.

his sounds >>>> https://soundcloud.com/waxflowerbar

FHUO # 96 // Walter Majik

The Naturalizer

mineminemine vocal only version 
produced, mixed, mastered by prostatelatte <3 

mineminemine2.0

* INTERVIEW: https://boltingbits.com/mixed-by-no-moon/

We are extremely excited to have No Moon on our Mixed by series. He has released on the likes of Church, Craigie Knowes, X-Kalay and Blorp and continues to provide dreamy Electro, Techno and Breakbeat tracks for the dance-floor and beyond.During a worldwide pandemic we found the time to talk through a recent move to Berlin, the influential city of Manchester and we even managed to get some insight into his music production methods.

MIXED BY/ No Moon

Originally scheduled to play Paloma August 29th

Full support this way:
https://soundcloud.com/estimulo
https://palomarec.bandcamp.com/

Paloma Quarantine Podcast 035 - Estimulo

Recording from ~~ Virtually Nowadays ~~ NYC Live Stream 15.05.20. 

Love to DJ Voices for havin' me ^___^
Set was part of the Nowadays patreon.com/nowadaysnyc to help raise money while the venue's been closed during covid-19 crisis. plz subscribe. 


Tracklist ~~

1. Perko - What Otters 
perko.bandcamp.com/album/nv-auto
2. Sub Basics - Inertia 
cncptcollective.bandcamp.com/album/cncptv002-sub-basics
2. Roy Mills - Stabbed In The Lab 
roymills.bandcamp.com/track/stabbed-in-the-lab
3.Consulate - Bore Tracer (unreleased) 
past release - bitterfeld.bandcamp.com/album/bitterfeld-05-consulate)
5. Plasticman - Rickshaw
6. DBR - Hyper Focus (upcoming on Steeplejack 
steeplejackrecc.bandcamp.com/
7. Kellen303 - Destroyed My Memory 
specrecords.bandcamp.com/album/kellen303-risky-spe-c-015-08
8. Konduku - Mun 
nousklaer.bandcamp.com/album/emerald-island
9. Rings Around Saturn - Grip 
rings-around-saturn.bandcamp.com/album/ps003
10. Realitycheck - Xternal 
renascence9293.bandcamp.com/album/altered-tech-rnsc010
11. Greenman - Circle Fall
12. WEN - Lo-Fidelity 
13. Pugilist - Untitled 
nousklaer.bandcamp.com/album/horizon
14. Megalon - Mission
15. OK EG - Filament (Tackle Remix) 
okegmusic.bandcamp.com/album/anther
16. I Believe - Red Planet
isla.bandcamp.com/album/i-believe-outside-time-ep
17. Ubik - We Jack The House
18. Orichalcum & The Deviant - Dawn of Epsilon
19. Ronan - Crystal Viewer 
planeteuphorique.bandcamp.com/album/dream-portal-2
20. Perko - ???
21. Instra:mental - When I Dip nonplusrecords.bandcamp.com/album/nonplus-013-thomp-when-i-dip
22. Rene Wise - Loud Colours 
mote-evolver-label.bandcamp.com/album/loud-colours-e-p
23. Ramin Naghachian - Dawn Of Emptiness
24. Fio Fa - In Effect 
radiantlove.bandcamp.com/album/radiant-love-iwd-comp
25. Quazar - Flightrecorder
26. NA - B Storm
27. D. Tiffany -  Low LKR Records 
lkrrecords.bandcamp.com/album/cruel-trance
28. Al Wootton - Untitled 
alwootton.bandcamp.com/album/selah
29. Client_03 - Self Doubt Injector 
client03.bandcamp.com/album/thought-disposal
30. Horsepower Productions - To The Beat Y’All
31. Bolam - Break Yo’ Self 
meld-scotland.bandcamp.com/album/bolam-break-yo-self-meld002
32. Ebbz'N'Flo - Skeptikz (upcoming Animalia)
past Animalia - animalialabel.bandcamp.com/album/animalia-one)

happy bandcamp friday! stay safe

Virtually Nowadays

iota - downstream from pluto

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

PLEASE DON'T SEND DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 023: Jonah Sharp

Music From Memory

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